1,728,796 research outputs found
Ning Wang, Making a Market Economy; Yan Sun, Corruption and Market in Contemporary China
These two works shed light on the conditions under which, in the course of the last 25 years, the command economy has been dismantled and gradually replaced by a market system in China . Yan Sun, a professor of political science, is interested in corruption from a double perspective, both at the macro and the micro level. Ning Wang, a neo-institutionalist economist, asks how, thanks to the reforms, a region (Jingzhou, south of Hubei ) has been converted to pisciculture. Corruption is a crucia..
Supplementary Data for Paper: <strong>The relative roles of pigment and specular hematite in red beds as magnetic fabric contributors</strong>
The figures contain detailed data from the work of Ning Wang and John Geissman, titled "The relative roles of pigment and specular hematite in red beds as magnetic fabric contributors." The figures include detailed AMS fabric data and data for AMS parameters.</p
Yan Sun, Corruption and Market in Contemporary China ; Ning Wang, Making a Market Economy. The Institutional Transformation of a Freshwater Fishery in a Chinese Community
Guiheux Gilles. Yan Sun, Corruption and Market in Contemporary China ; Ning Wang, Making a Market Economy. The Institutional Transformation of a Freshwater Fishery in a Chinese Community. In: Perspectives chinoises, n°101, 2007. pp. 127-130
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
sj-docx-1-tct-10.1177_15330338231194555 - Supplemental material for Identifying TYMP as an Immune Prognostic Marker in Clear Cell Renal Cell Carcinoma
Supplemental material, sj-docx-1-tct-10.1177_15330338231194555 for Identifying TYMP as an Immune Prognostic Marker in Clear Cell Renal Cell Carcinoma by Shao-An Chen, Jun-Peng Zhang, Ning Wang and Ji Chen in Technology in Cancer Research & Treatment</p
appendix – Supplemental material for Social Participation and Health Outcomes Among Caregivers and Noncaregivers in Great Britain
Supplemental material, appendix for Social Participation and Health Outcomes Among Caregivers and Noncaregivers in Great Britain by Athina Vlachantoni, Zhixin Feng, Ning Wang and Maria Evandrou in Journal of Applied Gerontology</p
Supplemental Material - Typologies of Intergenerational Relations in Urban and Rural China: A Latent Class Analysis
Supplemental Material for Typologies of Intergenerational Relations in Urban and Rural China: A Latent Class Analysis by Ning Wang, Maria Evandrou, Jane Falkingham and Maodi Xu in Journal of Applied Gerontology</p
Supplemental Material - Expectations Regarding Reciprocity of Flows of Intergenerational Support in China: Does Gender or Birth Order Matter?
Supplemental Material for Expectations Regarding Reciprocity of Flows of Intergenerational Support in China: Does Gender or Birth Order Matter? by Zequn Tang, Ning Wang, Maria Evandrou, and Jane Falkingham in Journal of Applied Gerontology</p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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