137 research outputs found
Perspectivas sobre o Conhecimento e Métodos de Pesquisa
No full textThe interest of scholars in Mathematical Education about problems associated with the teaching and learning of mathematics has been strongly expressed and discussed, during the past quarter century, in carrying out their investigations. Romberg, in this article, intends to identify in the social sciences the broad research trends that are related to the study of teaching and learning in school settings and to determine how those trends have influenced thestudy of mathematics in schools. As an aid for understanding the basis of these trends, the author begins by describing some features of mathematical education as a field of study. He then sketches the activities of researchers and outlines the variety of research methods now in use. Finally, he presents five general research trends and their relationship to studies in mathematical education, which are identified and briefly described.
Key words: Mathematical Education; Research Methods, Activities of Researchers; Research Trends in Mathematical Education.O interesse de estudiosos na área de Educação Matemática em problemas relacionados ao ensino e à aprendizagem de matemática tem sido fortemente manifestado e discutido no último quarto do século XX, constituindo-se em um espaço de investigação. Romberg, nesse artigo, procura identificar nas ciências sociais as amplas tendências de pesquisa relacionadas ao estudo do ensino e da aprendizagem em ambientes escolares e determinar como estas tendências têm influenciado o estudo da matemática nas escolas. Na tentativa de entender a base destas tendências, o autor descreve, inicialmente, algumas características da educação matemática como um campo de estudo. A seguir, esboça as atividades dos pesquisadores e resume a variedade de métodos de pesquisa utilizados atualmente. Por fim, apresenta cinco tendências de pesquisa gerais e suas relações com estudos em educação matemática, identificando-as e descrevendo-as brevemente.
Palavras-chave: Educação Matemática; Métodos de Pesquisa, Atividades de Pesquisadores; Tendências de Pesquisa em Educação Matemática
Adult-onset bilateral Parry-Romberg syndrome
No full textCo-author Elizabeth Tkachenko is a medical student at UMass Medical School.Parry-Romberg Syndrome (PRS), or progressive hemifacial atrophy, is an uncommon disorder characterized by progressive unilateral loss of adipose tissue and underlying structures including muscle, cartilage, and bone, often with little or no sclerosis. PRS and morphea en coup de sabre (ECDS) have significant overlap, often coexist, and are likely different phenotypes of morphea.1 PRS usually presents in the first decade of life, but later presentations have been described.1 It is more common in females and the pathogenesis is not completely understood.1 Neurologic symptoms are the most common extracutaneous systemic manifestation. Bilateral disease occurs in rare instances.1 We describe a woman with profound bilateral facial atrophy whose presentation does not follow the typically reported disease course or histopathologic findings seen in PRS
Classification and treatment of facial tissue atrophy in Parry-Romberg disease
No full textBackground: This report aims to show procedures that the senior author has used for the rehabilitation of facial deformities in Parry-Romberg disease since 1983. The authors also report the classification they use to plan the most appropriate surgical procedure for these patients. Methods: For this study, 95 patients (67 females and 28 males) with different types of facial tissue depression were classified according to the depth of the defect so adequate treatment could be planned. The cases were classified into four types. For types 1 and 2, only fat grafts were used, whereas for types 3 and 4, a combined procedure was used according to the case using cartilage and bone grafts, free dermis-fat grafts, and galeal flaps. Results: The results were successful, with few or no complications. Objective examinations showed excellent aesthetic improvement, with obvious deformity alleviated and the emotional status of the patients improved. Conclusions: The authors' practice frequently sees cases of Parry-Romberg disease, which has allowed them to gain significant experience in this field. For depression types 1 and 2, they recommend only fat infiltration, and for types 3 and 4, they favor combined treatment with lipoinjection, galeal flaps, free dermis-fat grafts, and bone and cartilage grafts. Occasionally, in areas of soft tissue with fibrosis, the authors infiltrated around 4 ml of fragmented fascia grafts instead of fat grafts. © 2007 Springer Science+Business Media, LLC
Cello techniques and performing practices in the nineteenth and early twentieth centuries
No full textThis thesis comprises a study of cello performance practices throughout the nineteenth century and into the early decades of the twentieth. It is organised in terms of the increasing complexity of the concepts which it examines, as they are to be found in printed and manuscript music, instrumental methods and larger treatises, early recordings, concert reviews and pictures. Basic posture is considered along with different ways of holding the
bow. The development of the tail-pin shows that even when it was widely used, the older posture was still referred to as a model. Some implications for tone quality and tonal
projection are considered in the light of the shape of the arms. Some connections between the cellist's posture and that recommended by etiquette books are explored. The
