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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    The Origin and Development of Tigrinya Language Publications (1886 - 1991) Volume One

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    Tigrinya is a Semitic language spoken in Eritrea and in the Tigray Region of Northern Ethiopia. Tigrinya is one of the nine languages in Eritrea. It was one of Eritrea\u27s official languages (along with Arabic) during the short-lived federation with Ethiopia (1952-1962). When Ethiopia officially annexed Eritrea in 1962, Amharic also formally replaced Tigrinya and Arabic; and was established as an official language by the imperial government of Ethiopia. In 1993, when Eritrea officially declared its independence through referendum. Tigrinya regained its status as a working language. Tigrinya has its own alphabet of 32 letters adopted from Ge\u27ez, a language which exists with a very limited function within the Coptic Orthodox and Catholic Churches. Like English, Tigrinya is written from left to right. Although the Tigrinya script might look difficult, pronunciation is simple and straightforward, as the phonetic symbols closely resemble pronunciation. The earliest written example of Tigrinya is a text of local customary laws, dating back to the 13th century. It was found in the district of Logo Sarda, Akele Guzai in Eritrea. The first literary text in Tigrinya was published in Europe. In 1895 Feseha Giyorgis, a scholar who was studying Italian and Latin and taught Tigrinya in Naples, published a pamphlet in Rome giving an account of his journey to Italy five years earlier. He was very conscious of his trailblazing role as the father of Tigrinya literature. In his foreword to the work he wrote that our main drive has been to furnish those who yearn to learn Tigrinya with material for exercise. The content of the pamphlet indicates that his 3 primary audience, however, was the educated elite of his home country, as it focuses on the author\u27s impressions of the exotic country to which he had travelled. The first work published in Tigrinya was a translation of the Four Gospels by Dabtera Matewos. It was written in the 1830s and was published in 1866 by Isenberg, in Basle, Switzerland. The Tigrinya title is ወንጌል ቅዱስ ናይ ጎይታና ናይ ምድሓኒናን የሱስ ክርስቶስ. This work is of major significance, because it marks the first appearance of the Tigrinya language in book form as well as in a full Ge’ez script. European missionaries were responsible for a stream of publications from the 1890s onwards, including the first Tigrinya language newspaper in 1909, but that it did not last long. During the British Military Administration in 1941-1952, Ministry of Information of the administration published a weekly newspaper in Tigrinya. At that time, a single newspaper would cost about 5 cents; the number of copies of the newspaper sold per week would reach up to 5,000. At that time, it was reported to be the first of its kind. There is no standard bibliography of Tigrinya publications. In an effort to address this gap, I have prepared what I think is the first annotated bibliography in two volumes. I hope that this publication will provide a summary and evaluation of books written in Tigrinya that I have been able to locate and analyze. It is also my belief that this work will be of great use to researchers and future generations and will enhance the development of Tigrinya language and literature. In compiling this work, I have traveled extensively and conducted research in libraries and archives in Asmara, Addis Ababa, Sweden, and Italy. I also interviewed and consulted with knowledgeable individuals about early publications. After collecting bibliographic information for over 760 publications, I arranged individual records in alphabetical order by author, followed by title, place and date of publication, and number of pages. During the process of my work I have come to realize the following facts: 1. Books written in Tigrinya are far more numerous than many people realize. 2. Because of the large number of discovered publications, a published bibliography would be of great importance to researchers. 3. Most books published in Tigrinya have incomplete information regarding dates and places of publication. The bibliography presented here is the first one of its kind. It does not, however, claim to be comprehensive. I would be very pleased if this book stimulates and encourages other researchers to make additional entries. After 1991 the number of books published in Tigrinya has increased tremendously. Volume one of this work includes all publications before 1991. And Volume Two will include all the works published since 1991

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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