69 research outputs found
Stylistic transformations in the works of Zaha Hadid
No full textZaha Hadid była jedną ze star-architektów, starając się w swoich bardzo licznych projektach i realizacjach spełniać misję poszukiwania nowych kształtów, niejednokrotnie szokując ekstrawaganckimi formami nie mieszczącymi się w tradycyjnym pojmowaniu otaczającej nas rzeczywistości. Autorka artykułu przedstawia propozycję podziału jej twórczości na trzy tendencje: inspirację konstruktywizmem, biomorfizmem, ekspresjonizmem.Zaha Hadid was a starchitect, trying to fulfil the mission of pursuing new shapes in her many designs and projects, often shocking others with extravagant forms that were unthinkable in the traditional understanding of our reality. The author of this paper presents a proposal of dividing her work into three tendencies: an inspiration with Constructivism, Biomorphism and Expressionism
From the Middle East to Europe as a female architect of colour: A case study on Dame Zaha Hadid
No full textThis paper researches the approach of a female architect of colour to her career in architecture. It positions itself through background research on the discrimination that takes place in the field of architecture against people of colour and women and applies this gained perspective to the case of Zaha Hadid, as she is a perfect candidate to bring these two points of discrimination together. A case analysis is executed on Dame Zaha Hadid, where her journey through the field of architecture is analysed and reflected upon. The aim of this paper is to establish how broke through all the stigmas and because quite possibly the best known female architect of all time. In the case analysis Hadid’s childhood, education, career and personal development are analysed. Hadid is known to have a strong and extravagant personality. She always stayed true to her art style and always aimed to become greater while remaining unique. Even though she can be seen as a feminist icon, Hadid is not very outspoken on female struggles within the field of architecture and often remains apolitical and unfazedAR2A011Architectural History ThesisArchitecture, Urbanism and Building Science
Zaha Hadid, genius of the place*
No full textAfter a startling and meteoric rise to fame, Arab Iraqi-born architect Zaha Hadid is one of the most sought after and in-demand architects of the twenty-first century. Hadid's work, which often defies description, draws on a diverse palette of influences including Soviet Constructivism, Suprematism, and what her colleague Patrick Shumacher has termed ‘Parametricism’. At the same time, Hadid's work – she studied under Rem Koolhaas – is infused on multiple levels with her Arab culture and identity. Originally more famous for her designs and un-built works, those which have been constructed or are on the verge of completion span the globe from China to Azerbaijan to Europe, the US and – more recently – the Arab world. She is the recipient of some of architecture's most prestigious awards including the Pritzker Prize. Simultaneously, Hadid has met with controversy and obstacles to her single-minded approach to design and utilization of space in both Europe and the Arab world. This article contains previously unpublished interviews – which examine her approach to form and space, her relation to computer-assisted design, as well as her Iraqi identity – undertaken with Zaha Hadid by the author over a decade, as well as photographs and illustrations of her paradigmatic work that pose serious challenges and hurdles for structural engineers and builders, while engaging all those who view or encounter them to assess their own relation to space and concepts of it.</jats:p
Freehand drawing masters in project for example Le Corbusier and Zaha Hadid
No full textRysunek architektoniczny zawsze był domena rzemiosła architektów, pozwalająca na swobodę w twórczości projektowej. Szkic pozwala na przełożenie myśli architekta na papier w formie przestrzennej, w sposób pozwalający zrozumieć tę ideę w jej końcowym efekcie, jakim jest projekt architektoniczny. Treść, a także myśl autora są zatem całkowicie ujawnione poprzez kolejne koncepcje. Le Corbusier tworzący w XX wieku, a także Zaha Hadid projektująca w XXI wieku, to doskonałe przykłady architektów prezentujących projekt architektoniczny poprzez szkic w procesie twórczym.Architectural Drawing has always been the domain of architects craft, allowing for flexibility in design creativity. Sketch allows the architect to submit ideas on paper in the form of planning, in a way to understand this idea in its final effect which is the architectural design. The content, as well as the author thought it is therefore completely disclosed by subsequent concepts. Le Corbusier forming in the twenty century, Zaha Hadid and the designer of the twenty-first century, are a perfect example of the presentation of architectural design, with a drawing in the creative process
