1,940 research outputs found
Personal Papers (MS 80-0002)
Letter from I. H. Kempner to A. N. G. Swenson inquiring whether Mr. Svenson and his wife will be attending a dinner the Chamber is tendering for the Regents. He states that a detailed response is needed to finalize arrangements
The Life History of Gullik and Christina (Gullikson) Swenson
Notes - This set of documents contains the personal history of Mr. Gullik and Mrs. Christina Swenson, a copy of their marriage certificate, and a copy of their US Census data from 1920 listing their ages, birthplaces and that of their children. The Swenson family moved to Athabasca Landing in 1909 where they operated a hotel and a taxidermi shop. Mr. Swenson would guide royalty and others on trophy hunts by scow. Events such as this are described along with the family's eventual return to Minnesota (3 pages
Borgo of the Holy Ghost
May Swenson Poetry Award Volume 5, with foreward by Richard Howard. An accomplished poet with credits in such literary magazines as APR, Paris Review, Ploughshares, and many others, Stephen McLeod is the 2001 recipient of the May Swenson Poetry Award. Judge for the competition was Richard Howard, internationally known poet and winner of the Pulitzer and many other poetry awards. Formerly of Dallas, Mr. McLeod lives in Brooklyn, where he is an Assistant District Attorney. He was educated at Southern Methodist University, Columbia University, and the Fordham University School of Law.https://digitalcommons.usu.edu/swenson_awards/1003/thumbnail.jp
Transanal pullthrough for Hirschsprung disease: Matched case-control comparison of Soave and Swenson techniques
a b s t r a c t a r t i c l e i n f o Background: Both the Swenson and the Soave procedures have been adapted to a transanal approach. The purpose of this study was to compare outcomes following the transanal Swenson and Soave procedures using a matched case control analysis. Methods: A retrospective chart review was performed to identify all transanal Soave and Swenson pullthroughs done at 2 tertiary care children's hospitals between 2000 and 2010. Patients were matched for gestational age, mean weight at time of the operation, level of aganglionosis, and presence of comorbidities. Student's t-test and chi-squared analysis were performed. Results: Fifty-four patients (Soave 27, Swenson 27) had adequate data for matching and analysis. Mean followup was 4 ± 1.6 years and 3.2 ±2.7 years for the Soave and Swenson groups, respectively. No significant differences in mean operating time (Soave:191 ± 55, Swenson:167 ± 61 min, p = 0.6), overall hospital stay (6 ± 4vs7.8 ± 5 days, p = 0.7), and number with intra-operative complications (3 vs 4, p = 1.0), postoperative obstructive symptoms (6 vs 9, p = 0.5), enterocolitis episodes (4 vs 4, p = 1.0), or fecal incontinence (0 vs 2, p = 0.4) were noted. Conclusion: After controlling for potential confounders, there were no significant differences in the short and intermediate term outcome between transanal Soave and transanal Swenson pullthrough procedures
The Life Story of Oscar Swenson
Notes - Mr. Oscar Swenson's grandson has chronicled his grandfather's life from his birth (Stettler, AB) and childhood (Athabasca Landing, AB) to his work, married, and retired life in Minnesota. Mr. Swenson shares many anecdotes including digging coal from the riverbank as a child to heat their house in the winter. He also talks of his father creating a "perpetual light” for the town of Athabasca with a copper tube tapping a reserve of natural gas just below the surface of the town. Through his grandson, Oscar speaks of his family, his jobs, his volunteering efforts and his hobbies in this detailed biographical document (8 pages
Hemming flames: poems
Winner of the 2016 Swenson Poetry Award, this collection explores themes of pain and loss as they emerge especially within a dysfunctional family. Includes a foreword by Stephen Dunn, American poet, teacher, and essayist, who was the judge for the 2016 award--provided by publisher.Losing Our Milk Teeth -- Bridges All Over the Room -- My Brother, Hoarding -- How the Body Moves -- Throwing the Proper Tantrums -- XVIIIE Arrondissement -- Immolate -- Cutlass Ciera -- Kitten -- My Armamentarium -- Is It the Sea You Hear in Me? -- Good Morning, Mediocrity -- Meet the Author -- Night Falling, Czechoslovakia -- Edison's Medicine -- Why I Burned Down Namdaemun Gate -- High Hopes, Bad Habits -- Turkish Get-Ups -- Feeding Peeping Tom -- Scrotum and