1,721,094 research outputs found
Urban Screens in Turin and Milan: Design, Public Art and Urban Regeneration
Urban screen e media architecture e l'esperienza mediale nello spazio urbano. Il saggio analizza nello specifico gli esempi dell'urban screen in piazza Duomo a Milano e le esperienze di light design urbano e screen informativi a Torino
Video Vortex reader : responses to Youtube
The Video Vortex Reader is the first collection of critical texts to deal with the rapidly emerging world of online video – from its explosive rise in 2005 with YouTube, to its future as a significant form of personal media. After years of talk about digital convergence and crossmedia platforms we now witness the merger of the Internet and television at a pace no-one predicted. These contributions from scholars, artists and curators evolved from the first two Video Vortex conferences in Brussels and Amsterdam in 2007 which focused on responses to YouTube, and address key issues around independent production and distribution of online video content. What does this new distribution platform mean for artists and activists? What are the alternatives
Urban Screens in Turin and Milan: Design, Public Art and Urban Regeneration
Urban screen e media architecture e l'esperienza mediale nello spazio urbano. Il saggio analizza nello specifico gli esempi dell'urban screen in piazza Duomo a Milano e le esperienze di light design urbano e screen informativi a Torino
The Politics of Social Media Manipulation
Disinformation and so-called fake news are contemporary phenomena with rich histories. Disinformation, or the willful introduction of false information for the purposes of causing harm, recalls infamous foreign interference operations in national media systems. Outcries over fake news, or dubious stories with the trappings of news, have coincided with the introduction of new media technologies that disrupt the publication, distribution and consumption of news -- from the so-called rumour-mongering broadsheets centuries ago to the blogosphere recently. Designating a news organization as fake, or der Lügenpresse, has a darker history, associated with authoritarian regimes or populist bombast diminishing the reputation of 'elite media' and the value of inconvenient truths. In a series of empirical studies, using digital methods and data journalism, the authors inquire into the extent to which social media have enabled the penetration of foreign disinformation operations, the widespread publication and spread of dubious content as well as extreme commentators with considerable followings attacking mainstream media as fake
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