The powerless starchitect: How Zaha Hadid became the first person working on the Al-Wakrah stadium that actually did die
No full textStarchitect Zaha Hadid won the bid to design one of the planned stadiums for the 2022 FIFA World Cup event in Qatar. Her design for the Al-Wakrah stadium became the centrepiece of a discussion on the role that starchitects play in society. That debate reached a boiling point in August 2014, and resulted in a digital lynching party that sheds serious doubts on the ethics and professionalism of architectural critics and journalists alike
The Phenomenon of Worldly Love in the Digital Age: Thematic Interpretation of Surah Al-Hadid Verse 20
No full textIn the digital era, people are increasingly following trends that can be seen from social media such as Instagram and TikTok. This phenomenon can have a negative impact on life. A person will continue to follow trends that ultimately lead to regret. The main purpose of this study is to analyze the phenomenon of worldly love in the digital era based on the perspective of QS. Al-Hadid Verse 20 and what the impact of the influence of worldly love is in the digital era. This study also provides solutions based on the Qur\u27an to help people understand and overcome the negative effects of digitalization on spiritual values. This study uses a qualitative method with a library research approach. The data collection technique is carried out thematically (maudhu\u27i), making QS. Al-Hadid Verse 20 the center of analysis to explore the meaning of the verse in the context of the digital era. The results of the study, the love of the world in Surah Al-Hadid verse 20 includes la\u27ibun (something that does not bear fruit), lahwun (something that distracts humans from things that are useful and beneficial to them), ziinah (jewelry such as magnificent clothing), tafakhur (being proud of one another with lineage and parents who have become bones that have been destroyed), and takatsurun fil amwaali wal awlaad (boasting of one another). And the manifestation of love of the world is manifested in the form of social media addiction (La\u27ib and Lahwun), the emergence of (FOMO) "Fear Of Missing Out" (Takatsur), Showing Off Wealth or Lifestyle on the Internet (Flexing) (Tafakhur). Therefore, the Qur\u27anic solution recommended by the author is tajdid intention, digital zuhud, digital da\u27wah based on the afterlife, and finally tawazun (balance between the world and the afterlife
Creative Work of Zaha Hadid as a Sample of the Development of Bio-Tech Style
No full textИскусство и культура. - 2015. - № 2. - С. 34-38. - Библиогр.: с. 38 (7 назв.).Статья посвящена специфике творчества британского архитектора Захи Хадид, произведения которой являются ярким примером развития стиля био-тек в современной художественной практике. Автор анализирует наиболее выдающиеся работы З. Хадид, концентрирует внимание на основных стилеобразующих элементах био-тека. Важное место в статье отводится мнению самой Хадид, высказывания которой ценны как в понимании творческого почерка архитектора, так и в определении новых тенденций в развитии мировой архитектуры. = The article is devoted to the specifics of creation by British architect Zaha Hadid, whose works are a prime example of bio-tech style in contemporary art practice. The author of the article analyzes the most outstanding Z. Hadid’s works, focuses on the basic style elements of bio-tech. An mportant place is given to Hadid’s opinion, whose statements are valuable both in understanding the creative style of the architect, and in identifying new trends in the world architecture
History thesis: Phaeno Science Center
No full textHet Phaeno Science Center en haar plaats in de architectuurgeschiedenis. Korte geschiedenis over Zaha Hadid. Een reactie op de moderne beweging. En de eerste toepassing van zelfverdichtend beton in de architectuur.AR2A010ArchitectureArchitectur
Hedonisme dalam Surat Al-Hadid ayat 20 Studi tafsir Al-Azhar dan Al-Misbah
No full textABSTRAK
Seiring dengan perkembangan zaman dan teknologi yang terus berkembang, hampir semua bidang kehidupan mengalami perubahan. Menikmati segala kenikmatan adalah tujuan hidup manusia di dunia ini. Hedonisme tidak hanya muncul di kalangan pelajar dan mahasiswa atau pelajar saja, tetapi sudah tampak meluas di berbagai kalangan masyarakat. Kebanyakan perilaku hedonistik dimulai dari orang-orang kaya yang selalu peduli dengan penampilan dan menikmati hidup sepuasnya dengan bersosialisasi, makan, jalan-jalan dan bersenang-senang dengan orang-orang yang berpikiran sama, yang akhirnya menyebar ke berbagai kelompok masyarakat yang kekurangan kondisi hidup. . Maka untuk pembahasan kali ini penulis tertarik dengan pembahasan tentang hedonisme. Fokus masalah penelitian ini mendeskripsikan konsep hedonisme yang dijelaskan dalam Q.S Al-Hadid ayat 20 dalam Tafsir Al-Azhar dan Al- Misbah serta menitikberatkan pada perbandingan (perbandingan:Persamaan dan perbedaan) antara Tafsir Al-Azhar dan Al-Misbah dalam menafsirkan ayat 20 dari Q.S Al-Hadid.
