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A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania
Get PDFIn the area covering the present day Muleba and Bukoba Urban and Bukoba Rural Districts, as is the case in other areas where Buhaya culture is predominant in the Kageraregion in Tanzania, musical performances - singing, dancing, and playing of musical instruments - are integral parts of everyday life. As is the case in many African societies, among the Haya musical performances are inseparable from the daily events and the social, political and cultural life of the community. Traditionally, events such as marriage, funerals, worship, installation, praise, and exaltation of kings (omukama), celebratory war dances (omutoro) and heroic recitations or self-praise recitations (ebyebugo), healing practices such as cleansing and chasing away evil spirits, and all occasions calling for celebration produced performances. In the contemporary Haya world, some such events (for example, war dances and installation of traditional leaders) have ceased, but the musical performances have been re-contextualized for religious, social, health and political purposes
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Music and HIV/AIDS : the performance of gender, identity, and power in Tanzania
Get PDFtextThis dissertation investigates the intersection between music, gender, religion, and state agencies in the war against HIV /AIDS in Tanzania. The dissertation explores how music, gender and sexuality, religion, and state agencies impact one another in the creative process of musical and dramatic performances that address the education and prevention of HIV/AIDS. The ethnographic data, which focuses on musical and dramatic performance groups in Bukoba Urban and Rural Districts in Kagera Region, and Dar es Salaam Region, was collected from September 2008–May 2009. The dissertation views performance from multiple perspectives: as an avenue for the production of diverse types of knowledge such as musical, biomedical, religious, and localized or indigenous knowledge about healing in the context of HIV/AIDS; as a space in which gender and religious ideologies and identities are displayed and contested; and finally, as the space in which the manifestations of negotiations of power relations take place. The dissertation shows that health is at the center of music and dramatic performances as they are concerned with the maintenance of individual and community health. By doing so, performances serve as the hub of the social agency in preventing ill health and in restoring the well-being of the individual and communities at large. With regard to music, gender, and sexuality, the dissertation demonstrates that music performance is not only considered an avenue that provides one of the best contexts for observing and understanding the gender structure of any society. Performance is also a space for public discourse on sexuality in the context of HIV/AIDS. The state and religious ideology affect the creative process by either attempting to control meanings or by preventing certain performance. However, such attempts are not always successful. Finally, the dissertation demonstrates that performance is more than space for message-oriented or crowd-attracting activity but serves as a site upon which readings of the social transformation of gender roles through performance can take place.Musi
“…THOSE WHO DID IT HAVE POWER...” MUSIC, HEALTH AND HEGEMONY IN TANZANIA IN THE CONTEXT OF HIV/AIDS
Get PDFThis article investigates the display of power relations in the production of health knowledge about HIV/AIDS through music that addresses the HIV/AIDS pandemic in Tanzania. It specifically looks at the intersection of the state and religion in both shaping culture and influencing decision-making in the production of health knowledge on HIV/ AIDS. I argue that the study of HIV/AIDS and the creative process of music about HIV/ AIDS is also the study of power relations at multiple levels. Using two recordings, \u27Mambo kwa socks\u27(Things with socks on) and \u27Usione soo,sema naye” (Do not feel shy, speak to him or her), which have been forbidden from public broadcast by the government of Tanzania as evidence, I suggest that musical performances that focus on HIV/AIDS involve the production of multiple, often dissonant and antagonistic interpretations among individuals because of the musical styles employed and because of the interpreters\u27 different ages, social positions, context, social and historical spaces
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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