functionality of the left hand and arm, and the development of modem scale fingerings, show that there was a considerable period of overlap between newer and older practices, with modern scale fingerings evolving over a long period of time. Similarly, views on the function of the right wrist in bowing are shown to change gradually, moving towards a more active upper arm movement with less extreme flexibility of the wrist. Two central expressive techniques especially associated with string playing arc considered in the context of the cello, namely vibrato and portamento. These topics are examined in the light of written indications in music, recommendations in cello treatises, and the practices evidenced in early recordings. The sources for this study can be brought into an overall
framework of a constant dialogue between `theory', as expressed in verbal instructions to the learner, or general a priori reflections about the cello, and `practice', manifested in performing editions and early recordings, or in individual acts of reception. A wide divergence is noted, both between theory and practice in general, and in terms of different styles of playing observable at any one time. It is suggested that tensions between practice
and critical disapproval can be resolved in terms of Lacanian discourse. Several test cases are used in order to compare several different recordings of the same works. The question of the musical character of the cello is discussed in terms of widespread assumptions about its gendered identity. A wide range of sources suggest that this moved from a straightforwardly `masculine' identity expressed through a controlling, elevated eloquence to a less clearly defined one, incorporating the 'feminine', with a greater stress on uninhibited emotional expression. Some performance implications for this change of view are pursued with respect to specific repertoires. Broad conclusions stress the importance of the diversity of performance practices as opposed to unifying generalisations
Memory and history in the archive: Photographs of political dissidents in forced labor camps in late nineteenth-century Siberia
No full text“Memory and History in the Archive: Photographs of Political Dissidents in Forced Labor Camps in Late Nineteenth-Century Siberia,” examines an album of photographs compiled by the American explorer and scholar George Kennan (1845-1924). Although scholars such as Frederick Travis and Frith Maier have examined Kennan’s biography and writing, no art historical examination of the album and Kennan’s relationship to it has been completed. As a result of his travels through Russia, Kennan began a collection of photographs of political prisoners sentenced to exile and forced labor in Siberia in the late nineteenth century. This thesis examines the different registers of meaning occupied by the album in relation to memory, history, and the archive. While constructing the album from photographs and text in his archive, Kennan moved through different spheres of meaning, redefining his relationship to the photographs. The result is a multimedia examination of the exile experience as viewed from Kennan’s perspective. Through a close analysis of Kennan’s methods and motivations, this thesis argues that the form of the album is situated in liminal paradigms of aesthetic and archival meaning.Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2020-05-01The student, Maria Garth, accepted the attached license on 2018-04-19 at 13:08.The student, Maria Garth, submitted this Thesis for approval on 2018-04-19 at 13:16.This Thesis was approved for publication on 2018-04-20 at 13:50.DSpace SAF Submission Ingestion Package generated from Vireo submission #12369 on 2018-08-31 at 17:20:58Made available in DSpace on 2018-09-04T20:36:48Z (GMT). No. of bitstreams: 4
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Previous issue date: 2018-04-20Embargo set by: Seth Robbins for item 107279
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Reliability and validity evidence of multiple balance assessments in concussed athletes.
No full textCONTEXT:
An estimated 300 000 sport-related concussion injuries occur in the United States annually. Approximately 30% of individuals with concussions experience balance disturbances. Common methods of balance assessment include the Clinical Test of Sensory Organization and Balance (CTSIB), the Sensory Organization Test (SOT), the Balance Error Scoring System (BESS), and the Romberg test; however, the National Collegiate Athletic Association recommended the Wii Fit as an alternative measure of balance in athletes with a concussion. A central concern regarding the implementation of the Wii Fit is whether it is reliable and valid for measuring balance disturbance in athletes with concussion.
OBJECTIVE:
To examine the reliability and validity evidence for the CTSIB, SOT, BESS, Romberg test, and Wii Fit for detecting balance disturbance in athletes with a concussion.
DATA SOURCES:
Literature considered for review included publications with reliability and validity data for the assessments of balance (CTSIB, SOT, BESS, Romberg test, and Wii Fit) from PubMed, PsycINFO, and CINAHL.
DATA EXTRACTION:
We identified 63 relevant articles for consideration in the review. Of the 63 articles, 28 were considered appropriate for inclusion and 35 were excluded.
DATA SYNTHESIS:
No current reliability or validity information supports the use of the CTSIB, SOT, Romberg test, or Wii Fit for balance assessment in athletes with a concussion. The BESS demonstrated moderate to high reliability (interclass correlation coefficient = 0.87) and low to moderate validity (sensitivity = 34%, specificity = 87%). However, the Romberg test and Wii Fit have been shown to be reliable tools in the assessment of balance in Parkinson patients.
CONCLUSIONS:
The BESS can evaluate balance problems after a concussion. However, it lacks the ability to detect balance problems after the third day of recovery. Further investigation is needed to establish the use of the CTSIB, SOT, Romberg test, and Wii Fit for assessing balance in athletes with concussion
Victor Herbert: A Theatrical Life
No full textVictor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater.
Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents defined the sounds of a generation and made contemporary American music possible.
