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    Sedimentological signatures of lacustrine tsunamis

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    Lake tsunamis are a natural hazard with high magnitudes and low recurrence rates. Because of their infrequent occurrence in space and time, little is known about the associated hazard and the risk to the vulnerable coastal areas that are often heavily populated. However, historical reports and recent scientific achievements show that certain Swiss lakes may have been repeatedly affected by tsunamis during the last 15’000 years. This makes Switzerland an ideal case-study area to conduct fundamental research in the field of tsunamis and to gain new knowledge applicable to other lacustrine areas, as well as to the marine environment. Lacustrine tsunamis can be generated by subaqueous and subaerial mass movements, volcanic eruptions, fault displacements within large lakes, and air-pressure disturbances. Mass movements, triggered by strong earthquakes, are considered one of the main causes. However, spontaneous delta collapses and subaerial impact, often related to artificial rock-mining activities, also have induced tsunami events on Swiss lake basins. The geological record of mass-movement deposits in the seismically imaged stratigraphy of deep lake basins provides evidence for the occurrence of prehistoric lake tsunamis. However, because the dimensions (e.g., spatial distribution, volume, etc.) and dynamics (e.g., single-stage or multi-stage failures, initial acceleration, velocity, cohesion etc.) of mass movements strongly influence tsunami generation, which is difficult to estimate, conclusive evidence for prehistoric lake tsunamis is lacking. Therefore, the geological record in the on- and offshore coastal environment may provide further evidence on past lacustrine tsunami events. These sedimentological signatures are examined in this thesis. Recent marine (2018 Sulawesi earthquake and tsunami, Indonesia) and lacustrine (2007 landslide-generated tsunami in Chehalis Lake, Canada) tsunami events indicate that large amounts of sediment are mobilized during tsunami inundation and transported both landward and seaward with backwash currents. To date, a wide variety of sedimentological bed forms and characteristic depositional signatures have been described from various coastal environments. Nevertheless, hardly any tsunami deposits have been described from the on- and near-offshore of lakes, and none were investigated in and around Swiss lakes until today. Yet, historical tsunami hazard descriptions from Swiss lakes provide documentation of inundation distances and run-up, and in specific cases, a limited description of the associated deposits left behind. These descriptions were used to characterize and locate tsunami deposits from lacustrine environments that were compared with descriptions of their marine counterparts. In summary, a combination of geological field- and laboratory analysis, numerical tsunami propagation simulation, and historical documents is used to identify and characterize lacustrine tsunami deposits in several Swiss lakes. At field sites where positive evidence for tsunami deposits was observed, sedimentological characteristics are used to finally validate the robustness of numerical tsunami propagation simulations applied to mass movements observed from bathymetric and seismic reflection data in the lake. Based on numerical tsunami simulation and a suite of sediment cores from the coastal on- and offshore environment of Lake Sils, we were able to reconstruct a prehistoric delta collapse-generated tsunami. An offshore tsunami deposit of the historic 1601 Lake Lucerne event was observed from sediment core transect in a coastal depression in the Lucerne Bay. Another sediment core recovered from the coastal offshore environment contains sedimentary signatures that are likely associated with bottom currents from prehistoric tsunami events at ~2200 and ~5400 Before Present at Lake Lucerne. The observed sedimentological signatures of lake tsunamis were investigated using multi-proxy analysis including whole-core scans (density, magnetic susceptibility, and CT), as well as micro-CT scanning of sediment U-channels, radiocarbon dating, elemental analysis, and grain-size analysis. The identified sedimentological signatures consist of sharp lower and upper sedimentary contacts, successions of single and multiple normal graded sand, massive sand beds, and a characteristic fine-grained top. Based on radiocarbon dating, these signatures can be associated with large mass-movement deposits observed in sediment cores and seismic-reflection data of the deep lake basin

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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