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Restauración arquitectónica en el Tolima. Experiencias académicas
No full textThe book offers a description of the main activities of the educational course of architectural restoration at the University of Ibague, Colombia. The arguments presented are the result of research the author as part of international scientific collaboration
I LUOGHI DELLA RELIGIOSITÀ E DEI RITI IN UNA VISIONE SOSTENIBILE
Full text linkThe sacred landscape is the center of existence, regardless of its location and materiality. The concept of “sacred landscape” constitutes, in fact, an indefinite place, without borders but where tangible and three-dimensional presences are contained that build the space that we live in.
It is precisely the three-dimensional perception that characterizes the architecture to which we have to approach the fourth dimension, that is, the temporal dimension, and therefore the presence of “time” that helps us to analyze the evolution and transformation of materiality.
This contribution aims to develop a reflection on the concept of place and places of religiosity and rites, understood as a material and intangible space at the same time and where man meets his God, himself and the community regardless of where he has located this place and how it was made. Particular attention will be given to the meaning of the sacred value and how this concept is constantly regenerated in the daily life of every man.El paisaje sagrado es el centro de la existencia, independientemente de su ubicación y materialidad. El concepto de "paisaje sagrado" constituye, de hecho, un lugar indefinido, sin fronteras pero donde se contienen presencias tangibles y tridimensionales que construyen el espacio en el que vivimos. Es precisamente la percepción tridimensional la que caracteriza la arquitectura a la que tenemos que acercarnos a la cuarta dimensión, es decir, la dimensión temporal, y por tanto la presencia del "tiempo" lo que nos ayuda a analizar la evolución y transformación de la materialidad. Esta contribución tiene como objetivo desarrollar una reflexión sobre el concepto de lugar y lugares de religiosidad y ritos, entendidos como un espacio material e intangible al mismo tiempo y donde el hombre se encuentra con su Dios, él mismo y la comunidad independientemente de dónde se haya ubicado este lugar y cómo se hizo. Se prestará especial atención al significado del valor sagrado y a cómo este concepto se regenera constantemente en la vida cotidiana de cada hombre
Il progetto di restauro: valore culturale e questione sociale
Full text linkGli interventi e l’azione dell’uomo quanto del tempo sui prodotti della natura (le scogliere, le sculture prodotte dall’erosione del vento e dell’acqua) e dell’attività umana (architettura, pittura, scultura, etc..), da un lato hanno contribuito ad arricchire i valori propri delle singole opere, dall’altro sono stati anche causa di disgregazione, di menomazione, di perdita di significati estetici e cultural
La casa de Jorge Isaacs en Ibagué - Colombia. El proyecto de conocimiento.
Full text linkRIASSUNTO Il presente articolo descrive l’esperienza accademica svolta nel Programma di Architettura dell’Università di Ibagué (Colombia) all’interno dell’accordo con l’Università di Pisa (Italia) mediante il corso di specializzazione estivo che si è svolto dal 30 luglio all’11 agosto del 2007 con il proposito di realizzare uno studio preliminare sul progetto di conoscenza e restauro della casa di Jorge Isaacs localizzata ad Ibagué. Jorge Isaacas nasce a Cali (Colombia) nel 1837 ed è stato uno dei più grandi scrittori colombiani, autore dell’opera letteraria “Maria”, la più famosa novella romantica del secolo XIX ed ha abitato negli ultimi anni della sua vita nella città di Ibagué dove è morto nel 1895 proprio in questa casa oggetto di studio. Questo lavoro risponde agli interessi dell’Università di Ibagué di riscattare, anche mediante una missione istituzionale, l’identità culturale del luogo e della Casa di Jorge Isaacs, edificio considerato uno dei più interessanti della città per il suo valore storico ed architettonico, motivo per il quale è inserito nell’Inventario dei Beni Culturali del Ministero della Cultura di Colombia. SUMMARY This article presents the academic experience related to the architecture programme between the University of Ibaguè (Colombia) and the University of Pisa (Italy). The aim of the summer course, carried out from 30th July to 11th August of 2007, is the realization of a preliminary study on the knowledge and restoration project of Jorge Isaacas’house located in Ibaguè. Jorge Isaacas was born in Calì (Colombia) in 1837. He has been one of the best Colombian writers, author of the opera “Maria”, the most famous romantic novel of XIX century. He spent the end of his life in Ibaguè where he died in 1985 in the house object of study. This work aims to give evidence of the University of Ibaguè interests to redeem, even with institutional procedures, the cultural identity of the Jorge Isaacas’house. This building is considered one of the most interesting in the city for his historical and architectonic value. In fact the building is included in the list of cultural goods of the Culture Ministry of Colombia
Il Paesaggio dell’arcipelago filippino. Un patrimonio ambientale ed architettonico da conservare
Full text linkLe Filippine, arcipelago di oltre settemila isole, dell’Asia sudorientale, tra l’Oceano Pacifico ed il Mar Cinese Meridionale, da sempre è stato meta di costanti e diversificati traffici che hanno importato stili di arte ed architettura molto diversi gli uni dagli altri. La letteratura e le attività proprie del Sud Est dell’Asia hanno influenzato molto l’architettura propria di queste isole, il tutto ben manifesto soprattutto nei materiali, nelle tecniche costruttive e nelle decorazioni naturalistiche della primitiva abitazione: la casa di bambù
