1,720,959 research outputs found
Petatah-Petitih Sebagai Titik Tolak Penciptaaan Seni Grafis
Full text linkDengan adanya fenomena tersebut penulistertarik untuk mengangkat "Petatah-Petitih sebagai Titik Tolak Penciptaan Seni Grafis" untuk dijadikan karya dalam Tugas Akhir. Karya-karya dalam Tugas Akhir ini pada dasarnya merupakan bentuk pengalaman dari masa kecil penulis terhadap kehidupan bermasyarakat di Padang (Sumatera Barat) yang proses belajar mengandung pahatan kata, patokan hukum/norma-norma dalam adat. Minangkabau yang disebut dengan petatah-petitih yang mengatur kehidupan schari-hari. Petatah-petitih tersebut dijadikan tema dalam pembuatan karya seni grafis dengan menggunakan teknik cetak tinggi
Membongkar Dan Menyusun Kembali Vertigo Visual Melalui Karya Seni
Full text linkPenelitian ini mengeksplorasi sensasi vertigo visual atas pengalaman traumatis terhadap lingkungan air yang diubah menjadi kekuatan kreatif dalam penciptaan karya seni rupa. Berangkat dari pengalaman traumatis penulis (tenggelam di Sungai Sinamar) yang berkembang menjadi ketakutan mendalam terhadap visual air yang luas dan dalam (thalassophobia). Ketakutan tersebut menciptakan pengalaman disorientasi visual yang disebut sebagai vertigo visual, sebuah sensasi yang tidak hanya bersifat patologis, tetapi juga memiliki potensi estetis. Dalam penelitian ini sensasi vertigo visual dipandang sebagai medan potensial untuk membangun pengalaman estetis baru yang menyenangkan terhadap air (thalassophilia) melalui karya seni.
Tujuan penelitian ini adalah merumuskan konsep, proses, dan bentuk karya seni yang didasarkan pada sensasi vertigo visual dengan pendekatan practice-led research (PLR). Paradigma penelitian artistik ini digunakan untuk menggali potensi kreatif dalam pengalaman ketubuhan, yang mengintegrasikan praktik penciptaan sebagai metode eksploratif sekaligus reflektif. Teori estetika sensasi Gilles Deleuze dan konsep tubuh tanpa organ (body without organs) menjadi landasan konseptual untuk menafsirkan tubuh sebagai medan intensitas, serta pengalaman visual sebagai proses afektif non representasional.
Penelitian ini menghasilkan dua karya seni instalasi berjudul Gelombang Cahaya dan Cahaya Berdenyut, yang memanfaatkan elemen cahaya, ruang, dan gerakan untuk menciptakan pengalaman visual imersif yang mengaktivasi tubuh terhadap sensasi vertigo visual. Karya ini menunjukkan bahwa sensasi vertigo visual bukan sekadar gejala trauma, tetapi dapat dikembangkan menjadi pengalaman estetis yang menyenangkan dan reflektif. Penelitian ini berkontribusi pada pengembangan praktik seni berbasis trauma dan membuka pendekatan baru untuk memahami tubuh, afeksi, dan penciptaan seni
Komunikasi Visual Kuliner Banyumas sebagai Media Pendukung City Branding "Better Banyumas"
Full text linkAbstrak
Better Banyumas menjadi tagline city branding dari Kabupaten Banyumas. Dalam implementasinya identitas dari perumusan tersebut belum dapat dipahami sebagai jaringan asosiasi atau persepsi dalam benak konsumen mengenai produk (dalam hal ini kota). Beberapa produk Banyumas memiliki diferensiasi dengan kota lainnya, seperti bahasa, geografis alam, dan kuliner yang unik. Kuliner Banyumas dapat menjadi salah satu identitas yang diangkat sebagai simbol keunikan untuk mempopulerkan Banyumas. Penelitian ini bersifat deskriptif kualitatif. Pengumpulan data diperoleh dari hasil studi lapangan, studi literatur, dan dokumentasi kuliner Banyumas. Dalam penelitian ini, peneliti mengambil sampel berdasarkan kuisioner yang telah disebarkan kepada 143 responden. Dari 17 populasi kuliner yang ada, diambil 13 sampel yang dijadikan data perancangan pada penelitian. Sampel tersebut diambil secara purposive sampling dengan melihat perolehan responden lebih dari 5%. Dari hasil pengambilan sampling, kuliner Banyumas tersebut kemudian dibagi menjadi tiga kategori, yaitu makanan, minuman, dan oleh-oleh khas Banyumas. Hasil dari penelitian ini adalah rumusan pemanfaatan media komunikasi visual dalam konten media sosial yang mudah ditemui oleh masyarakat luas. Fungsi komunikasi visual dapat menjadi media identifikasi, informasi, dan persuasi yang diharapkan mampu menjadi media pendukung dalam upaya pemerintah untuk memperkenalkan Banyumas melalui kuliner. Di lain sisi, komunikasi visual ini bertujuan meningkatkan citra Banyumas sebagai salah satu destinasi wisata.
