1,749,805 research outputs found
Noh Creation of Shakespeare
No full textThis article contains select comments and reviews on Noh Hamlet and Noh Othello in English and Noh King Lear in Japanese. The scripts from these performances were arranged based on Shakespeare’s originals and directed on stage and performed in English by Kuniyoshi Munakata from the early 1980s until 2014. Also, the whole text of Munakata’s Noh Macbeth in English (Munakata himself acted as Macbeth and Lady Macbeth in one play) is for the first time publicized. The writers of the comments and reviews include notable people such as John Fraser, Michael Barrett, Upton Murakami, Donald Richie, Rick Ansorg, James David Audlin, Jesper Keller, Jean-Claude Saint-Marc, Jean-Claude Baumier, Judy Kendall, Allan Owen, Yoshio ARAI, Yasumasa OKAMOTO, Tatsuhiko TAIRA, Hikaru ENDO, Kazumi YAMAGATA, Hanako ENDO, Yoshiko KAWACHI, Mari Boyd, and Daniel Gallimore
Noh Do Young キョウジュ メイヨ ハクシ ショウゴウ ジュヨシキ
No full textvideo/mp4開催日: 平成22年11月17日開催場所: 先端科学技術研究推進センター研修ホール講演者所属: Noh Do Young Gwangju institute of science and technology（光州科学技術院）講演者所属: 磯貝彰 本学学長vide
A CONVERGENCE OF YEATS AND NOH DRAMA : AT THE HAWKS WELL AND YORO
No full textIn 1916,W. B. Yeats wrote, At the Hawk's Well, his first play in six years. He was able to do this after being exposed to the Noh theater through his friend Ezra Pound. Richard Taylor stated that the source for this play came from one of the Noh plays Yeats would have had access to, Yoro. In fact, the source for At the Hawk's Well had been found much earlier in Morris's medieval dramas, The Well at the World's End and The Water of the Wondrous Isles. It was not necessary for Yeats to have borrowed from the Noh, nor do we have proof that he actually read the play in question.departmental bulletin pape
Clinical distinction between nasal optic disc hypoplasia (NOH) and glaucoma with NOH-like temporal visual field defects
No full textHiroshi Ohguro, Ikuyo Ohguro, Midori Tsuruta, Maki Katai, Sachie TanakaDepartment of Ophthalmology, Sapporo Medical University School of Medicine, JapanPurpose: To report on the clinically important differences between nasal optic hypoplasia (NOH) and glaucoma with NOH-like temporal visual field defect (VFD).Method: Five NOH (four bilateral and one unilateral) patients, three unilateral NOH patients with glaucoma, and two glaucoma patients with NOH-like temporal VFD were clinically characterized. Superior segmental optic nerve hypoplasia was also associated with glaucoma in one eye of a bilateral NOH case and the NOH eye of a unilateral NOH patient. Ocular manifestations including refractive errors, size, and appearances of the optic discs, retinal nerve fiber thickness (NFLT) ascertained by optical coherence tomography (OCT), and VFD were examined.Results: Ophthalmic examinations revealing NOH showed high myopia at more than -5.0D, a small disc with nasal double-ring appearance, significantly decreased NFLT by OCT, and retinal nerve fiber layer defect in the corresponding nasal sector. Stationary temporal VFD varied from a slight depression of the peripheral isopters to wide sector defects. In contrast, two glaucoma patients with NOH-like temporal VFD showed several different clinical features, including mild myopia less than -5D, a normal size with glaucomatous disc cupping; a slight decrease in nasal NFLT and progression of temporal and other glaucomatous VFD.Conclusion: Careful evaluation of optic disc appearance and measurement of NFLT using OCT may help to distinguish between NOH and glaucoma with NOH-like temporal VFD.Keywords: nasal optic disc hypoplasia, glaucoma, temporal visual field defects, optical coherence tomography, superior segmental optic nerve hypoplasi
Japanese Studies Spotlight: Kōgyo: The Art of Noh
No full textThe University of Pittsburgh Library System (ULS), which holds the largest collection of Tsukioka Kōgyo 月岡耕漁 (1869-1927) color woodblock prints outside of Japan, has digitized four complete sets that depict the noh theatre. This online collection comprises the largest digital representation of Kōgyo’s work freely available online. The set contains Nōgaku zue 能樂圖繪 (Pictures of Noh), Nōgaku hyakuban 能楽百番 (Prints of One Hundred Noh Plays), Nōga taikan 能画大鑑 (A Great Collection of Prints of Noh Plays), and Kyōgen gojūban 狂言五十番 (Fifty Kyōgen Plays) and is available via the website: https://exhibit.library.pitt.edu/kogyo
Noh
No full textNoh backdrop ; Noh is a major form of classical Japanese musical drama that has been performed since the 13th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh 'performance day' lasts all day and consists of five Noh plays interspersed with shorter, humorous kyogen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyogen play in between
Noh
No full textNoh play in progress ; Noh is a major form of classical Japanese musical drama that has been performed since the 13th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh 'performance day' lasts all day and consists of five Noh plays interspersed with shorter, humorous kyogen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyogen play in between
Noh
No full textNoh play in progress ; Noh is a major form of classical Japanese musical drama that has been performed since the 13th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh 'performance day' lasts all day and consists of five Noh plays interspersed with shorter, humorous kyogen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyogen play in between
Noh
No full textNoh play in progress ; Noh is a major form of classical Japanese musical drama that has been performed since the 13th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh 'performance day' lasts all day and consists of five Noh plays interspersed with shorter, humorous kyogen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyogen play in between
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