Mining a wealth of sources—many for the first time—Gould provides a fascinating portrait of Herbert and his world. Born in Dublin in 1859, Herbert arrived in the United States in 1886. From his first job in the orchestra pit of the Metropolitan Opera, Herbert went on to perform in countless festivals and concerts, and conduct the Pittsburgh Orchestra. In 1894, he composed his first operetta, Prince Ananias, and by the time of his death in 1924, he’d composed forty-two more—many of them, such as Naughty Marietta, spectacular Broadway hits. Along the way, he also wrote two operas, stage music for the Ziegfeld Follies, and the first full score for a motion picture, The Fall of a Nation.
Gould brilliantly blends the musical and the theatrical, classical and popular, the public and the private, in this book. He not only gives a revealing portrait of Herbert the artist, entrepreneur, and visionary, but also recreates the vibrant world of the Herbert’s Broadway. Gould takes us inside the music itself—with detailed guides to each major work and recreations of great performances. He also makes strong connections between Herbert’s breakthrough compositions, such as the operetta Mlle. Modiste, and the later contributions of Rudolf Friml, Sigmund Romberg, Jerome Kern and other giants of the musical theater.
As exuberant as Herbert himself, this book is also a chronicle of American popular culture during one of its most creative periods. For anyone enraptured by the sound of the American musical, this book is delightfully required reading
A review of Parry-Romberg syndrome
No full textParry-Romberg syndrome, also known as progressive hemifacial atrophy, is a rare disorder characterized by unilateral facial atrophy affecting the skin, subcutaneous tissue, muscles, and sometimes extending to the osteocartilaginous structures. It has been associated with various systemic manifestations, particularly neurologic, ophthalmologic and maxillofacial. In this article, we review Parry-Romberg syndrome with its associated findings (neurologic, ophthalmologic, cardiac, rheumatologic, endocrinologic, infectious, orthodontic and maxillofacial, and autoimmune), underlying cause, differential diagnoses (en coup de sabre, scleroderma, and Rasmussen encephalitis), and therapeutic options.ABELE DC, 1990, J AM ACAD DERMATOL, V23, P401, DOI 10.1016-0190-9622(90)70233-8; ABELE DC, 1990, J AM ACAD DERMATOL, V22, P531, DOI 10.1016-S0190-9622(08)80402-1; Aher SW, 1992, ARCH NEUROL-CHICAGO, V39, P44; Aktekin B, 2005, EPILEPSY BEHAV, V6, P270, DOI 10.1016-j.yebeh.2004.11.012; Aleem MA, 1999, NEUROL INDIA, V47, P342; Al-Khenaizan S, 2005, SAUDI MED J, V26, P317; Anderson PJ, 2005, INT J PEDIATR OTORHI, V69, P705, DOI 10.1016-j.ijporl.2004.12.004; Aoki T, 2006, SURG NEUROL, V65, P170, DOI 10.1016-j.surneu.2005.05.006; Appenzeller O, 2001, J NEUROL NEUROSUR PS, V70, P524, DOI 10.1136-jnnp.70.4.524; ARACENA T, 1979, ANN OPHTHALMOL, V11, P953; Archambault L, 1932, ARCH NEUROL PSYCHIAT, V27, P529; 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‘Gestures that do’: Spiritist manifestations and the technologies of religious subjectivation and affect
No full textThis article explores theoretically and ethnographically how gestures ‘do’ within Spiritist religious practices. According to the emic Spiritist notion of ‘manifestations’, certain gestures can bridge between material and spiritual realms and the various dimensions of the self. Embodying the moral economy and dispositions of Spiritism, such gestures are thereby investigated as affective and practical technologies for constituting the religious subject within Spiritism without passing by belief and cognition. Based on close ethnographic accounts and visual documentation of the work of Puerto Rican healers, the author traces the performative illocutionary power of gestures during cleansing, divination, healing and possession rituals. Finally, she proposes ‘inter-gesturality’ as a way to address the power relations behind gestural ‘quotations’ and to trace the embodied interrelationships that have shaped in the past and are shaping in the present the religious significance of gestures, the emotions they elicit, the religious subjectification processes they constitute and the spiritual healing they can promote.</jats:p
Gravity measurement, processing and evaluation: Test cases de Peel and South-Limburg
No full textThis thesis is meant to give a general overview of the process of the measurement and the adjustment of a gravity network and the computation of some output parameters of gravimetry: gravity values, gravity anomalies and mean block anomalies. In Chapter 1 a short overview of developments in gravimetry, globally and in the Netherlands, until now is given. Chapter 2 deals with the basic theory of relative gravity measurements and gives a description of the most commonly used instrument, the LaCoste and Romberg gravimeter. The surveys done in the scope of this study are described in Chapter 3. Chapter 4 gives a more detailed impression of the adjustment procedure and the results of the adjustment. In Chapter 5 a closer look is taken at the more geophysical side of gravimetry: gravity reduction, the computation of anomalies and the correlation with elevation. Chapter 6 deals with the interpolation of gravity and the covariance of gravity anomalies.Civil Engineering and Geoscience
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