Kata kunci: Banyumas, city branding, komunikasi visual, kuliner
Abstract
Better Banyumas became the city branding tagline of the Banyumas district. In the implementation, the identity of the formulation has not understood as network associations or perceptual within the mind of the customer (in this case is the city). Some of Banyumas products have Differentiation with other cities, such as language, natural geography, and unique culinary. Banyumas culinary can be one of the identities appointed as a symbol of uniqueness to popularize Banyumas. This research used descriptive qualitative. Data ware obtained from the research field studies, literature studies, and Banyumas culinary documentation. In this research, researchers took samples based on questionnaires that have distributed to 143 respondents. From 17 existing culinary populations, 13 samples ware taken and used as design data in the study. The sample had taken in purposive sampling by looking at the respondent'sacquisition of more than 5%. From the results sampling, Banyumas culinary divided into three categories, which are foods, drinks, and typical souvenirs of Banyumas. The results of this research are the use of visual communication media in social media content easily found by the wider society. The visual communication function can be a medium of identification, information, and persuasion which expected to become supporting media in the government order to introduce Banyumas through culinary. On the other hand, visual communication aims to improve Banyumas Image as one of the tourism destinations.
Keywords: Banyumas, city branding ,culinary, visual communicatio
MITOS ILUSTRASI FOTO FERDI SAMBO DALAM PEMBERITAAN MEDIA ONLINE
No full textIn today's information technology era, modern society is greatly spoiled by the ease of access to news. One of the information media is online media reporting, which offers news content in written form as well as color photo illustrations, making it easier for readers to understand the content of the news. However, photo illustrations as news content can sometimes be confusing, such as in the reporting of the premeditated murder committed by Ferdi Sambo. Therefore, it is important to deeply understand the meaning of the photo illustrations from the news content about Ferdi Sambo so as not to be trapped in a superficial interpretation of a news story. The interpretation of Ferdi Sambo's photo illustrations in online media uses a qualitative methodology with a semiotic approach by Roland Barthes regarding denotation and connotation meanings. The results of the analysis conducted on the photo illustrations of Ferdi Sambo in online media reporting indicate that some objectives and interests can be concluded as resistance or defense conducted through body gestures and fashion to address the case being faced
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
ANALISIS TANDA VISUAL DALAM TAGAR CORONA ART MUSEUM
Full text linkThe gallery is a space of interaction between artists and audiences. In the era of pamdemik covid, gallery space was closed due to physical distancing. Imaginary space is built by utilizing communication and information technology. Instagram as a digital platform is widely used as a space for building artistic interactions. Through the hashtag of Corona Art Museum, the writer looks for some visual works to be used as object of analysis. Verbal and visual signs in the visual content will be dissected using the classification of signs: icons, indexes, symbols from Charles S. Peirce and the system of meaning production of codes using The Five Code: Hermeunetic, Narrative, Cultural, Semantik & Symbolic from Roland Barthes. The reading of visual signs will use the Sumbo Tinarbuko Triadik in looking at aspects of visual communication. The results of reading visual signs will reveal how visual content in an imaginary space can be a space of expression and the existence of an artist / designer
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