1,943 research outputs found
Neil K. Moran, Singers in Late Byzantine and Slavonic Painting
No full textDarrouzès Jean. Neil K. Moran, Singers in Late Byzantine and Slavonic Painting. In: Revue des études byzantines, tome 45, 1987. pp. 261-262
Neil K. Moran, Singers in Late Byzantine and Slavonic Painting
No full textDarrouzès Jean. Neil K. Moran, Singers in Late Byzantine and Slavonic Painting. In: Revue des études byzantines, tome 45, 1987. pp. 261-262
A Corpse by Any Other Name: A Stokes Moran Mystery
No full textFiction by Neil McGaughey Scribner (Hardcover; $22.00; ISBN: 0684197626, 3/1998) As Kyle Malachi prepares for impending fatherhood, his growing alienation toward his better known alter ego Stokes Moran leads him into a rash act―he decides to kill off his fictitious rival. Everything seems fine until an actual corpse turns up with Stokes Moran\u27s identity. And Kyle―to keep himself out of jail for a crime he didn\u27t commit―must put a name to the corpse. A name other than Stokes Moran. Any other name.https://egrove.olemiss.edu/mwp_books/1003/thumbnail.jp
The Best Money Murder Can Buy: A Stokes Moran Mystery
No full textA Novel by Neil McGaughey Scribner ($21.00, ISBN: 0684197618, 7/1996) A shocking discovery of a personal nature propels mystery critic/sleuth Stokes Moran in this third book in the series. When a man who is his mirror image appears at his home, Kyle Malachi (a.k.a. Stokes Moran) is suspicious and resentful. Later his twin turns up murdered, and Kyle decides to masquerade as the dead man in hopes of trapping the killer.https://egrove.olemiss.edu/mwp_books/1330/thumbnail.jp
UMD Comes of Age: the First One Hundred Years
No full textwith the assistance of Doreen Hansen, Lucy Kragness, Jackie Moran, Mary Morse, and James ViletaMoran, Ken; Storch, Neil. (1996). UMD Comes of Age: the First One Hundred Years. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/185859
Letter from Carl Hayden to P. J Moran
No full textLetter from Carl T. Hayden to P. J. Moran concerning the alignment of the road to Bright Angel Trail
Letter from P. J. Moran to Carl Hayden
No full textLetter from P. J. Moran to Carl T. Hayden inquiring when construction will begin on the approach road to Bright Angel Trail
Letter from P. J. Moran to Carl Hayden
No full textLetter from P. J. Moran to Carl T. Hayden inquiring when construction will begin on the approach road to Bright Angel Trai
The Right Light
No full textHow do theatre lighting designers decide what is 'the right light' for each moment of a production? What informs their choices? Why does the audience respond more strongly when the lighting feels 'right'?
By interviewing nineteen prominent lighting designers and weaving their insights through his own narrative, Nick Moran aims to answer such questions. This book considers practice across different types of theatre, including opera, dance, musicals and drama. Rather than being a technical manual, it allows lighting designers to contribute contrasting and complementary ideas about how to approach lighting design. Moran argues that the best stage lighting is made with emotion, passion and soul, by creative artists willing to take risks.
Includes interviews with: Neil Austin – Lucy Carter – Jon Clark – Natasha Chivers – Paule Constable – James Farncombe – Rick Fisher – Mark Henderson – David Howe – Michael Hulls – Mark Jonathan – Peter Mumford – Ben Ormerod – Bruno Poet – Paul Pyant – Nick Richings – Johanna Town – Hugh Vanstone – Katharine William
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