331,086 research outputs found
Sur Concepción (1989, jun 17): U. del BiobÃo firmó convenio de apoyo
No full textSANTIAGO. (EL SUR).- Las universidades del BiobÃo y Mayor firmaron ayer un convenio-marco de cooperación clentÃfico-tecnológico, destinado fundamentalmente a proporcionarse apoyo mutuo con fines de docencia, investigación, y desarrollo y extensión. Por la U. del BiobÃo firmó su rector Guillermo Schaffeld Graniffo y por la U. Mayor, su rector Rubén Covarrubias Giordano. Para que se entienda suscrita y legalmente acordada cualquiera de las actividades enunciadas, las partes deberán suscribir convenios especÃficos en los que se detallarán el objetivo propuesto, las obligaciones y derechos de cada parte y los procedimientos a seguir. El convenio es de plazo definido. (Extracto del artÃculo)
El Sur (1988, jul 23): Abrirán escuela forestal: en U. Mayor de Santiago
No full textSANTIAGO. (EL SUR). La Universidad Mayor de Santiago, que inicia sus labores en el presente semestre, contará con escuelas de IngenierÃa Forestal, IngenierÃa, Arquitectura, Construcción y una de Educación Tecnológica. La información la dio a conocer Rubén Covarrubias, rector de dicho plantel, quien señaló que "el objetivo de esta universidad es formar profesionales que salgan al mundo del trabajo con una visión innovadora para crear actividad en nuevas empresas y no sólo con una perspectiva de un buen puesto en firmas ya consolidadas". La sede de la rectorÃa quedará en Pedro de Valdivia 624 y la casa docente en Américo Vespucio Sur 357. Indicó que para cumplir ese objetivo básico la universidad está contactarse con empresarios para que asuman labores en el consejo de desarrollo del plantel. La junta directiva del plantel está conformada por Raúl Bertelsen Repetto, exrector de la Universidad Católica de ValparaÃso y destacado constitucionallsta, quien preside esta junta; Mario Amello Romo, actual director de Bibliotecas, Archivos y Museos; Raúl Lecaros Zegers, exsecretario general de la Universidad Católica de Chile; Francisco Beltrán Herrera, fundador del Instituto Profesional Diego Portales y del Centro de Fonnación Técnica Diego Portales; Yerko Torrejón Koscina, exrector de la Universidad de MagaÃ�lanes; Rafael Vicuña Errázurlz, ex-director de Investigación de la Universidad Católica de Chile; Raúl Galindo Urra, exvicerrector académico de la Universidad Federico Santa MarÃa; Rubén Covarrubias Giordano, exdirector de la División de Educación Superior del Ministerio de Educación, y Eric Villaseñor Maldonado, exasesor en asuntos universitarios del Mlnisterio de Educación
Sur Sur / South South
No full textBrown, C. (Choreography; co-direction; performance; video installation), Harvey, M. (Video installation), Longley, A. (Choreography; performance; installation),Vargas, M. (Curation; direction; choreography),Loncon, E. (Performer; musician/singer), Corvalán-Pincheira, M. (Performance objects), Oyarzun, B. (Video installation), Goujon, D. (Video documentation)Sur Sur is a collaboration between dance, performance and visual artists and researchers from Santiago, Chile and Auckland, New Zealand. Sur Sur is supported by dance programmes at the University of Auckland and the University of Chile and the Museo de Arte Contemporaneó, Santiago. Initiated by Marisol Vargas (Chile) following her residency in New Zealand and involvement with Carol Brown through the DART project (Dance and Visual Art, Auckland Art Gallery Toi o Tāmaki / Dance Studies the University of Auckland) the catalyst for the project is a desire to develop collaboration between visual artists and performance makers from the Global South who share an interest in questions of identity, belonging and artistic responses to contemporary crises through inter-arts processes. The artists met and workshopped together in Santiago generating a performance and exhibition presented at the Museum of Contemporary Art, Santiago 16-18th November; with the exhibition running 16th Nov - 3rd Dec 2017. A Symposium hosted by the Museum and University of Chile explored critical contexts of decolonisation through dialogues around instability and change, between art forms and creative communities.Carol Brown presented her dance video, Releasing Her Archive as part of the exhibition and performed a choreography developed in response to the provocations of Sur Sur and her recent research into moving archives.http://www.uchile.cl/agenda/138494/exposicion-sur-sur-en-mac-parque-foresta
Essai sur le beau /
No full textPublisher's announcements, [16] p. at end.Signatures: pi⁴(pi4+1) a-h⁸ i⁴(-i4) A-N⁸."Analyse de la notion du goût," p. [172]-192.Mode of access: Internet.Signature "Ramaggini" on front free endpaper, dated 1762. Slip written "Bibl. Stadl. 4" on front pastedown.Binding: red paper, half vellum. Author & title written at head of spine
Promenade humoristique à travers les religions et les dogmes / par N. Simon,...
