195 research outputs found
Replication Data for: "Artificial intelligence in breast cancer screening: Primary care provider preferences"
No full textReplication Data for: "Artificial intelligence in breast cancer screening: Primary care provider preferences
Letter to Ruby D. Smith Robinson From Peggy Hendrix, February 17, 1966
No full textA letter from Peggy Hendrix of the House of Representatives describes an enclosed check for session work to Ruby Doris Smith Robinson. 2 pages
Wait Until Dark (1994 program)
No full textPerformed April 13-17, 1994.
Cast:Lisa: Cara HopperHarry Roat: Michael CurtisMike Talman: Dana MaddoxSgt. Carlino: Robert LoffinkSusy Hendrix: Judie O\u27FarrellSam Hendrix: Matt RobersonGloria: Daisha StockstillPoliceman #1: Nathaniel IsraelPoliceman #2: Britton Lynnhttps://scholarworks.harding.edu/theatre-history/1161/thumbnail.jp
Visual Theology: Baptizing our Imaginations
No full textSam Fox School of Art and Design at Washington University, St. Louis
The pairing of pictures and text is as old as literature itself. Working in concert, words and images create a new space, a third language that neither can replicate on its own. Illustrator and author John Hendrix will talk about his work and the rich potential of visual storytelling, spiritually and aesthetically. How can beauty be a doorway to expanding our imagination? John Hendrix is known for his \u27drawing-in-church\u27 sketchbooks, his web-comic, The Adventures of The Holy Ghost, and his numerous children\u27s books, including, Miracle Man, The Story of Jesus and his graphic novel The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler, from Abrams Books for Young Readers
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How to sell a haunted house /
No full text"New York Times bestselling author Grady Hendrix takes on the haunted house in a hilarious and terrifying new novel that explores the way your past--and your family--can haunt you like nothing else... Louise's parents have passed away, and she's returning to the small Southern town where she grew up to get their house ready to sell. It means she'll have to spend time with her younger brother--and their old grudges make that a terrifying prospect. But childhood hurts pale in comparison to the dangers posed by what still lives inside the house"-
The splendour of English gothic architecture
No full textThis book explains and celebrates the richness of English churches and cathedrals, which have a major place in medieval architecture. The English Gothic style developed somewhat later than in France, but rapidly developed its own architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln, York, and Salisbury. The English Gothic architecture is a poetic one, speaking both to the senses and spirit</p
The splendour of English gothic architecture
No full textThis book explains and celebrates the richness of English churches and cathedrals, which have a major place in medieval architecture. The English Gothic style developed somewhat later than in France, but rapidly developed its own architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln, York, and Salisbury. The English Gothic architecture is a poetic one, speaking both to the senses and spirit</p
3D hydrodynamic modelling of the circulation dynamics and dilution in Hendrix Creek, New York
No full textThe ambient conditions of receiving waters such as currents and density stratification have been shown to influence the dilution of treated wastewater discharged by WWTPs. In order to better understand the ambient conditions, particularly the circulation dynamics, which contributes to adequate dilution, a comprehensive hydrodynamic study of the receiving environment, using tracers to simulate treated wastewater and assess dilution, can be employed as an effective strategy. In this paper the mechanisms driving the estuarine circulation, which contributes to dilution in Hendrix Creek were studied by utilizing a validated 3D numerical hydrodynamics model (Delft3D FM). Hendrix Creek, a semi enclosed tidal tributary of Jamaica Bay that serves as a receiving water of 26th Ward WRRF, is not well studied. Furthermore, the transport regime of the WRRF discharge as well as the dilution and mixing conditions are unclear despite it being a permitted discharge through NYSDEC. Therefore, field measurements of the ambient environment as well as dilution studies using a tracer dye injected into the plant effluent were conducted, which aided in the calibration of the model. The model utilized field-collected bathymetry, tidal forcings, and freshwater input, as well as a k-e turbulence closure scheme. In addition to the developed model, numerical scenarios were performed during the second dye study period to better understand the significance of plant outfall location, bathymetry and freshwater discharge from CSO on the dilution of treated wastewater. Furthermore, a tidal decomposition of the salt and dye fluxes was conducted to determine the magnitudes of the dominant mechanisms in the circulation and transport of treated wastewater in Hendrix Creek. It was discovered that the main mechanisms involved in the estuarine circulation are the mean advection due to the freshwater discharge from the plant and the residual circulation, which both serve in maintaining the salt balance in the creek. An estimated dilution factor of 1.3 was computed in the receiving environment of the plant discharge, which indicates poor dilution. Numerical experiments of alternative outfall configurations confirm that vertical circulation is important for adequate dilution. However, the current ambient conditions and bathymetry of Hendrix Creek deter the mixing and circulation potential necessary for dilution of the treated wastewater. Therefore, alternative measures such as dredging as well as some regulatory changes to the discharge permit should be considered to improve overall dilution and water quality of the creek.M.S.Includes bibliographical reference
Paperbacks from Hell: the art of vintage horror novels
No full textGrady Hendrix, author of Paperbacks from Hell:The Twisted History of ’70s and ’80s Horror Fiction, discusses his book and leads a panel of illustrators about their work from the ’80s and ’90s. Chad Laird, anadjunct associate professor who teaches a class about horror films in FIT’s History of Art Department, also joins the conversation. The illustrators discuss their careers in the worlds of publishing, visual art, and the ComicCon world, talking about then genre of horror and an iconic era of book cover illustration.Library Associate Jane Mahoney organized this event as part of FIT’s Love Your Library program, a series of events intended to connect the Gladys Marcus library with students and faculty, and to raise its visibility in the public eye
Fragmented: A BFA Thesis in Photography
No full textabstract: Abstract Fragmented: A BFA Thesis in Photography Joshua C. Hendrix I propose that one detailed, coherent thought is a conglomeration of smaller, incomplete shards of ideas. The ways that these ideas take shape is completely dependent on our current perceptions and the circumstances preceding and surrounding the formulation of the idea. This theory can also be applied to our interpretations of artwork, particularly art that is abstract or abstracted. While abstract photography is sometimes dismissed because photographs are supposed to capture the real world, I would argue that our individual perceptions and perspectives influence our responses to even realistic photographs. For this reason, I believe that abstract photography certainly does have unique value. My photographs are presented in five groups of four, and like thought fragments, though individually significant, they are much stronger when perceived in a group as a composite whole
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