1,721,069 research outputs found
Hymne auf die Natur
in Musik gesetzt von Franz Chr. NeubauerErster Theil (153 S.); Zweyter Theil (168 S.
Fernando und Yariko
von Karl von Ekhartshausen ; in Musik gesetzt von Franz Christoph NeubauerEnthält auch den Text des Schauspiel
Exhumation of the Diancang Shan metamorphic complex along the Ailao Shan-Red River belt, southwestern Yunnan, China: Evidence from 40Ar/39Ar thermochronology
Exhumation of the high-grade metamorphic rocks from deep to shallow crustal levels in the Diancang Shan (DCS) massif is evident by the temporal transition from shearing and mylonitization at the amphibolite facies in the lower to middle crust, through retrograde ductile-brittle faulting at greenschist fades in the middle crust and brittle faulting near the surface. New Ar-40/Ar-39 ages of amphibole, muscovite, biotite and K-feldspar, mostly from mylonitic rocks, help constrain the thermal evolution of the massif during its exhumation. The thermochronologic studies have shown at least three stages of exhumation and cooling from late Oligocene to Pliocene, e.g., 28-13 Ma, 13-4 Ma and 4-0 Ma, respectively. The initiation of the unroofing history of the DCS massif resulted from ductile left-lateral shearing along the Ailao Shan-Red River shear zone (ASRR) since the late Oligocene. Diachronous onset and subsequent parallel cooling and exhumation characterize the early thermal history of the massif. The first stage of exhumation might have stopped due to the cessation of the left-lateral shearing at ca. 21 Ma, although cooling continued until 13 Ma ago to relatively low-temperature conditions. The second and third stages of cooling started from 13 Ma and lasted until the recent active faulting. The diversity of cooling rates during the second stage from 13 to 4 Ma suggests differences in exhumation rates at various localities. Ductile to brittle shearing along the eastern flank retrograde normal shear zone is the best explanation for the exhumation during this stage. The inhomogeneous cooling and exhumation of the lower plate of the normal fault zone possibly resulted from the tilting of the lower plate or differential exhumation of slabs in the lower plate. During the third stage, cooling and exhumation of the DCS massif since 4 Ma ago is recognized when higher temperature cooling paths are extended and plotted at a lower temperature of about 16 degrees C. the present day average surface temperature. Therefore, the diachronous cooling and exhumation continuously spanned to the surface. The tectonic exhumation of the DCS massif constitutes a part of the tectono-thermal evolution and diachronous exhumation of the metamorphic complexes in the fan-shaped area bounded broadly in SE Asia by the Red River fault zone and Sagaing fault zone since 36 Ma. Extrusion-induced strike-slip shearing and rotation-associated normal faulting, played important roles in the diachronous cooling and exhumation of the DCS massif and other metamorphic complexes in SE Asia. (C) 2011 Elsevier Ltd. All rights reserved
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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