192 research outputs found
Creation from conflict: The Great War in Irish poetry
No full textThis thesis explores the impact of the First World War on the imaginations of six poets - W.B. Yeats, Robert Graves, Louis MacNeice, Derek Mahon, Seamus Heaney and Michael Longley - all of whom have written in wartime: Graves in the Great War, Yeats in the Great War, the Anglo-Irish War and the Civil War, MacNeice in the Second World War, Mahon, Longley and Heaney in the Northern Ireland Troubles. The thesis locates affinities between these poets in their response to violence, and compares the ways in which they have imaginatively appropriated the images and events of the Great War to facilitate that response. Part I of this study begins by outlining the historical background to Irish participation in the Great War, and considers some of the issues involved in the Irish cultural response to the war which were engendered by the complex domestic politics in Ireland between 1914 and 1918. Chapters two to four constitute a more detailed exploration of these issues as manifested in the work of Yeats, Graves and MacNeice. In the cases of Yeats and MacNeice, their engagement with the subject of the Great War is re-evaluated in order to illuminate repressed or complex areas of Irish history and culture, and to shed new light on their influence on recent Northern Irish poetry. Consideration of Robert Graves's response to the Great War serves to illustrate the ways in which a high-profile association with the War can obscure relations to an Irish or Anglo-Irish tradition. The thesis discusses ways in which these poets have been misrepresented, and considers how far the misrepresentation can be attributed to the contrasting interpretations of the Great War in England and Ireland, and to versions of literary history based upon these interpretations. The second part of the study concentrates on contemporary Northern Irish poetry. Chapter five considers problems pertinent to Northern Ireland in relation to the subject of the Great War by looking at the ways in which remembrance of the war, politicized in order to bolster mythologies of history, reverberates in the context of the Northern Irish Troubles. The final three chapters outline the difficulties encountered by Northern Irish poets Mahon, Heaney and Longley, under pressure to respond to the Troubles, and relate these difficulties to those encountered by the Great War soldier poets. The chapters explore the extent to which the fascination of these three poets with the Great War illuminates their aesthetic strategies, revises aspects of Irish political and cultural history, offers a way of responding to the violence in Northern Ireland, and has determined critical responses to their work. The thesis is concerned with ways in which the Great War has been imagined in Irish writing. It also shows how and why those imaginings have struggled with, and revised aspects of, reductive mythologies of history and competing versions of the literary canon
Poets of modern Ireland text, context, intertext
No full textIn Poets of Modern Ireland: Text, Context, Intertext, Neil Corcoran discusses the work of Seamus Heaney, Derek Mahon, Michael Longley, Austin Clarke, Padraic Fallon, Louis MacNeice, and Ciaran Carson, constructing a critical account of the poets' work and putting it in the context of the contemporary debate surrounding their work
The Toronto water filtration plant
No full textEn-tête du titre : Monthly meeting : A monthly meeting of the Society was held on Thursdav, 6th November, at 8.15 pm,,Mr W. J. Francis in the Chair. A paper on “The Toronto Water Filtration Plant” by F. F. Longley, A. M. Can. Soc. C. E. , was read by the author, Paper No. 343; Document numéroté : pages 193-241; Comprend plusieurs plans;Collection Chagnon
The Effects of Coworker Heterogeneity on Firm-Level Output: Assessing the Impacts of Cultural and Language Diversity in the National Hockey League
No full textThe paper uses data from the National Hockey League (NHL) to consider the potential gains to firms from employing culturally-diverse work teams. It finds that the presence of foreign workers does increase firm-level performance – NHL teams that employed a higher proportion of European players performed better. However, the results also indicate that teams perform better when their European players come from the same country, rather than being spread across many European countries – when teams have players from a wide array of European countries, integration costs associated with language and cultural differences may start to override any gains from diversity
Revenue Volatility in German Nonprofit Sports Clubs
No full textWicker P, Longley N, Breuer C. Revenue Volatility in German Nonprofit Sports Clubs . Nonprofit and Voluntary Sector Quarterly. 2015;44(1):5-24.Revenue volatility hinders the planning within nonprofit organizations, and as a consequence, it can influence the organization’s contribution to public welfare. To analyze the extent of revenue volatility and its determinants, this paper uses a comprehensive, longitudinal, data set of German nonprofit sports clubs (n = 724). It distinguishes between systematic volatility and club-specific volatility, and argues that a complete understanding of the sources and impacts of volatility requires one to clearly distinguish between the two components. Empirical results indicate that revenue diversification can significantly reduce club-specific volatility, but has more minimal benefits for lowering systematic volatility. It also reveals that clubs that rely more heavily on membership fees, and less on subsidies, appear to have reduced levels of systematic and club-specific volatility, with the impact being much greater for the latter
Book Review: Portrait of a Patriot: The Major Political and Legal Papers of Josiah Quincy Junior
No full textReview of the book Portrait of a Patriot: The Major Political and Legal Papers of Josiah Quincy Junior, edited by Daniel R. Coquillette and Neil Longley York. Boston: The Colonial Society of Massachusetts, 2010 (distributed by theUniversity of Virginia Press)
The Migration of African Americans to the Canadian Football League during the mid-20th Century: An Escape from Discrimination?
