1,720,973 research outputs found
Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust, 2013
No full textCabanès Jean-Louis. Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust, 2013. In: Cahiers Edmond et Jules de Goncourt n°20, 2013. Le Roman de la jeune fille. pp. 205-208
Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust, 2013
No full textCabanès Jean-Louis. Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust, 2013. In: Cahiers Edmond et Jules de Goncourt n°20, 2013. Le Roman de la jeune fille. pp. 205-208
Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust
Get PDFNicolas Valazza, professeur assistant à l’université d’Indiana (Bloomington) et correspondant aux États-Unis pour la Société des études romantiques et dix-neuviémistes, propose, avec ce beau titre, un ouvrage qui parcourt, à nouveaux frais, le motif des relations entre écriture et peinture dans la moyenne durée : « de Diderot à Proust ».Le point de départ du travail est le Portrait de Zola par Manet, exposé au Salon de 1868, dont l’analyse permet de montrer « la multiplication des éléments i..
Parution - Nicolas Valazza, "La Poésie délivrée. Le Livre en question du Parnasse à Mallarmé"
No full textNicolas Valazza, La Poésie délivrée. Le Livre en question du Parnasse à Mallarmé, Genève, Droz, 2018. Comment se fait-il que nombre de poètes parmi les plus influents de la seconde moitié du XIXe siècle, des maîtres du Parnasse à Mallarmé, aient eu tant de mal à publier des livres ? Situé au croisement de l’histoire de l’édition et de l’analyse littéraire, ce livre tâche de répondre à cette question, parmi d’autres, en considérant le contexte éditorial de l’époque, caractérisé par le triomph..
Nicolas Valazza, Crise de plume et souveraineté du pinceau. Écrire la peinture de Diderot à Proust
Get PDFIl diciottesimo secolo segna la messa in discussione del principio oraziano dell’ut pictura poesis, sul quale gli intellettuali del Rinascimento italiano avevano basato il paradigma della superiorità della parola scritta rispetto alla pittura. La ridistribuzione delle forme artistiche che ne consegue, osserva Nicolas Valazza nell’introduzione (pp. 9-20), si concretizza nella negazione del principio, fino ad allora dominante, delle arti sorelle, e nell’affermazione di una pittura sovrana che r..
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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