1,854,119 research outputs found
Emerging technologies in solid drug delivery: An interview with Nadia Passerini
No full textNadia Passerini is interviewed by Hannah Makin, Commission Editor. Nadia Passerini is Associate Professor of Pharmaceutical Technology at the University of Bologna (Bologna, Italy). She obtained the degree in Pharmaceutical Chemistry and Technology at the University of Bologna in 1992 and the PhD in Pharmaceutical Science in 1997. Her research focuses on the study of drug delivery systems, developing new technologies and new apparatus for the production of solid dosage forms (microparticles, granules and tablets), which can optimize the bioavailability of drugs according to the specific needs of the therapy. Furthermore, she is interested in the solid-state characterization of the produced delivery systems in order to correlate their physicochemical properties to the in vitro release of the drugs. Currently, her research focuses in particular on the production and characterization of microparticles produced by the spray congealing technology. She is author of over 50 international peer-reviewed publications and over 50 contributions (poster and oral presentations) to national and international conferences
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1010/thumbnail.jp
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1012/thumbnail.jp
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1016/thumbnail.jp
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1013/thumbnail.jp
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1014/thumbnail.jp
Nadia
No full textNadia, who now lives in the Oinofyta refugee camp with her mother and siblings, fled Afghanistan because of the violence they faced due to her father\u27s association to the U.S. Separated from her father and brother, only Nadia, her mother, uncle, and siblings made it to Greece after smugglers got them out of their homeland.https://scholarsarchive.byu.edu/tsos_photography/1011/thumbnail.jp
Selected Songs of Nadia Boulanger: Formal Analysis and Adaptation for Brass Chamber Music
Full text linkWorth can be a difficult thing to understand and define, even under the best of circumstances. Nadia Boulanger is known to have told her teacher, Gabriel Fauré, that “if there is one thing of which I am certain, it is that my music is worthless.” As a teacher, Boulanger empowered her students to listen for the internal logic present in the pieces of art that she considered valuable. This document will apply Nadia Boulanger’s teachings to her compositions to demonstrate that her music does have worth. To that end, these analyses will compile data to discern the internal logic in her pieces.
As a performer, Nadia Boulanger coupled her analytical beliefs to her performance practice; her concerts were shaped by and carefully crafted to present her analyses. Her formal classes included an informal ticket to hear her commentaries in action. Therefore, in addition to analytical validation, the author intends to demonstrate the value of Nadia Boulanger’s music through the arrangement and performance of her compositions as brass chamber music. as brass chamber music
Nadia Elie Dit Cosaque
No full textOctave Nadia. Nadia Elie Dit Cosaque. In: Diplômées, n°238, 2011. Femmes diplômées de l’enseignement supérieur et temps partiel. pp. 161-162
Rencontre avec Céline Burnand, artiste, et Nadia Radwan, historienne de l’art - Photoforum Pasquart
No full textA l’occasion de l’exposition Retour à Helwan – La Maison des vivants, le Photoforum Pasquart organise une rencontre entre Céline Burnand, artiste suisse basée au Caire et Nadia Radwan, professeure assistante en histoire mondiale de l’art à l’Université de Berne, spécialisée dans l’art moderne et contemporain du Moyen-Orient. La visite de l’exposition en présence de l’artiste sera suivie d’une discussion centrée sur les thèmes de la nostalgie, de l’appartenance et de la mémoire qui naviguent entre recherche scientifique et émotion. Dans quelle mesure la nostalgie et l’appartenance sont-elles liées à la subjectivité des artistes ou des chercheurs·euse? Quels publics sont touchés par ces notions? L'espace d'exposition ou les expériences vécues par le public modifie-t-ils leur sens? L’artiste et l’historienne de l’art offrent un regard croisé sur ces notions qui concerne leur recherches et pratiques respectives et qui sont aujourd’hui au cœur des discours sur l’art contemporain
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