31,202 research outputs found
Adresse des sujets du Roi habitant la ville de Québec à sir James Kempt sur le départ de Kempt ; brouillon de lettre de John Neilson à lord Aylmer sur un projet de loi concernant le revenu du Gouvernement provincial et Notes de John Neilson sur un projet de loi au sujet du revenu du Gouvernement du Bas-Canada et les pouvoirs de l'Assemblée en ce qui concerne l'utilisation des ces fonds
No full text4 pages, original et impriméSur la même feuille que M3/N01.014 et M3/N01.015 ; en anglais et français.Lettre M3/N01.013: Adresse des sujets du Roi habitant la ville de Québec à sir James Kempt sur : le départ de Kempt ; le rétablissement de la paix dans la Province ; les lois qui ont été adoptées ; le bon travail de Kempt. Lettre M3/N01.014:Brouillon de lettre de J[ohn] Neilson à lord [Aylmer] sur: un projet de loi concernant le revenu du Gouvernement provincial; le paiement des traitements des employés publics; certains membres de la Chambre d 'Assemblée qui aiment faire de la cabale. (sur la même feuille que M3/N01. 013 et M3/N01. 015); Lettre M3/N01.015: Notes [ de John Neilson] sur: un projet de loi au sujet du revenu du Gouvernement du Bas-Canada et les pouvoirs ""de l'Assemblée en ce qui concerne l'utilisation de ces fonds. (sur la même feuille que M3/N01. 013 et M3/N01. 014
Gardner, James Neilson, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/386848Surname: GARDNER. Given Name(s) or Initials: JAMES NEILSON. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25658.208618
Item: [2016.0049.19141] "Gardner, James Neilson, [No Service Number]
Envisioning the Resurrection of the Body and Life Everlasting: A Survey of Artwork That Celebrates Credal Belief and the Christian Imagination
No full textFr. James Neilson, O.Praem. is a Norbertine priest of St. Norbert Abbey, a professor of art and special assistant to the president for mission integration at St. Norbert College.Fr. Neilson has studied art at The School of the Art Institute in Chicago, Notre Dame University and The Vermont Studio School where he earned an MFA in three-dimensional mixed media sculpture. He received the Leonard Levina Educator of the Year Award in 2005.Fr. Neilson lectures across the country on topics related to art and spirituality. Fr. Neilson was “Artist in Residence” at Luther College, Decorah, Iowa, and a visiting lecturer at Barry University in Miami, Florida. He has also been on the faculty at Catholic Theological Union in Chicago. Fr. Neilson has taught at the Peninsula School of Art at Fish Creek, WI and also taught classes at the Green Bay Correctional Institute. He is a frequent speaker at the Age and Disability Resource Center in Green Bay
Engraved portrait of James Nayler (1618–1660)
No full textEngraved portrait of James Nayler (1618-1660) by Robert Grave (1768-1825). Inscribed, 'Born at Ardesloe, near Wakefield, in Yorkshire. Was an Independent and served Quarter Master in ye Parliament Army, about the Year 1641. turn'd Quaker in 1651. Punish'd as a Blasphemer 1656. Author of many Books & Dyed at Holm in Huntingtonshire 1660. Aged 44.
Polyphony and the anxiety of influence in the fiction of Henry James
No full textJames's fiction, especially in the Middle Phase, centres
on the figure of the artist and is characterized by, the two
interrelated aspects which previous criticism has largely
overlooked: the Bakhtinian 'polyphonic' -creation of
'author-thinkers'; and the conflict between ephebes and
precursors, for which Harold-Bloom's concept of 'the-anxiety of
influence' is the most illuminating model. Polyphony is the
narrative mode, and influence is the intra-artistic, theme.
These, as the Introduction to the thesis makes clear, are
rehearsed in James's inaugural novel, Roderick Hudson. Rowland
Mallet is an author-thinker, and his failure is caused by
authorial limitations. His monologism -is impaired by his
mistaking empathy for the authorial sympathy. Likewise,
Hudson's failure does not arise from a mercurial temperament,
but from a polyphonic shortcoming: not possessing the power of
fiction to contain the fiction of power in, his mentor. And the
relationships among the three artists - Gloriani, Hudson and
Singleton - perfectly exemplify the Bloomian-theme. It is these
two concepts, polyphony and influence, which are the major
preoccupation in the Middle Phase; as, the works chosen
demonstrate. These are a novella, a novel, and a number of
short stories all of which have been unjustifiably neglected.
Chapter One, on The Aspern Papers, argues that Tina Bordereau,
far from being, the artless victim seen by many critics,
actually challenges and defeats the narrator by the very form
of her narrative. Her 'realist' discourse undermines his
language of 'romance', and shows up its internal unstability.
Chapter Two is an extensive study of the critical reception of
The Tragic Muse. The most common areas of critical attention
have been its contemporary topicality, its relation to previous
novels on similar themes, and the possible genealogy of Gabriel
Nash. Those have all missed the core of the work. - Chapter Three
demonstrates how polyphony and the anxiety of influence make
the novel what it really is. Influence arises from the
juxtaposition of, and the wrestling between, artistic ephebes
and their precursors (Nick and Nash,, Miriam and Madame Carre).
The dialogic quality defined by Bakhtin is crucial to the
proper, and even-handed, characterization of all, the conflicts
in the novel. And since most of James's tales in the eighties
and nineties -are about 'masters - and acolytes, the anxiety of
influence remains central. Chapter Four is a study of 'The
Author of Beltraffiol' and 'The Lesson of the Master'. Again the
characters' manipulations are a crucial focus in a way that
G6rard Genette's terminology helps to illuminate. The fact that
the ephebe is the author-thinker emphasizes the inextricability
of the Bakhtinian and the Bloomian in James. Just as
polyphony offers a different focus for explicating the poetics
of James's fiction; so the ephebal conflict provides the basis
for a fresh perception of James's own artistic struggle
Dr. James Gillam, Spelman College, September 2011
No full textThis video is a conversation with Dr. James Gillam. Dr. Gillam talks about his book, "Life and Death in the Central Highlands: An American Sergeant in the Vietnam War 1968-1970". Daniel Le, AUC Woodruff Library, is the interviewer
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