1,723,444 research outputs found
Quimby, Neal D.
No full textMilitary Information: Battery 1, Regiment 1.This project was assisted by a grant from the New Jersey Historical Commission, a division of the Department of State
Neal D. Mulkey, Fall 1990 ROTC Commissioning
No full textStudents at Jacksonville State University were commissioned through the ROTC program in ceremonies held December 14, 1990. Shown is Neal D. Mulkey during the bar pinning ceremony.https://digitalcommons.jsu.edu/rotc_photos/2562/thumbnail.jp
JSU ROTC, Neal D. Mulkey at Brick Wall
No full textNeal D. Mulkey was a student and member of the ROTC program at Jacksonville State University. Shown he stands in uniform against a brick wall. He was commissioned in ceremonies held December 14, 1990. (circa 1989)https://digitalcommons.jsu.edu/rotc_photos/5920/thumbnail.jp
Neal (D. S.). The Excavation of the Roman Villa in Gadebridge Park Hemel Hempstead 1963-8
No full textBrulet Raymond. Neal (D. S.). The Excavation of the Roman Villa in Gadebridge Park Hemel Hempstead 1963-8. In: Revue belge de philologie et d'histoire, tome 57, fasc. 1, 1979. Antiquité - Oudheid. pp. 203-204
Neal (D. S.). The Excavation of the Roman Villa in Gadebridge Park Hemel Hempstead 1963-8
No full textBrulet Raymond. Neal (D. S.). The Excavation of the Roman Villa in Gadebridge Park Hemel Hempstead 1963-8. In: Revue belge de philologie et d'histoire, tome 57, fasc. 1, 1979. Antiquité - Oudheid. pp. 203-204
Letter re: Ma and Pa Ferguson
No full textHandwritten letter to Carter requesting for his subscription to the Star Telegram and claiming to support both Carter and Dan Moody.Star-Telegram: Discontinued subscription noted on enclosed address tag because we are too far awayfor the paper to be "news" by the time it gets here. But I am still for Amon Carter and Dan Moody. Sincerely yours, Neal D. Monger M.D
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Utah Technical College at Salt Lake Awards Banquet Winner Neal D. Grover
Get PDFRecognition by President Jay L. Nelson to Neal D. Grover at the May 28, 1976 Awards Banquet for Utah Technical College at Salt Lake. Grover was an instructor of auto body and repair at the college, as well as the school\u27s alumni president.https://libarchive.slcc.edu/jaynelsonpapers/1005/thumbnail.jp
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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