1,727,871 research outputs found
Kâr-ı nev: Elongation and elaboration in recordings of a Turkish classic
In this chapter, the author describes the elongation and the elaboration of a vocal composition during the twentieth century, the Kar-i nev in the makam rast by the renowned composer Ismail Dede Efendi. The kar-i nev is a type of kar, one of the oldest vocal forms in Turkish music. Mentioned as "is" in the Babur Nameh, the kar can be found in Persian and Turkish sources, in both instances the genre being considered a long and a serious piece. The author argues that the literate transmission of the kar-i nev was responsible for a distinctive evolutionary tendency, one in which elongation was not accompanied by elaboration. The kar-i nev is a unique variant of the kar genre. Like the kar, the work is idiosyncratic with respect to poetic form and musical setting. The musical structure of the kar-i nev was indeed new
Single rollover or dual rollover: how a monopoly NEV manufacturer responds to NEV credit policy
The NEV credit policy plays a crucial role in advancing the new energy vehicle (NEV) industry and environmental conservation. This study investigates the monopoly NEV manufacturer’s optimal rollover strategy (Single Rollover (SR) vs. Dual Rollover (DR)) and pricing scheme (skimming vs. penetration) under the government’s stricter calculation criteria for NEV credit policy, considering a two-period market with strategic consumers. We find that the NEV manufacturer typically adopts a skimming pricing scheme in DR strategy, while a penetration pricing scheme in SR strategy. The choice between SR and DR strategy hinges on the government’s calculation criteria for NEV credits, product upgrade speed, and vehicle environmental performance improvement. When the calculation criterion for NEV credits is moderate, or when it is low, coupled with fast product upgrade speed and marginal improved environmental performance of the new vehicle, SR strategy is beneficial to the NEV manufacturer to avoid the cannibalization between new and old vehicles. In contrast, the NEV manufacturer can benefit from DR strategy through price discrimination between new and old vehicles to attract consumers from different market segments. However, stricter calculation criteria for NEV credits do not always result in higher social welfare.<br/
Constitution, by-laws, order of business and rules of order of the Miners' Union of Gold Hill, Nev.
500 Description based on: Revised ... June 20, 1885Mode of access: Internet
Soldiers Buck and Nev
Soldiers Buck and Nev with truck on bush track.Clark, Erle.Date:194
Nev and Dick
Nev and Dick - homesick. 'Thumbing up in front of sign which reads 'Botanic Gardens, Darwin Airport, Pine Creek, Alice Springs ->.'Clark, Erle.Date:194
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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