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    Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review

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    Due to the inherent multiple-voicedness of the genre of novel, novelists, via taking oppositional textual positions, can create twofold narratives which serve to convey two different intentions simultaneously, the direct intention of the character who is speaking and the refracted intention of the author. Such narratives could be created through using the disguise of carnivalesque character whose discourse is intentionally dialogized by means of an ironic discourse which embeds a potential unfolded dialogue of two (opposing) world views. Austen draws on such potential inherent in novelistic discourse by creating carnivalesque characters, layering of masquerades, and multiple mimesis to disguise her real intention. Following Bakhtin's theories of dialogism and carnivalesque, the present research investigates Austen's Emma through tracing carnivalesque character, extremely mocked by the objective narrator in the novel, who serves to disguise the real intention of the author and to create a double-voiced discourse leading the readers towards a double reading of the narrativ

    "Following the Traces of Feminine Writing in Adrienne Rich"

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    The phallogocentric stucture of language privileges the male in construction of meaning throughout the patriarchal society which allows no place for feminine writing. Opposing what Lacan calls as phallogocentric discource, poststructuralist feminists exhort to what Cixous terms as "ecriture feminine" as the inscription of female diffence in language and text. Therefore, viewing women's difference as a source (of imagery) rather than a point of inferiority to men, Adrienne Rich redescovers female experiences in her poems through using "ecriture feminine" and thus exhbits the productiviy and plurality of women's language. Hence, the present study looking from the perspective of Cixous's "ecriture feminine," aims at analyzing female modes of writing in Rich's poems. The main finding of the research is that, through using female forms of expession as opposed to phallogocentric structure of expresson, Rich brings into being the symbolic weight of female consciousness, illustrating the oppressive forces that obstruct female expression

    Following the Traces of Feminine Writing in Adrienne Rich’s Poems

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    The phallogocentric structure of language privileges the male in construction of meaning throughout the patriarchal history which allows no place for feminine writing. Opposing what Lacan calls as phallogocentric discourse, poststructuralist feminists exhort to what Cixous terms as “écriture feminine” as the inscription of female difference in language and text. Therefore, viewing women's difference as a source (of imagery) rather than a point of inferiority to men, Rich rediscovers female experiences in her poems through using “écriture feminine” and thus exhibits the productivity and plurality of women’s language. Hence, the present study, looking from the perspective of Cixous’s “écriture feminine,” aims at analyzing female modes of writing in Rich’s poems. The main finding of the research is that, through using genuine female forms of expression as opposed to phallogocentric structure of expression, Rich brings into being the symbolic weight of female consciousness, illustrating the oppressive forces that obstruct female expression

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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