Bone -- The Year of Our Comorbidity -- The Princess of Creeping -- Reading Sexton in Phuket -- Bulb -- Murmur -- The Birth of No -- Midnight at Orca Cannery -- Letter from the Psych Ward, Hospital Kashenko -- My Mittelschmerz -- Arch on a Rung -- This Is Not a Pipe -- Song of a Misanthrope -- Lunatic Years -- Halloween in the Tank -- Incommunicado -- From The Book of Attacks -- Songs in Kiswahili -- Break in the Chain -- Flatline -- How I Learned That Everyone Is Ridiculous -- Where Are You, Gravity? -- Everyone is Eviscerated -- Liminal -- Memory as Diary -- Take the Late Flight -- On Being Orphaned -- After Rumi's Birdwings -- Crave -- What Flickers -- Perennial -- Rank Bitch -- Dad's Last Entrechat -- Crushings -- Bizarre Part -- On Being Born -- Climbing -- Not Having Them -- The Linger Museum -- My Trifecta of Offenses -- With a Whimpe
Dining Room of Swenson House
Copy photograph of an interior view of the Swenson home, located at N. 3rd and Mulberry, Abilene, Texas. Pictured is the dining room. An oval table is in the middle of the room. Below it is a rug, and there are two wooden chairs to the left and right of the table. A decanter can be seen on the table
Dining Room of Swenson House
Copy photograph of an interior view of the Swenson home, located at N. 3rd and Mulberry, Abilene, Texas. Pictured is the dining room. An oval table is in the middle of the room. Below it is a rug, and there are two wooden chairs to the left and right of the table. A decanter can be seen on the table
The hammered dulcimer: poems
Lisa William's poems are infused with what John Hollander calls a guarded wonder." A poet of unique vision, she seems always to be "looking at," with special attention to the experience of the senses. Moreover, Williams is equally concerned with epistemology--the how of seeing. And it is perhaps this quality of attention that informs her interest in the formulations of poetry itself, in its constructed dimension. Her control of the line, of rhythmic possibilities, of structures both formal and free, is evident in every poem. Together, William's original voice and her poetic finesse allow her to create those harmonies of wonder evoked by the very instrument, the hammered dulcimer, that gives her collection its name. Judge for the 1998 May Swenson Poetry Award was John Hollander, poet, critic, professor. Long a major figure in American letters, Hollander was a personal friend to May Swenson, and has influenced the work of many of our best emerging poetic voices.--Provided by publisher.The direction of shadow -- Sunday morning -- Interruption of flight -- Yellow bird -- What the wind said to the girl who was afraid -- The fall -- The tenderness -- The hammered dulcimer -- Complaint -- Eve, after eating -- Man walking -- Black horses -- The growth -- Manners, 1977 -- A spider -- The man by the river -- Banquet -- To night -- On the nature of beauty -- Romantic relief -- Negation -- Landscape -- A wind in place -- Crater -- On a worm descending a thread -- A story of swans -- God put the noose around my neck -- The grasshopper -- The end of spring -- In the abstract -- Ambivalence -- The chant -- A forward spring -- Rattlesnake -- In the valley -- After a line of Plato
Mrs. Ramsay's knee: poems
Volume 12 in the Swenson Poetry Award Series, Mrs. Ramsay's Knee offers fresh and elegant poems by Idris Anderson, many of them ekphrastic considerations of visual works of art. Among her subjects are paintings by Rembrandt, Rousseau, Pollock, and Chagall, yet she equally explores a set of news photos from the 2006 war between Israel and Hezbollah.Prologue -- Comet -- Recollection of Tranquility -- The French Bed -- Recollection of Tranquility -- Bridges of Giverny -- Kehaya House -- Pumpkin Farm, Half Moon Bay -- Fugitive Effects -- The Temple of Poseidon -- Marsyas -- Fathers -- Front Page -- New York Times -- Roses on the Ceiling -- Dürer's Jerome -- Roses on the Ceiling -- Marble Boy -- Greek Stones -- Maiano -- Christine, Daughter of Immigrants -- The Moth -- The Bream -- Kayaks -- Pretty Rooms -- The Mower -- Trio -- Anniversary -- Rousseau -- At Night on the Terrace, Fiesole -- Fourth of July -- That Hat -- The Turtle -- Caravaggio -- Conscience -- Fig -- The Red Coat -- Lilies -- On Throwing a Fish in the Well -- Two at the Dock -- Goat Song -- The Red Coat -- Above the Town -- The Marsh -- The Glider -- No. 1 -- On a Bus to the Airport, Colorado -- Epilogue -- Fac
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