1,720,986 research outputs found
I- La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : la zone artisanale du secteur « Mur de fortification méridional » (Iujna Krepostna Stena)
No full textBaralis Alexandre, Bogdanova T., Nedev Dimitar, Morand Nicolas, Popova Tsvetana. I- La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : la zone artisanale du secteur « Mur de fortification méridional » (Iujna Krepostna Stena). In: Dialogues d'histoire ancienne, vol. 47, n°2, 2021. pp. 305-322
II- La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : le tumulus aristocratique de la parcelle cadastrale UPI 7547 (IVe siècle avant J.-C.)
No full textBaralis Alexandre, Bogdanova T., Morand Nicolas, Nedev Dimitar, Popova Tsvetana, Ruseva Victoria. II- La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : le tumulus aristocratique de la parcelle cadastrale UPI 7547 (IVe siècle avant J.-C.). In: Dialogues d'histoire ancienne, vol. 46, n°2, 2020. pp. 346-365
La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : bilan de la campagne 2014
No full textBaralis Alexandre, Panayotova Krastina, Gyuzelev Martin, Bogdanova T., Riapov Attila, Galabova Borislava, Atanasova-Timeva Nadejda, Nedev Dimitar. La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : bilan de la campagne 2014. In: Dialogues d'histoire ancienne, vol. 40, n°2, 2014. pp. 241-256
La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : bilan de la campagne 2013
No full textBaralis Alexandre, Panayotova Krastina, Avramova Maria, Bogdanova T., Flaux Clément, Guibal Frédéric, Keenleyside Ann, Kovacheva Mery, Nedev Dimitar, Ninov Lazar, Popova Tsvetana, Riapov Attila, Rouchet Pauline, Rossignol Ingrid. La Mission archéologique franco-bulgare à Apollonia du Pont (Sozopol, Bulgarie) : bilan de la campagne 2013. In: Dialogues d'histoire ancienne, vol. 39, n°2, 2013. pp. 265-286
Apollonia du Pont et Orgamè / Argamum : bilan des campagnes 2010
No full textBaralis Alexandre, Nedev Dimitar, Gyuzelev Martin, Iacob Mihaela, Lungu Vasilica, Mănucu-Adameşteanu Mihaela, Panayotova Krastina. Apollonia du Pont et Orgamè / Argamum : bilan des campagnes 2010. In: Dialogues d'histoire ancienne, vol. 36, n°2, 2010. pp. 178-188
Le programme ANR Pont-Euxin : bilan des campagnes 2011 à Apollonia du Pont (Sozopol, dpt. de Bourgas, Bulgarie) et Orgamè / Argamum (Jurilovca, dpt. de Tulcea, Roumanie)
No full textBaralis Alexandre, Dupont Pierre, Gyuzelev Martin, Iacob Mihaela, Lungu Vasilica, Mănucu-Adameşteanu Mihaela, Nedev Dimitar, Panayotova Krastina. Le programme ANR Pont-Euxin : bilan des campagnes 2011 à Apollonia du Pont (Sozopol, dpt. de Bourgas, Bulgarie) et Orgamè / Argamum (Jurilovca, dpt. de Tulcea, Roumanie). In: Dialogues d'histoire ancienne, vol. 37, n°2, 2011. pp. 220-234
Kerch style: towards a local branch evidenced at Apollonia Pontica?
No full textThe first chemical results already obtained on representative finds of red-figured vases from Apollonia decorated in the Kerch style have revealed a non-Attic chemical pattern, thus clearly pointing to the fact that Athens had no monopoly in the manufacture of these somewhat “ kitsch” wares smothered in gilt and added colours. Even if most of our samples belonging to the Kerch style are falling together with other black-glazed wares into a geochemical group differing from the local one of common wares, it might well be only for technological requirements. Further lab investigations will now try to determine whether we are faced with another local group or with imports from some other Pontic centre of manufacture, Panticapeum / present-day Kerch coming a priori to mind high up among the possible candidates !Primele rezultate obținute în urma analizei fizico-chimice făcute pe exemplare reprezentative de vase cu figuri roșii de la Apollonia, decorate în stilul Kerch, au scos în evidență compoziții non-atice, demonstrând, deci, că Atena nu a avut monopolul fabricării ceramicii de factură, mai degrabă „ kitsch”, acoperită cu auriu și retușe colorate. Chiar dacă cele mai multe dintre eșantioanele care ar indica acest stil formează, împreună cu alte vase cu firnis negru, un grup geochimic deosebit de ceramica uzuală de fabricație locală, aceasta s-ar putea datora unor imperative tehnologice. Continuarea cercetării își propune clarificarea apartenenței pieselor la un alt grup local distinct sau a provenienței acestora din importuri din alte centre pontice de fabricație, precum Panticapaeum, actualul Kerch, considerat sursa cea mai previzibilă !Dupont Pierre, Baralis Alexandre, Nedev Dimitar, Panayotova Krastina, Bogdanova Teodora. Kerch style: towards a local branch evidenced at Apollonia Pontica?. In: Materiale şi cercetãri arheologice (Serie nouã), N°16 2020. pp. 135-138
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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