1,720,978 research outputs found
Severality: Beyond the Compression of the Cogito
No full textThis paper explores a Lacanian approach towards inter-subjectivity and a consideration of how such an approach might impact constructively on social psychology. Drawing largely on the work of Bracha Ettinger, the paper will consider questions of alterity and the possibility of an alternative approach to thinking relations with others and will seek to elaborate a new vocabulary for such a thinking through Ettinger's use of such border concepts as trans-subjectivity and wit(h)nessing. Through the foregoing, the paper will seek to critically reconsider the place of the social in social psychology and the possibility of thinking the social in a manner not reducible to separateness and self-identity
Psychologization and the subject of late modernity
No full textJan De Vos starts where other critiques on psychology end, presenting the argument that psychology is psychologization.This fresh and pioneering approach asks what it means to become the psychologist of one's own life. If something is not working in our education, in our marriage, in our work and in society in general we turn to the psy-sciences. But is the latter's paradigm precisely not relying on feeding psychological theories into the field of research and action? This book traces psychologization from the Enlightenment to Late-Modernity, engaging with seminal thinkers such as La Mettrie, Husserl, Lasch and Agamben, whereby Jan De Vos teases out the possibilities and the limits of using psychoanalytic theory as a critical tool. Offering challenging and thought-provoking insights into how the modern human came to adopt a psychological gaze on itself and the world, this book will appeal to psychologists, sociologists and studies of culture
Lacanian ethics and the assumption of subjectivity.
No full textHowever we conceive of ethics, whether by appeal to an exterior or traditional notion of right and wrong, or by appeal to some form of individual virtue or responsibility, it implies some form of agency. Where there is an ethical act, there must be someone acting ethically. Working from this simple premise, this book argues that the manner in which we conceive that 'someone' is the condition of possibility for our conception of ethics and, consequently, our ethical potential. Against the commonplace conception of the modern individual as self-identical, self-aware and self-governing, the author presents a detailed introduction to the Lacanian subject, a conception of the self as anything but self-identical, self-aware and self-governing. The book goes on to show how such a rethinking of the subject necessitates a rethinking of our relation to law, tradition and morality, as well as a rethinking of our understanding of guilt, responsibility and desire. In short, it necessitates a rethinking of ethics
Without ground: Lacanian ethics and the assumption of subjectivity.
No full textIn this new paperback edition, Calum Neill explores the ideas of Jacques Lacan to present a powerful argument for an approach to ethics which is neither rooted in a traditional morality nor reduced to a relativism, an ethics, that is, which is without ground. However we conceive of ethics, whether by appeal to an exterior or traditional notion of right and wrong, or by appeal to some form of individual virtue or responsibility, it implies some form of agency. Where there is an ethical act, there must be someone acting ethically. Working from this simple premise, this book argues that the manner in which we conceive that 'someone' is the condition of possibility for our conception of ethics and, consequently, our ethical potential. Against the commonplace conception of the modern individual as self-identical, self-aware and self-governing, the author presents a detailed introduction to the Lacanian subject, a conception of the self as anything but self-identical, self-aware and self-governing. The book goes on to show how such a rethinking of the subject necessitates a rethinking of our relation to law, tradition and morality, as well as a rethinking of ethics
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
