8 research outputs found
Frank Swinnerton : the life and works of a bookman
No full textFrank Swinnerton worked as a clerk for J.M. Dent & Co. between 1901 and 1907 and as a publisher's reader for Chatto & Windus from 1907 until 1926, during which time he began his career as a writer of fiction, became influential as a reviewer and commentator on literary fashions, and began close friendships with Arnold Bennett, HG Wells and Hugh Walpole. In 1926 he left London to live in Cranleigh, Surrey, as a full-time writer of novels, short stories, critical works, book and theatre reviews, and miscellaneous articles for newspapers and periodicals. He died at the age of ninety-eight in 1982. This is the first biography of Frank Swinnerton to be undertaken in Great Britain. An analysis has been made of each of his works, both novels and non-fiction. His influence in literary circles has been assessed, and his contribution to the book world is placed within the background of literary output and trends in the twentieth century. Swinnerton was not a great writer, but his temperament, circumstances and talent combined to produce a respected literary figure whose strength was his perception and understanding of the progress of the British literary world through the centuries.
Swinnerton's numerous friendships are dealt with as they occurred, although major relationships are examined more fully at the point where the friend died. For example, details on HG Wells can be found with his death in 1946 and on Compton Mackenzie with his death in 1972. Greater space has been given to his involvements with Arnold Bennett and Hugh Walpole, in separate chapters placed close to the time of their deaths in 1931 and 1941. One other chapter stands out of sequence. This examines Swinnerton's relationship with his two wives: his complex courtship of Helen Dircks and his second marriage to Mary Bennett. This period, between 1917 and 1924, which also includes a
description of his first lecture tour of the USA in 1923, has been placed immediately after chapters 7 and 8, which examine Swinnerton's general life and work during the same period. Apart from published works and newspaper and periodical articles, the main material used has been Swinnerton's personal diaries, which date from 1910 to 1978, and the correspondence and miscellaneous papers in his personal possession. Also consulted has been a doctoral thesis by Jesse Franklin McCartney presented to the University of Arkansas in 1965, which annotates the large collection of correspondence by Frank Swinnerton to writers, publishers, boakmen and other literary figures, as well as their
replies, which are housed in the University library. Full texts of these letters have been obtained where appropriate and used in this work. Professor Blair Rouse of the University of Arkansas wrote a critical appreciation of Swinnerton's work in the 1960s and his widow has allowed use of the unpublished manuscript and letters exchanged between Rouse and Swinnerton, and has sent correspondence between Swinnerton and the Pinker family. Finally, Swinnerton's friends and family have provided facts, opinions and reminiscences
Supporting evidence-based adaptation decision-making in South Australia: a synthesis of climate change adaptation research
No full textThis research synthesis provides policy-makers and practitioners with an understanding of the building blocks for effective adaptation decision-making, as evidenced through the NCCARF research program. It synthesised a portfolio of adaptation research for each Australian state and territory and addressing the complex relationships between research and policy development. Each state and territory synthesis report directs users to research relevant identified priorities
Supporting evidence-based adaptation decision-making in Western Australia: a synthesis of climate change adaptation research
No full textThis research synthesis provides policy-makers and practitioners with an understanding of the building blocks for effective adaptation decision-making, as evidenced through the NCCARF research program. It synthesised a portfolio of adaptation research for each Australian state and territory and addressing the complex relationships between research and policy development. Each state and territory synthesis report directs users to research relevant identified priorities
NONPROFIT MARKETING VS. FOR-PROFIT MARKETING: ANALYZING KEY TRENDS IN NONPROFIT MARKETING
No full textabstract: This paper analyzes the differences between for-profit marketing and nonprofit marketing and the nuances around nonprofit marketing. There are currently almost 1.8 million nonprofits registered with the Internal Revenue Service (IRS). This sector contributed approximately $1.047.2 trillion to the US economy in 2016 alone (National Center for Charitable Statistics, 2020). Prior research on nonprofit marketing indicates that nonprofit marketing is more complex and nonprofit organizations face many challenges in developing marketing strategies. Many studies have shown a trend in emerging technologies impacting the way nonprofits can market, including demographic changes, social media, targeting strategies, and improved customer relationships (Andreasen, 2012; Switzer, 2021; Crawford and Jackson, 2019; George and Shah 2021; Graca and Zwick, 2020). To further explore nonprofit marketing and trends in the industry, I interviewed marketing specialists working in nonprofit organizations in Arizona to gain their perspective on marketing in the nonprofit sector. I found a lot of similarities between the results from prior studies on nonprofit marketing and the findings from my interviews such as personalized targeting strategies, the importance of relationships, technological advancements, lack of resources, and digital marketing strategies. However, it was interesting that respondents did not highlight issues related to demographic trends and social media as being central to their marketing strategies. (abstract
The modernist angel: Art at the Limits of the Human in D. H. Lawrence, H. D. and Mina Loy
No full textPhDThe subject of this thesis is a figure that might provisionally be called the *modemist
angel'. Focusing on modernist literature, and more particularly on the work of D. H.
