1,721,223 research outputs found
Nick Evans: Use History Autonome
This essay was commissioned by the artist, Nick Evans, and gallerists Kendal Koppe (Washington Garcia/Kendall Koppe) and Hannah Robinson (Mary Mary) to accompany Evans' exhibition 'Use History Autonome' at Washington Garcia Gallery, Glasgow in March 2009.
It was used as a printed essay and gallery text at Washington Garcia, and was also made available as reference/archive material on the website of Mary Mary Gallery, Glasgow. The text was later cited in Stacey Boldrick’s profile of Evans on the Axis website.
The essay was re-commissioned and re-published to accompany Evans’ work at the Eigse Carlow Arts Festival, Ireland in July/August 2009
Nick Evans on the uniqueness of each language and on language comparison
For good reasons, Nicholas (“Nick”) Evans is one of the world’s most prominent linguists. Among his numerous achievements, the best known among experts may be the outstanding grammatical descriptions of Kayardild (1995) and Bininj Kunwok (2003), as well as his work on insubordination (e.g. Evans & Watanabe 2016) and reciprocals (e.g. Evans et al. 2011). But to a wider group of readers, he is of course well-known through the overview paper Evans & Levinson (2009), and the 2009 book “Dying word..
DAL001-NBNE1987_1994 - Nick Evans' field notes from 1987-1994
This is a digital image of Nick Evans, field notebook from 1987-1994 on Wadjiginy, Dalabon, Kayardild, Kuney, Eastern Kininjku & Kunkurrng. Contents: 2/1 (p.3): Wajiginy / Emi 28/2 (p.30): Kayardild place names (PG) 13/4 (p.52): Kayardild: dirradirr story 14/4 (p.53): Kayardild: transcription of quarrels 4/6: Material on Ngalkand 16/5 (p.68): Kune/Dangbon, with David Karlbuma 16/6: Kayardild moon story 20/6: Kune/Dangbon paradigms 29/6: Kayardild 4/8 (p.109): Kune/Dangbon paradigms 8/10: Dalabon: Bulman/Wimol 17/10: Dalabon emu story (Chadum; first transc.) 9/11 (p.150): Kunwinjku fish names 27/11 (p.158): Mick Kubarkku: kunkurrng 12/12: Kunwinjku & Kunkurrng: Marrkolidjban. Language as given: Dalabo
Letters to the editor
A comment on "A Lleyn sweep for local sheep? Breed societies and the geographies of Welsh livestock" Dominic Medway, John Byrom Lambs' tales and sheepish comments: a response to Medway and Byrom Richard Yarwood, Nick Evans
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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