No full textThe institutional racial discrimination that existed in American professional team sports prior to World War II resulted in African American players effectively being barred from playing in the major professional leagues. Although the NFL color barrier did officially fall in 1946, to be quickly followed by the fall of the MLB color barrier one year later when Jackie Robinson made his debut for the Brooklyn Dodgers, these events were just the beginning of the struggles for African American athletes. Integration proceeded very slowly during the next two decades, and economists have shown that African Americans continued to suffer from a variety of forms of discriminatory treatment. However, it is the argument of this paper that the literature that examines discrimination during this era is incomplete, in that it ignores the experiences of a small, but relatively significant, group of African American football players who actually chose to leave their own country – and correspondingly leave the racially-charged environment of mid-20th century America – to head north to play professional football in the Canadian Football League (CFL). Beginning in 1946, a steady flow of African Americans began to migrate to the CFL which, at the time, was a legitimate competitor league to the NFL. This paper attempts to test a perception seemingly held by some that, by moving to Canada, African American football players were able to escape the racial injustices they often suffered in the US. This view appears to have its roots in the notion that Canada is a “gentler”, more tolerant society, without the divisive socio-political history that characterizes much of the race relations in the US. This paper tests these notions using a variety of empirical approaches. The results indicate that, while African Americans were better represented in the CFL relative to the NFL, African Americans still faced some level of entry discrimination in the CFL. In particular, African American players in the CFL outperformed their white counterparts on numerous performance dimensions, indicating the overall talent level in the CFL could have been further improved by employing an even greater number of African Americans. Additionally, the paper finds that those CFL teams that employed the highest percentage of African Americans were those teams that had the most on-field success. Finally, the paper analyzes prices of player trading cards from that era, and finds that cards of African Americans were undervalued, relative to white CFL players of equal talent.sports
Northern Irish Elegy
No full textThis thesis proposes that Northern Irish elegy is a distinctive genre of contemporary poetry, which has developed during the years of the Troubles, and has continued to be adapted and defined during the current peace process. It argues that the practice of writing elegy for the losses of the Troubles has established a poetic mode in which Northern Irish poets have continued to work through losses of a more universal kind. This thesis explores the contention that elegy has a clear social and political function, providing a way in which to explore some of the losses experienced by a community over the past half-century, and helping to suggest ideas of consolation.
Part one focuses on three first generation Northern Irish elegists: Seamus Heaney, Michael Longley and Derek Mahon. Heaney is considered in a chapter which takes in a poetic career, through which might be traced the development of Northern Irish elegy. Following this are two highly focused studies of the elegies of Longley and Mahon. The place of artifice in elegy is considered in relation to Longley's Troubles elegies, while Mahon’s irony is discussed in relation to his elegiac need for community.
Part two looks at a second generation, represented by Ciaran Carson and Paul Muldoon. Carson's elegies for Belfast are read in a discussion of the destruction and reconstruction that occurs during the process of remembering. This study explores the idea that elegies might also be written for places and temporal spaces. Carson's interest in poetic form is shown to be intricately related to his elegiac practice. The chapter on Muldoon surveys a career which has interrogated the connections between art and suffering. Muldoon raises questions of poetic responsibility, and also challenges poetry itself, on a formal and linguistic level. As his career develops, he includes not only the local threats of Troubles violence within his elegies, but also the global threats of disease, violence and terror.
Part three starts with Medbh McGuckian, whose work is discussed in relation to the third generation poets Sinead Morrissey, Leontia Flynn and Colette Bryce. As McGuckian's poetry is perhaps the least immediately accessible of all the poetry covered here, the thesis considers ways in which her work might be read, before her poems are discussed as Northern Irish elegies. Following this are readings of poems from Morrissey, Flynn and Bryce, noting ways in which this generation works to develop the genre of elegy, working in the same broad themes that have been charted throughout this thesis
Election \u2796 piece on the author\u27s experiences at the Republican National Conv
No full textElection \u2796 piece on the author\u27s experiences at the Republican National Convention in San Diego. With a related piece on some of the Maine Republicans who chose not to attend the convention, including U.S. represenative James B. Longley Jr., U.S. Senate candidate Susan Collins and 2nd District congressional candidate Paul Young
Editorial Board
No full textRichard Allen Cave Wayne K. Chapman Seamus Deane Denis Donoghue Jacqueline Genet Margaret Mills Harper John Harwood K. P. S. Jochum John Kelly Edna Longley Neil Mann William H. O’Donnell Marjorie Perloff James L. Pethica Ronald Schuchard Michael J. Sidnell Colin Smythe C. K. Stead Series Editor: Warwick Gould Research Editor: Deirdre Toome
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