1,721,264 research outputs found
Informetrics on M. N. Srinivas
Get PDFM. N. Srinivas, the well known sociologist is widely recognised as architect of modern Indian sociology and social anthropology. His publications have been analysed by year, domain, authorship pattern, channels of communication used. Keywords, etc. The results indicate that the papers published by him are of a nature that qualify him to be a 'role model' for the younger generations to emulate.
By the end of 1995, Srinivas had to his credit 144 papers which, included 33 broad papers in sociology and anthropology; 18 papers in social change; 28 papers in village studies; 12 papers on religion; 17 papers on caste and 36 papers of general popular interest. The periods 1958-61 and 1974-77, when Srinivas was 38-41 and 58-61 years old. were his most productive periods with highest publication activity
Remembering M N Srinivas
Get PDFHis ethical stance toward thinking and knowing and a basic fascination with exploring the boundaries of human thought made M N Srinivas, forever, a child of ideas. His most biting comments were reserved for ideologues and idealogies, those that refused to participatein the play and pleasure of new ideas and expressions
M. N. Srinivas, Caste in Modern India.
No full textDumont Louis. M. N. Srinivas, Caste in Modern India.. In: Annales. Economies, sociétés, civilisations. 19ᵉ année, N. 4, 1964. pp. 824-826
M. N. Srinivas, On Living in a Revolution and Other Essays
No full textÉtienne Gilbert. M. N. Srinivas, On Living in a Revolution and Other Essays. In: Tiers-Monde, tome 34, n°134, 1993. Agriculture, écologie et développement, sous la direction de Marc Dufumier. p. 477
Micro Foundations of Public Policy: Some Thoughts Inspired by Contributions of M. N. Srinivas (NIAS Lecture L9-2016)
Get PDFThis is the Fifteenth M N Srinivas Memorial Lecture delivered on 19 June 2016
M. N. Srinivas, On Living in a Revolution and Other Essays
No full textÉtienne Gilbert. M. N. Srinivas, On Living in a Revolution and Other Essays. In: Tiers-Monde, tome 34, n°134, 1993. Agriculture, écologie et développement, sous la direction de Marc Dufumier. p. 477
T. S. Epstein, M. N. Panini, M. N. Srinivas, V. S. Parthasarathy, Besoins essentiels dans l'État du Karnataka, Inde
No full textÉtienne Gilbert. T. S. Epstein, M. N. Panini, M. N. Srinivas, V. S. Parthasarathy, Besoins essentiels dans l'État du Karnataka, Inde. In: Tiers-Monde, tome 25, n°100, 1984. Le développement en question, sous la direction de Serge Latouche. p. 947
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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