1,721,103 research outputs found

    Services for heroin withdrawal: A review

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    Nicholas Lintzeris, Linda Gowing, and James Bellhttp://trove.nla.gov.au/work/3516264

    Prof Nicholas Lintzeris

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    The characteristics of a cohort who tamper with prescribed and diverted opioid medications

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    Abstract not availableBriony Larance, Nicholas Lintzeris, Raimondo Bruno, Amy Peacock, Elena Cama, Robert Ali, Ivana Kihas, Antonia Hordern, Nancy White, Louisa Degenhard

    Pharmacotherapies for the Treatment of Opioid Dependence: Efficacy, Cost-Effectiveness and Implementation Guidelines

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    Richard P. Mattick, Robert Ali, Nicholas Lintzeris ; [foreword by John Strang]Opioid dependence and management / Louisa Degenhardt, Richard P. Mattick, and Amy Gibson -- Pharmacology of opioid agonists and antagonists / Andrea L. Gordon ... [et al.] -- Services for heroin withdrawal : a review / Nicholas Lintzeris, Linda Gowing, and James Bell -- Methadone maintenance treatment / Jeff Ward, Wayne Hall, and Richard P. Mattick -- LAAM in the treatment of opioid dependence : a systematic review / Nicolas Clark, Alan Gijsbers, and Jason M. White -- The place of buprenorphine in the management of opioid dependence / Richard P. Mattick, Courtney Breen, and Amy Gibson -- Treating heroin dependence with diamorphine (pharmaceutical heroin) / Gabriele Bammer -- Naltrexone maintenance treatment / Amy Gibson and Alison Ritter -- Pharmacotherapies and pregnancy / Adrian Dunlop ... [et al.] -- Politics, practice, and research into treatment of heroin addiction / James Bell -- Clinical guidelines and procedures for the use of methadone in the maintenance treatment of opioid dependence / Sue Henry-Edwards ... [et al.] -- National clinical guidelines and procedures for the use of buprenorphine in the treatment of heroin dependence / Nicholas Lintzeris ... [et al.] -- Clinical guidelines and procedures for the use of naltrexone in the management of opioid dependence -- James Bell ... [et al.] -- Choosing treatments : the role of economics in informing future decisions / Marian Shanahan and Richard P Mattick.http://trove.nla.gov.au/work/3516264

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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