1,722,048 research outputs found
The Inherently Undemocratic EU Democracy:Moving Beyond the ‘Democratic Deficit’ Debate
This chapter argues that the debate on the democratic ‘deficit’ or ‘default’ of the EU, both generally and specifically with reference to the Euro-crisis, is misplaced. What is usually perceived as a crisis of EU democracy is a manifestation of a more systemic displacement of democracy, as an inherent feature of the European project. This assumption is explored by examining the ideological and normative influences that informed the EU’s construction, as well as the forces that have continued to provide a vehicle for those influences to take political and legal form. These suggest that the undemocratic nature of the EU is necessary for the survival and perpetuation of the Union’s specific vision of a common (free) market, and thus of contemporary European capitalism, as well as for the affirmation and continuity of the EU bureaucracy and a symbiotic world of socio-economic interests. Consequently, the ‘democratic deficit’ of the EU cannot be palliated through institutional reform. Moreover, the EU will likely increasingly engage in a process of building European identity based on a singular vision, resulting in the gradual exclusion of those who do not share a commitment to the EU’s market telos and the marginalisation of substantive democratic critique
The Inherently Undemocratic EU Democracy:Moving Beyond the ‘Democratic Deficit’ Debate
This chapter argues that the debate on the democratic ‘deficit’ or ‘default’ of the EU, both generally and specifically with reference to the Euro-crisis, is misplaced. What is usually perceived as a crisis of EU democracy is a manifestation of a more systemic displacement of democracy, as an inherent feature of the European project. This assumption is explored by examining the ideological and normative influences that informed the EU’s construction, as well as the forces that have continued to provide a vehicle for those influences to take political and legal form. These suggest that the undemocratic nature of the EU is necessary for the survival and perpetuation of the Union’s specific vision of a common (free) market, and thus of contemporary European capitalism, as well as for the affirmation and continuity of the EU bureaucracy and a symbiotic world of socio-economic interests. Consequently, the ‘democratic deficit’ of the EU cannot be palliated through institutional reform. Moreover, the EU will likely increasingly engage in a process of building European identity based on a singular vision, resulting in the gradual exclusion of those who do not share a commitment to the EU’s market telos and the marginalisation of substantive democratic critique
The Inherently Undemocratic EU Democracy:Moving Beyond the ‘Democratic Deficit’ Debate
This chapter argues that the debate on the democratic ‘deficit’ or ‘default’ of the EU, both generally and specifically with reference to the Euro-crisis, is misplaced. What is usually perceived as a crisis of EU democracy is a manifestation of a more systemic displacement of democracy, as an inherent feature of the European project. This assumption is explored by examining the ideological and normative influences that informed the EU’s construction, as well as the forces that have continued to provide a vehicle for those influences to take political and legal form. These suggest that the undemocratic nature of the EU is necessary for the survival and perpetuation of the Union’s specific vision of a common (free) market, and thus of contemporary European capitalism, as well as for the affirmation and continuity of the EU bureaucracy and a symbiotic world of socio-economic interests. Consequently, the ‘democratic deficit’ of the EU cannot be palliated through institutional reform. Moreover, the EU will likely increasingly engage in a process of building European identity based on a singular vision, resulting in the gradual exclusion of those who do not share a commitment to the EU’s market telos and the marginalisation of substantive democratic critique
Keith Inflated
A Flipped Model for “Everything” below The Planck scale is presented.It is based on No-Scale
Supergravity x Flipped SU(5),both components derivable,in principle,from string theory and
providing: A SU(N,1) No-Scale Inflation ,avatarized as a Starobinsky -like model ,but with
distinctive differences and automatically embedded in Flipped SU(5),specific Cosmological
history of the Universe that leads to Supercosmology, strong reheating,controlled entropy
release,baryon asymmetry ,on the nose,through RH heavy neutrinos,neutrino masses/
mixings,in accordance with present data and stable enough protons,but reachable ,in near
future,lifetime,and a LHC attainable SUSY spectrum. Appropriately enough, Keith has played
a pivotal role on all the above ,who sounds like the end (???) result of 35 years group work...Nanopoulos, Dimitri. (2017). Keith Inflated. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/188216
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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