1,720,953 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Essai d’analyse formelle et syntaxique de la classe des coordonnants de quatre dialectes berbères :( kabyle, Touareg, Chaoui, Maroc Central)
106p.; 30 cm. (+CD-Rom)Amahil-nneƔ yewwi-d Ɣef yiwen n usentel ilan azal deg uḥric n tseddast di tutlayt n tmaziƔt. Asentel-nneɣ yewwi-d awal ɣef tesɣunin n tɣuni n temaziɣt yellan di ukkuẓt n tantaliyin (Taqbaylit Tatergit , Tacawit, Lmaruk talemmast) ma yella deg wacu mgaradent neɣ kifkif-ten daya i ɣ-yewwin ad d- nefk tamukrist-nneɣ :
-Dacu d tisɣunin n tɣuni ? ma mgaradent ger taltaliyin neɣ ɛedlent ? anaw-nsent tteqqnent ger yismawen kan neɣ ger issumer kan ?
Ayen yeɛnan amud-neƔ , nekkes-it-id deg yedlisen n tentaliyin , deg tentalit taqbaylit S.CHAKER tazrawt n Dukṭura Un parler berbère d’Algérie (kabyle) syntaxe1978 ,akked K.NAIT ZERRAD grammaire du berbère contemporain (Kabyle) morphologie 1995 , ma di tentalit n tatergit K.PRASSE Manuel de Grammaire Touareg(tǎhǎggart), l.lll phonétique-écriture-Pronom 1972 akked J.M.CORTADE « Grammaire Touareg (dialecte de l’Ahaggar) 1969 » , tacawit T.G.PENCHOEN étude syntaxique d’un parler berbère(ait Fraḥ l’Aurés)1973 , Ɣer taggara lmerruk talemmast F.BENTOLILA Grammaire fonctionnelle d’un parler berbère. Ait Seghrouchen , d’Oum Jeniba(Maroc) 1981 akked F.SADIQI Grammaire de berbère 1997 .
Deg yedlisen-agi n ukkuẓt n tantaliyin nufa ayen iwatan i usentel-nneƔ.Uqbel ad nekcem s telqayt deg unadi , yewwi-d ad nebdu deg yixef amezwaru nebda-t s usbaddu n kra n temsal tigejdanin di tseddast.Taggayin tiseddasiyin nulfant-d di tmurt n tagrigit (grec) semman-asent « iḥricen n yinaw » s yin Ɣer-s uƔalent-d taggayin tiseddasiyin nmeslay-d fell-asent s umata am wakken i d-newwi awal Ɣef tid n tmaziƔt ama s tezri taqdimt ama s tizri tameswurit.
Di tazwara , taggayin-agi n tseddast ttwabdarent-d kan mebla isefranen. Ay-agi d ayen yemwatan d tizri taqdimt armi id-wwḍen yimeswuriyen ddaw leɛnaya n A.MARTINET i bdan sexdamen sin n yisefranen s wayes i d-ssufuƔen taggayin n tutlayt . Isefranen-agi d amyezgi d umsufeƔ.
Dayen i aƔ-yeǧǧan nuƔal cituḥ Ɣer deffir i wakken ad d-nesuk tiṭ Ɣef taggayin n teqbaylit id-yefka A.BASSET deg useggas n 52. Ibder-d kan ayen yellan di tutlayt mebla ma yenna-d ma d taggayt tagejdant neƔ d taggayt tanaddawt , daƔen mebla ma yebder-d isefranen.
Armi id-yewweḍ S.CHAKER, d netta i d amezwaru i yesmersen isefranen i usuffeƔ n taggayin tiseddasiyin n teqbaylit deg useggas n 78. Isefranen i issemres d timyuddsin tigensayin n yal taggayt. s teẓri tameswurit , yefka-d ukkuẓ n taggayin tigejdanin : imyagen , ismawen , imassaƔen d yimeƔwanen d yimeglas yemxallafen . Am akken id-yefka taggayin tinaddawin n yal taggayt tagejdant . syin akkin F.BENTOLILA yessufeɣ-d ula d netta snat n tmarwin d smus n taggayin maɛna annect-a yusa-d s usexdem n sin yisefranen “amsuffeɣ n taggayin d umyezgi Asesmel n wawalen n taggayin s yisefranen, yettwaxedem asmi d-wwḍen yimusnawen n tesnilest am F. BENTOULILA d S.CHAKER, xas akken di sin ttikin Ɣer yiwen uƔerbaz asnilsan sxedmen isefranen yemgaraden dƔa suffƔen-d taggayin yemgaraden.
Deg ixef wis sin, di tazwara nmeslay-d Ɣef isuraz sumata , syin Ɣer-s nbedre-d kraḍ n yinaw n isuraz D.COSTAOUC :isuraz i d-yemmalen asagel , isuraz i d-yemmalen isuraz i d-yemmalen astama , isuraz i d-yemmalen taƔuni. Nmeslaye-d daƔen Ɣef tisƔunin n tɣuni anda yella deg-s S.CHAKER akked F.BENTOLILA.
Nexdem amgarad ger tisƔunin n tƔuni ger ukkuẓt n tentaliyin ( taqbaylit , tacawit , tatergit , lmarruk) nekkes-d wigad yettemcabin ger-asent , akked wigad yemgaraden, ama di talɣa ama deg unamek , s yin Ɣer-s llant kra tesƔunin nekkes-d talƔarewt –nsen am , imyagen (yerna) di teqbaylit irni ( tcawit) , awalen ireṭalen id yekkan ama si taɛrabt ama deg tefransist (walakin, swa…swa ) imeqimen ilelliyen di tcawit (netta), imir nebder-d d acu-t wazal anamkan-nsen (afran :neɣ ,miɣ , ama…ama…) , (tanmegla : maca,meɛna walayni…) , (timerna : yerna , irni… ) …ar taggara , nekkes-d awakel aseddasan yellan ger yismawen kan neƔ ger isummar kan neɣ wid i d-ten-yezdin di sin .
Taggrayt nesawweḍ Ɣer igemmaḍ n tazwert-nneƔ nufa-d d akken tisƔunin n tƔuni llant tigad i yellan di laṣel d imyagen , d awalen ireṭalen neɣ d imeqimen ilelliyen uƔalen d tisƔunin n tƔuni , daƔen nufa-d d akken llan wigad ittemcabin ger ukkuẓt n tentaliyin maca tuget mgaradent tesƔunin n tɣuni ama di talɣa ama deg unamek ,llan wid izemren ad ilin ger yismawen kan,wiyiiḍ ger isummer kan , wiyiḍ d ssin ama d ismawen ama d isumme
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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