7,915 research outputs found
Lecture: Author Susan Orlean
Shaker Library and the Shaker Schools Foundation present Susan Orlean, SHHS grad and author of The Library Book, who will speak about her love of libraries and the impact of books on her life.
Susan Orlean grew up in Shaker Heights and graduated from Shaker Heights High School in 1973, where she was editor in chief of the school’s yearbook, The Gristmill. She graduated with honors from the University of Michigan in 1976. She has written for the Boston Phoenix, the Boston Globe and has been a staff writer at The New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film, Adaptation. She lives with her family and her animals in upstate New York
Susan Sokol Blosser Interview
This interview is an oral history conducted by Linfield College archivist Rich Schmidt with Susan Sokol Blosser of Sokol Blosser Winery in Dayton, Oregon. The interview took place at the Jereld R. Nicholson Library at Linfield College on June 5, 2018.
Susan Sokol Blosser is the co-founder and former president of Sokol Blosser Winery. In this interview, Sokol Blosser discusses how she got into the wine business, as well as different aspects of the industry and community in which she was involved. She also talks about her experience passing on the title of president to her two children, Alex and Alison
Susan Kean Items in Her Possession
Susan Kean lists items in her possession. People included: G. Davis, Mrs. Corvaisier, Philip Livingston, Robert Morris, Greanleaf and Nicholson, Herman LeRoy, John Rutherfurd, Robert Barnwell, Mr. Rickets, Mr. Risberg, George Willing. Places mentioned: Beaufort, SC, Bank of the United States.https://digitalcommons.kean.edu/lhc_1790s/1377/thumbnail.jp
Citizen piece on the Harvey Prager controversy. The author, Susan Clark Abbot
Citizen piece on the Harvey Prager controversy. The author, Susan Clark Abbott, is executive director of the Hospice of Maine in Portland, and takes exception with the judicial system and the media for implying that caring for the terminally ill is similar to a prison sentence
Susan Sokol Blosser Interview 10
Susan Sokol Blosser is photographed during an oral history interview at the Jereld R. Nicholson Library at Linfield College in McMinnville, Oregon on June 5, 2018. Sokol Blosser was interviewed by Linfield College archivist Rich Schmidt.
Susan Sokol Blosser is the co-founder and former president of Sokol Blosser Winery.https://digitalcommons.linfield.edu/owha_sokol_ohphotos/1034/thumbnail.jp
Susan Sokol Blosser Interview 09
Susan Sokol Blosser is photographed during an oral history interview at the Jereld R. Nicholson Library at Linfield College in McMinnville, Oregon on June 5, 2018. Sokol Blosser was interviewed by Linfield College archivist Rich Schmidt.
Susan Sokol Blosser is the co-founder and former president of Sokol Blosser Winery.https://digitalcommons.linfield.edu/owha_sokol_ohphotos/1033/thumbnail.jp
Susan Sokol Blosser Interview 11
Susan Sokol Blosser is photographed during an oral history interview at the Jereld R. Nicholson Library at Linfield College in McMinnville, Oregon on June 5, 2018. Sokol Blosser was interviewed by Linfield College archivist Rich Schmidt.
Susan Sokol Blosser is the co-founder and former president of Sokol Blosser Winery.https://digitalcommons.linfield.edu/owha_sokol_ohphotos/1035/thumbnail.jp
Sustainability Awareness Week 2021: Climate Anxiety with Dr. Susan Clayton
Five current FIT students and recent graduates will join Daniel Benkendorf and climate anxiety scholar, Dr. Susan Clayton.In this session, Daniel Benkendorf (Psychology) will discuss the issue of climate anxiety with Dr. Susan Clayton, a psychologist who is both an internationally-recognized scholar on this topic and who is also a lead author on the Sixth Assessment Report of the Intergovernmental Panel on Climate Change. A panel of current FIT students and recent graduates will join Benkendorf and Clayton as they define and explore the features and peculiarities of climate anxiety and consider ways to ameliorate it.Sustainability is a key component of FIT’s mission and is embedded in the college’s curriculum and operations. During virtual Sustainability Awareness Week, we invite our community to learn about recent innovations from leaders in the industry, FIT students, faculty, staff, and alumni; experience FIT’s efforts to make a positive impact on the earth; and discover new ways to live with a smaller footprint
'Pilings of Thought Under Spoken': The Poetry of Susan Howe, 1974-1993.
PhDThis thesis discusses the poetry published by contemporary American poet Susan
Howe over a period of almost two decades. The dissertation is chiefly concerned with
articulating the relationship between poetic form, history, and authority in this body
of' work. Howe's poetry dredges the past for the linguistic effects of patriarchy,
colonialism and war. My reading of the work is an exploration of the ways in which a
disjunctive poetics can address such historical trauma. The poems, rather than
attempting to reinstate voices lifted from what Howe has called "the dark side of
history", are a means of reflecting the resistance that the past offers to contemporary
investigation. It is the effacement, and not the recovery, of history's victims, that is
discernible in the contours of these highly opaque texts. Notions of authority are most
often addressed in the poetry through the figure of paternal absence, which has a
threefold function in the work, serving to represent social authority, an aporetic
conception of divinity and an autobiographical narrative. Alongside the antiauthoritarian
currents in the writing - critiques, for example, of the doctrine of
Manifest Destiny or of scapegoating versions of femininity - my thesis stresses Howe's
engagement with negative theology and with a strain of American Protestant
enthusiasm that has its roots in 17th century New England. The dissertation explores
the dissonance caused by the co-existence in the poetry of elements of political dissent
and religious mysticism. Finally, I consider Howe's engagement with literary history
and authors such as Shakespeare, Swift, Thoreau and Melville. The manner in which
Howe deploys the words of others in her work, I argue, allows for a mixture of textual
polyphony and a more conventional notion of authorial 'voice'
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