Comunicazione urbana nelle città storiche del Sol Levante: l'esperienza di Kyoto tra tradizione e innovazione
No full textThe book collects the Papers (from Europe, Asia and Latin America) presented at the Workshop organized by the ICOMOS International Committee in Historic Towns and Villages (CIVVIH) and by ICOMOS Italy in Palazzo Coppini (branch of Fondazione Romualdo del Bianco) in Florence (March 3-4, 2016) and focus on the comparison of different propositions of digital urban signage to realize a good quality of the “visit experience” in the historical towns, not only as urban marketing, but of a authenticity genuine culture. The urban culture founded on the identity and authenticity of every historical towns and their multilayered history must be the objective of an tourism of culture for the inhabitants and the visitors. The book focused its interest on the outstanding existing urban assets in Europe, Asia and Latin America, and heritage not sufficiently promoted
Reflexiones sobre el Valor del Patrimonio Cultural
Full text linkLa transmisión de un presente, entendido como patrimonio cultural para legar, requiere del reconocimiento de un valor, concepto que, por su definición, plantea varias preguntas. La presente contribución es el resultado de reflexiones que hacen parte de una actividad de investigación, más amplia, que la autora está desarrollando. En esta fase de estudio, la contribución tiene como finalidad tratar el concepto de valor de la herencia cultural. Esta herencia representa el don recibido que se transmite a las generaciones futuras. Las notas siguientes está destinadas a discutir problemas que están conectados conectan estos conceptos y con las definiciones que hace falta establecer.The transmission of a gift, as cultural heritage to be passed, requires the recognition of a value, a concept that raises a number of questions for its definition. This paper is the result of reflections involved in a wider research that the author is developing. In this phase of the study, the contribution has the purpose of dealing with the concept of the value of cultural heritage. This legacy is the gift received that is handed down to future generations. The following notes relate to discuss problems that are connected with these concepts and definitions should be established
LA ESTACIÓN FERROCARRIL DE PICALEÑA EN IBAGUÉ (COLOMBIA) MEMORIA HISTÓRICA COMO OPORTUNIDAD DE DESAROLLO SOCIAL Y CULTURAL
No full textLa pluralidad política y social implica una diversidad en los conceptos de Patrimonio Cultural concebidos por la comunidad de un País. En Colombia en particular el tema del
Patrimonio Cultural material y inmaterial necesita de instrumentos y métodos desarrollados para una conservación correcta, conjunta a la formación cultural sobre
esto tema. La conservación debe ser adecuada a la situación cambiante de la sociedad colombiana y a su proceso de evolución continua. El contexto particular de elección de
estos valores en Colombia requiere la preparación de un proyecto de conservación a través de una serie de decisiones de elección crítica.
Todo esto debería ser materializado en un proyecto de restauración de acuerdo con los criterios técnicos y organizativos de la comunidad.
Lo que aquí se describiera como ejemplo concreto es el resultado de un trabajo didáctico de investigación que se desarrolló en el curso “Restauración de la
arquitectura”, llevado a cabo en la Universidad de Ibagué, Programa de Arquitectura en agosto 2010, para la Restauración de la Estación Ferrocarril de Picaleña, memória
historica de la ciudad de Ibagué, capital del Departamento del Tolima
<Article>The Creativity and the Culture in the critical idealism of the philosopher Ernst Cassirer
Full text linkThe historical events of the 21st century have once again put the topic of Culture at the center of international debates. Culture certainly has a fundamental value for the peace and stability of the world and constitutes the set of values that give meaning to the community. Culture, in fact, includes all those components through which a nation dialogues with other cultures. This is how Cultural Diplomacy was born. However, it is essential to reflect on the ideological origins of the value of Culture and to start from these ideologies in an attempt to reconstruct a methodological path that can support laws and treaties of international collaboration. In this context is inserted the reinterpretation of the critical ideology of Ernst Cassirer and his desire to put the value of Culture back at the center. In fact, Culture in all its manifestations is an essential tool for understanding the identity of a people and represents the material and intangible heritage fundamental to deal constructively with the objectives of globalization and contemporary. The German philosopher, who was familiar with the theories of Kant and Hegel, had written extraordinary pages on which it is very important to return to reflect. This contribution aims to address a re-reading of some of Cassier's writings and bring readers closer to reflecting on the value of culture as fundamental to a more inclusive and forward-looking world. The considerations analyzed in the contribution are also supported in several contemporary bibliographic references that are an excellent basis for future research developments on these specific issues
The Olympic Games’s cities. Urban esthetic and new territorial landscapes
No full textThrough the research of many projects realized in the Olympic Games in the different continents of the world, the paper intends to analyze the esthetic change of the urban image and the potentiality that the new urban landscapes have offered to the real needs of the community and their future
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