Lawrence, H. D. and Mina Loy, it aims to isolate from the many angels found in all periods
and all types of art a historically specific and intellectually coherent paradigm: an angel of
and for its modernist times. A figure of precisely this type could be said to exist in the
form of Walter Benjamin's 'angel of history'. Critics who address the question of the
modern angel in texts by Franz Kafka and Rainer Maria Rilke often do so in conjunction
with the problem posed by the angel of history. Beginning with a chapter on Benjamin,
this thesis nevertheless follows a different trajectory. Over five chapters, it explores a
modernist landscape formed not only by Lawrence, H. D. and Loy, but also by European
and American writers such as A. R. Orage, Allen Upward, Ezra Pound, Wallace Stevens,
Havelock Ellis, Edward Carpenter, Sigmund Freud and Friedrich Nietzsche. Although the
angel that emerges from this investigation might, in some respects, be said to anticipate
Benjamin's later version, this figure is also very different, standing for a project that is
distinctively, and recognisably, modernist in nature. He/she (the sex of the modernist
angel is often open to question) represents an attempt to reconcile the divine
responsibilities of the artist with the material and gendered conditions of being,
specifically of being human, in the modem world. This thesis looks again at the clash of
intellectual paradigms in the early-twentieth century - notably, the confrontation of the
Romantic view of art as a superhuman or sacred undertaking with the psychoanalytical or
evolutionary idea that all human endeavour is underpinned by sub-human motives - and
suggests the angel as a new and instructive figure through which to think the perilous
limits between the human and the divine in modernist literature
Dialect, drama and translation : a socio-cultural investigation into the factors influencing the choice of strategies in German-speaking Europe
No full textThis thesis examines the translation of dialect in drama in German-speaking Europe,
exploring the complex influences on the choice of strategies by practitioners. Utilising
paradigms of Descriptive Translation Studies, polysystem theory and norms theory, it
investigates how the target culture influences dialect translation practice.
The study offers, for the first time, a systematic overview of the functions of dialect in
drama, and the translation strategies available, identifying the influences on dialect
translation practice in northern Germany, German-speaking Switzerland and Scotland.
Based on these, three research areas are explored, focussing on northern Germany,
German-speaking Switzerland and Luxembourg:
- the sociolinguistic situation and the emergence of oral standard;
- the use of dialect in German-language drama as a stylistic device in particular
genres and, especially, for socio-political functions;
- how the translation process illuminates the norms for drama and dialect translation
and their connection with both sociolinguistic factors and norms of German drama
production.
Three case studies exemplify the findings, illustrating the complexity of targetculture-
related factors that had an impact on translating three British plays into
standard and into Swiss German, Low German and Luxembourgish: Stephen
Greenhorn’s Passing Places, John Millington Synge’s The Playboy of the Western
World and Ray Cooney’s Run for Your Wife.
This study offers a unique insight into drama and dialect translation in Germanspeaking
Europe. It demonstrates that the introduction of an oral standard mitigates
against dialect use in German original drama and translations; that changing
relationships between German-speaking countries, nationalist movements and efforts
to raise the status of a dialect encourage its use in drama; and that genres like comedy,
murder mystery, farce, but also Naturalist, Realist and folk plays are more likely to
use, and be translated into, dialect. It suggests similar projects for other countries, and
will be of relevance to theatre and translation practitioners
In vitro soil-less (IVS) rooting medium
No full textThe principle hypothesis of this thesis is that hypoxia, in agar-based media, compromises rooting in vitro. From a practical point of view this is important because most plant tissue culture activities require the material to be successfully acclimatised in a nursery environment. Compromised rooting often results in excessive losses at this stage which are costly and inconvenient. In addition, many plants with commercial and/or scientific interest remain unavailable as they are not able to be rooted and acclimatised reliably. The use of agar as a rooting medium has limited the capacity of plant tissue culture to clonally propagate many plants.
The thesis begins by demonstrating how poorly some plants respond to agar rooting media. Juvenile Chamelaucium hybrid microcuttings were pulsed with IBA 40 mcg M and then placed for 3 weeks on either M1 (1/2 MS) or aerated in vitro soil-less substrate (IVS) (Chapter 2). IVS had 42-82% rooting at the end of Stage 3 compared with 0-1% in agar. Shoot survival for IVS-rooted microcuttings was significantly greater than M1-rooted shoots. Pulsed shoots placed in IVS showed root primordia after 7 days. In contrast, shoots placed in agar showed no root primordia after 21 days and formed callus but did not root when subsequently placed in IVS for a further 4 weeks. The agar medium almost totally and permanently inhibited the capacity of competent shoots to form root primordia and roots.