No full textCollection : Collection A.-L. Guyot ; n° 851bisCollection : Collection A.-L. Guyot ; n° 851bisAvec mode texteOuvrages humoristique
Author index to Indian Science Abstracts
No full text9-19<span style="font-size:11.0pt;mso-bidi-font-size:
10.0pt;line-height:115%;font-family:" calibri","sans-serif";mso-fareast-font-family:="" "times="" new="" roman";mso-bidi-font-family:"times="" roman";mso-ansi-language:="" en-us;mso-fareast-language:en-us;mso-bidi-language:ar-sa"="" lang="EN-US">Describes the computer
production of author index to the monthly issues of the Indian Science Abstracts.
Stresses the need for an authority file for indexing work. Give s the programme
adaptations to suit photo-offset printing requirements.</span
Criterios de evaluación visual de estado de estructuras para gestión de mantenimiento
No full textProyecto de TÃtulo para optar al TÃtulo de Constructor CivilEn el presente proyecto para optar al tÃtulo de Constructor Civil, elegà estudiar una metodologÃa de inspección utilizando criterios de evaluación visual del estado de estructuras, para ser aplicado a infraestructura vial de Autopistas Concesionadas por el
Ministerio de Obras Públicas de Chile, el desarrollo de este trabajo está basado en La Concesión Autopista Central que formó parte del primer programa de Concesiones Urbanas, impulsado por el Ministerio de Obras Públicas en 1995. En diciembre de 2004, comenzó su operación, transformándose en la primera autopista urbana concesionada de la Región Metropolitana. Posee una extensión de 60,13 km, divididos en dos ejes principales: a) Eje Norte - Sur, su longitud es de 39,47 km y se extiende desde el km 30,70 incluyendo el Nuevo Puente Maipo por el sur, hasta la Circunvalación Américo Vespucio, por el norte, en el sector de Quilicura y b) Eje General Velásquez, su longitud aproximada es de 20,66 km, extendiéndose desde la Ruta 5 Sur (Las Acacias) por el sur, hasta su empalme con la Ruta 5 Norte. Este proyecto vial atraviesa un total de 14 comunas del Gran Santiago. El desarrollo de este trabajo tuve el apoyo del departamento de conservación quienes me facilitaron información relevante como inventario y registros históricos del mantenimiento rutinario de estructuras y muros de contención
Norma Coverdale, B.A.: the treatment of women in selected works of Henry de Montherlant
No full textThe aim of this thesis is to determine how women are treated in selectedworks of Henry de Montherlant. This is explored by examining their relationshipswith other women as well as with men. Inevitably, this leads to an analysis ofthe multifaceted area of love. Part I researches Montherlant's prose work and included in this section is the investigation of the importance of 'l'ordre male' to the author and the influence this exerts over his early prose work in the areas of tauromachy, war and sport, and where the male adherence to this concept leaves women. The 'syncretisme et alternance' which is central to Montherlant's thinking is explored in this section.Part 2 is concerned with Montherlant's theatre in which the psychological development of the main characters is of great importance. It is in this section that a comparative study is made of the influence of Mme. Elisabeth Zehrfuss' written contribution to La Reine morte. Her unpublished notes are set out in full in the Appendix. The thesis also draws on the unpublished correspondence between Henry de Montherlant and Elisabeth Zehrfuss between the years 1934 and 1945. An investigation is made as to whether or not there are any differences between the way women are treated in Montherlant's prose and in his theatre and the conclusion is drawn that there are
Portfolio of recorded performances and exegesis: Messiaen’s musical language for the jazz pianist - an exploration through performance.
No full textMoving beyond Gunther Schuller’s Third Stream amalgamation of classical and jazz, this study explores whether the musical language of Olivier Messiaen can make a valid contribution to jazz piano performance. Initially, my project sought to answer such questions as: What elements of the musical language of Messiaen already exist in the jazz vocabulary? Am I able to extend this further? What are the timbral structures and pianistic effects within Messiaen’s musical language? What will be the most effective application of Messiaen’s musical language to jazz piano performance? Endeavouring to answer the final question led me to consider such aspects as whether the project should be limited to quoting Messiaen motifs, arranging Messiaen melodies, replacing jazz harmonic structures on standards with examples from Messiaen’s musical language or whether it would be better to approach the research conceptually. The work of Hubert Nuss provided encouraging reassurance that this was not an impossible task. In order to articulate this conception, the initial challenge was to decide how the classical and jazz worlds might meet in a ‘Messiaen’ technique. The approach adopted was similar to that used for undergraduate jazz study, namely, immersion in the piano scores and recordings of Messiaen’s music as well as by live performances. This was followed by the development and assessment of a contrived approach when specific techniques, such as tonal colourings or harmonic structures, were developed through prepared exercises and consciously included in my performance. It was then compared with an intuitive approach when no such precise parameters were established. This submission consists of CD recordings of two public recitals and an exegesis. It documents the development of this Messiaen technique and discusses its application in my performances. It also demonstrates the ways that Messiaen’s musical language can be used within jazz piano performance to provide a colour that distinguishes jazz piano performance in a competitive field.Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 201
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