1,721,401 research outputs found
Niklaus Wirth — A Pioneer of Computer Science 1
No full textNiklaus Wirth is one of the most influential scientists of the early computer age. His ideas and especially his programming languages have shaped generations of programmers worldwide. This paper tries to acknowledge the scientific achievements of Niklaus Wirth and to honor him as a person. A small part of the paper is also devoted to Wirth's influence on computer science at the Johannes Kepler University of Linz
Compiler Construction—The Art of Niklaus Wirth 1 Compiler Construction
No full textNiklaus Wirth is not only a master of language design but also a pioneer of compiler construction. For four decades he has refined his techniques for building simple, efficient and reliable compilers. This paper tries to collect some general principles behind his work. It is not a paper about new compilation techniques but a reflection about Wirth's way to write compilers.
3. The 8-Queens Problem and an Approach to Its Solution
No full textis a digitized copy derived from an ACM copyrighted work. It is not guaranteed to be an accurate copy of the author's original work
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Algoritma Pemrograman dengan Bahasa Program Pascal
No full textAlgoritma adalah cara yang efektif untuk direpresentasikan sebagai deret hingga. Algoritma juga merupakan kombinasi dari perintah-perintah yang memecahkan masalah secara sistematis, terstruktur dan logis. Tidak peduli apa masalahnya. Kita harus memanfaatkan suatu kondisi pada setiap masalah untuk menentukan syarat pertama yang wajib untuk kita ikuti sebelum kita menjalankan sebuah algoritma. Algoritma biasanya juga memiliki sebuah prosedur iteratif, serta pengambilan keputusan sampai keputusan tersebut diselesaikan. Pascal ialah sebuah bahasa pemrograman komputer yang berkembang pada tahun 1971 oleh Profesor Niklaus Wirth, anggota Federasi Internasional untuk Pemrosesan Informasi (IFIP). Berdasarkan pada nama asli seorang Matematikawan dari Francis yaitu Blaise Pascal yang pertama sekali yang menciptakan sebuah komputer, Profesor Niklaus Wirth menciptakan sebuah bahasa Pemrograman Pascal, sebagai tambahan untuk menyampaikan konsep Pemrograman PC untuk siswa siswanya tersebut
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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