The effectiveness of different types of aerated and non-aerated media, including IVS, were tested to validate the hypothesis (Chapter 3). Microcuttings from shoot cultures of two Australian plants Grevillea thelemanniana and Verticordia plumosa x Chamelaucium uncinatum were pulsed for 7 days on a high auxin (40 mcg M IBA), agar-solidified medium in the dark. Rooting of the microcuttings was then compared on five experimental substrates: a) standard agar M1 medium (1/2 MS, no hormones, 8 g agar L-1), b) porous-agar medium (1/2 MS, no hormones, 30 g agar L-1, solidified then blended to provide aeration), c) white sand wet with liquid M1, d) white sand with M1 medium containing agar, and e) IVS. A separate experiment involved flushing the IVS soil profile with low or normal oxygen. Low and variable rooting percentages were recorded on the controls on M1 medium. Root induction and average total root length per microcutting at final harvest were significantly higher using the porous media including IVS, blended agar or white sand. The M1 medium and the addition of M1 medium to sand suppressed the percentage rooting and elongation. Flushing the IVS rooting medium with low oxygen also suppressed rooting. The experiments showed that increasing the air-filled porosity of the rooting medium has a positive effect on rooting and this is most likely due to the increased oxygen at the base of the microcutting. The role of ethylene, and the sugar and nutrients in M1 were not investigated.
The efficacy of the IVS protocol on a range of Australian herbaceous and woody species was investigated to determine whether the observed benefits were generic or plant specific (Chapter 4). Improved rooting in IVS compared to agar was shown for 28 Australian species and genotypes from the families Liliaceae, Haemodoraceae, Myrtaceae, Thymelaeaceae, Proteaceae, Goodeniaceae and Rutaceae. Twenty-seven of the 28 species rooted in IVS medium at equal or better rates than in M1. In three cases - Actinodium cunninghamii, one of the Pimelea physodes genotypes and one of the Eriostemon australasius genotypes - shoots did not root in M1 but showed good root development in IVS medium. With few exceptions average root length and number in microcuttings rooted in IVS was superior to those in agar medium.
To further test the resilience of the hypothesis, it was tested on nodal microcuttings of lentil which are recalcitrant to root in vitro (Chapter 5). The veracity of a published conclusion that inverted lentil microcuttings (with their base in the air) root better because of their altered polarity was also examined. It was found that, as is the case for many species, roots initiated and grew only at the proximal end of the microcutting regardless of its orientation. When the proximal end was in agar (a hypoxic environment) the rooting percentage was low (9-25%) even when the orientation of the microcutting was altered by inverting the culture tube. In contrast, when the proximal end of the microcutting was in an aerobic environment (from the shoot being placed upside down in agar medium or placed normally or upside down in an aerated medium) rooting percentages were higher (62-100%).
Given that Stage 2 microcuttings are prepared with the objective to root and acclimatise them to nursery conditions, the duration of this activity becomes important as it can impact on plant quality and costs. The pulsing protocol and the length of time that Stage 3 cultures remain in the culture room during the rooting phase is a component of the unit cost of production of each rooted microcutting. Initially a 7-day IBA pulse was used after which the pulsed microcuttings were transferred to IVS to root. Chapter 6 shows that the pulsing period can be shortened to one day or replaced with a single auxin dip while still achieving high rooting percentages and maintaining plant quality. These materials handling improvements go some way to realising the logistical benefits of ex vitro rooting but without compromising the positive influences of hygiene and a stable environment of the in vitro environment
Music and power at the English court, 1575-1624
No full textThis thesis examines the functions of music and dance in English occasional entertainments between 1575 and 1624 by considering masques, country house entertainments, royal entries and civic pageantry. It explores the changing discourse of music's place within court entertainments, and the ways that different types of entertainment present music. Music's associations with court power are tested through an examination of the ways in which it is adopted and adapted on non-courtly public occasions.
This thesis contends that musical provision and musicality were crucial to the prestige of a particular event, and are therefore crucial to a contextualised interpretation of the textual traces the events have left behind. It seeks to understand the role of music in these events, both in terms of the way its particular qualities are deployed, and also
the way those qualities are presented and exploited within the allegorical schemes of the entertainments themselves.
This study interrogates the circumstances of particular occasions, including aspects such as the place and time of an event, the political standing of the people who attended
and commissioned it, and the resources and personnel available to provide the music and dance for such events. Rather than seeking to separate out these elements, this
thesis examines the way they interact, showing both how music can bring connotative meaning to the events it is part of, and also how the events themselves shape musical
meaning in particular ways. This thesis demonstrates that music's meanings are shaped by the extra-musical factors that surround it, and that music is able both to absorb and
bestow meaning across the boundaries of social differentiation that it is enlisted to reinforce
