6,960 research outputs found
Roberto Nigro: Wahrheitsregime
No full textBesprechung von Roberto Nigro: Wahrheitsregime. Zürich/Berlin: Diaphanes, 2015
El Impuesto Inmobiliario en la Provincia de Córdoba. Evolución en más de una década. Algunas ideas para mejorarlo
No full textEl artículo del Profesor Roberto Nigro, un reconocido autoren temas de tributación, titulado “El Impuesto Inmobiliario en la provincia de Córdoba. Evolución en más de unadécada. Algunas ideas para mejorarlo”, analiza la estructura de dicho gravamen en la provincia de Córdoba,en relación con la que exhibía tiempo atrás, revisando aspectos como su justificación general y sudesempeño recaudatorio, cerrando con sus recomendaciones de tributarista, destacándose entre ellas que es“cuestión esencial la necesidad de que la Provincia revalúe nuevamente los inmuebles”, ya que un atrasocon escenarios cambiantes de precios relativos, produce distorsiones en el gravamen, afectando tanto sueficiencia como su equidad, no sólo en solares urbanos, sino también rurales
Audiomobiles, Sculptures and Conundrums
No full textRoberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Mattutat/Nigro/Schiel/Stubenrauch: What\u27s Legit?
No full textRezension von Liza Mattutat, Roberto Nigro, Nadine Schiel und Heiko Stubenrauch (Hg.): What’s Legit? Critiques of Law and Strategies of Rights. Zürich: Diaphanes 2020
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
No full textThis research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
Aktuelle philosophische Zugänge zu Michel Foucaults „Überwachen und Strafen“: Rölli, Marc/Nigro, Roberto (Hrsg.): Vierzig Jahre „Überwachen und Strafen“. Zur Aktualität der Foucault’schen Machtanalyse
No full textVasilache A. Aktuelle philosophische Zugänge zu Michel Foucaults „Überwachen und Strafen“: Rölli, Marc/Nigro, Roberto (Hrsg.): Vierzig Jahre „Überwachen und Strafen“. Zur Aktualität der Foucault’schen Machtanalyse. Neue Politische Literatur (NPL). 2018;63(3):536-538
Caratterizzazione di un atomizzatore multiugello per la generazione di gocce monodisperse
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