Untuk mengembangkan penelitian yang lebih dalam, digunakan penelitian kualitatif dengan pendekatan yang digunakan yaitu pendekatan kepustakaan atau yang biasa dikenal dengan penelitian kepustakaan. Mengumpulkan bahan penelitian dengan menggunakan teknik dokumenter, metode analisis komparatif dalam mengolah bahan dan kesimpulan pada akhir penulisan.
Hasil dari penelitian ini adalah Hedonisme dalam surat Al-Hadid ayat 20 perspektif Tafsir Al-Azhar dan Tafsir Al-Misbah termasuk kelengahan akan gemerlapnya kehidupan dunia. Komparasi persamaan antara kedua tafsir tersebut adalah pada penjabaran konsep hedonisme. Sedangkan dalam menginterpretasi hedonisme, kedua mufasir tersebut memiliki perbedaan yang mana Quraish Shihab dari segi pembahasan ayat tentang hedonisme lebih meluas dan dikorelasikan juga dengan ayat yang lain. Sedangkan Buya Hamka hanya terfokus pada pemaknaan hakikat kehidupan dunia dan perkara keduniawiaan saja.
ABSTRACT
Along with the times and technology that continues to grow, almost all areas of life experience changes. Enjoying all the pleasures is the goal of human life in this world. Hedonism does not only appear among students and students or students, but has been seen to be widespread in various circles of society. Most hedonistic behavior starts with rich people who always care about their appearance and enjoy life to their heart's content by socializing, eating, traveling and having fun with like-minded people, which eventually spreads to various groups of people who lack living conditions. . So for the discussion this time the author is interested in the discussion of hedonism. The focus of this research problem describes the concept of hedonism explained in Q.S Al-Hadid verse 20 in Tafsir Al-Azhar and Al-Misbah and focuses on comparisons (comparison: Similarities and differences) between Tafsir Al-Azhar and Al-Misbah in interpreting verse 20 of Q.S Al-Hadid.
To develop deeper research, qualitative research is used with the approach used, namely the library approach or commonly known as library research. Collecting research materials using documentary techniques, comparative analysis methods in processing materials and conclusions at the end of writing.
The result of this research is Hedonism in Surah Al-Hadid verse 20 from the perspective of Tafsir Al-Azhar and Tafsir Al-Misbah including heedlessness of the glitter of worldly life. Comparison of similarities between the two interpretations is in the elaboration of the concept of hedonism. Whereas in interpreting hedonism, the two commentators have differences in which Quraish Shihab from the point of view of discussing verses about hedonism is more extensive and also correlated with other verses. Meanwhile, Buya Hamka is only focused on interpreting the essence of worldly life and worldly matters.
مستخلص البحث
إلى جانب العصر والتكنولوجيا التي تستمر في النمو ، تتغير جميع مجالات الحياة تقري ًبا. إن التمتع بكل الملذات هو هدف الحياة البشرية في هذا العالم. لا تظهر مذهب المتعة فقط بين الطلاب والطلاب أو الطلاب ، بل شوهد منتش ًرا في دوائر المجتمع المختلفة. يبدأ معظم سلوك المتعة مع الأثرياء الذين يهتمون دائ ًما بمظهرهم ويستمتعون بالحياة لمحتوى قلوبهم من خلال التواصل الاجتماعي والأكل والسفر والاستمتاع مع الأشخاص ذوي التفكير المماثل ، والذي ينتشر في النهاية إلى مجموعات مختلفة من الأشخاص الذين يفتقرون إلى ظروف معيشية. . لذلك بالنسبة للمناقشة هذه المرة ، يهتم المؤلف بمناقشة مذهب المتعة. تركز .مشكلة البحث على وصف مفهوم مذهب المتعة الموضح في ق. الآية 20 من قيس الحديد
لتطوير بحث أعمق ، يتم استخدام البحث النوعي مع النهج المستخدم ، أي نهج المكتبة أو المعروف باسم أبحاث المكتبة. جمع المواد البحثية باستخدام التقنيات الوثائقية وطرق التحليل المقارن في معالجة المواد .والاستنتاجات في نهاية الكتابة
نتج عن هذا البحث مذهب المتعة في سورة الحديد الآية 20 .
من منظور تفسير الأزهر وتفسير المصباح بما في ذلك الغفلة من بريق الحياة الدنيوية. تتم مقارنة أوجه التشابه بين التفسيرين في بلورة مفهوم مذهب المتعة. بينما في تفسير مذهب المتعة ، يختلف المعلقان في أن قريش شهاب من وجهة نظر مناقشة الآيات حول مذهب المتعة هو أكثر شمولاً ومرتب ًطا أي ًضا بآيات أخرى. .في هذه الأثناء ، يركز بويا هامكا فقط على تفسير جوهر الحياة الدنيوية والأمور الدنيوي
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