1,721,026 research outputs found

    Bibliography of Mary Laughren

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    This section groups the work by Mary Laughren into: 1.1 published academic works; 1.2 unpublished works (papers, manuscripts etc.); 1.3 books in Warlpiri where Mary Launghren's role in their production is acknowledged; 1.4 collated collections; and 1.5 audio-visual and other material. Papers that also have a published version are not listed

    Theory and experiment in parametric minimalism: The case of Romance negation

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    This chapter examines the syntax and semantics of negative elements across Romance languages and proposes that there are three basic parameters that are encoded in the morphemes used to express sentential negation and negative determiners. These parameters define whether simple negation occurs pre- or post-inflection, whether the negation morpheme has a substantive meaning (e.g. Spanish no, Italian non, French pas) or expletive (e.g. French ne) value or else is ambiguous between the two (e.g. Catalan no), and finally whether negative phrases are ambiguous between “negative operator” and “polarity item” status. The proposal stresses typological implications between having post-inflection negation and post-inflection negative phrases that do not require co-occurrence with a sentential negation. It also tries to explain long puzzling cross-linguistic differences in locality constraints on negative dependencies. The theoretical focus of the work is on exploring how minimalist research on syntactic diversity should be conducted and in which formats its results could be formulated in a rigorous explanatory way

    Awelye Akwelye

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    Awelye Akwelye Kaytetye women's traditional songs (awelye) from Arnerre, Central Australia. A compilation of 48 different Akwelye (rain-maker) songs from performances by Kaytetye women recorded between 1976 to 1999. Thanks to the Myer Foundation, Papulu Apparr-kari Language and Culture Centre, the University of Sydney and the Aboriginal Benefits Reserve for financial assistance. Produced by Myfany Turpin. © 2003 Music Recording - the Singers © 2003 Booklet - Myfany Turpin and Alison Ross Unauthorised public performance, broadcasting, leasing and copying of this recording and booklet prohibited. ISBN 0 947154 00

    MMT1-20190717Parnngurr - Muuki Taylor, Nyari-nyari Simpson at Parnngurr, WA

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    20190715 Parnngurr Wanji-wanji Project Myfany Turpin, with assistance from Ben Deacon and Renee Browning At Parnngurr with Muuki Taylor (at his house) followed by Nyari-nyari Simpson and Nola at the Council. Mostly in Mardu 20190715MT-01.wav Muuki Taylor (in English) 20190715NS-01.wav Nyari-Nyari Simpson (in Mardu) 20190715NS-02.wav Nyari-Nyari Simpson 20190715NS-03.wav Nyari-Nyari Simpson 20190715NS-04.wav Nyari-Nyari Simpson Transription and translation of 20190715NS-01.wav Nyari-Nyari Simpson (in Mardu) 20190715NS-02.wav Nyari-Nyari Simpson 20190715NS-03.wav Nyari-Nyari Simpson by Myfany Turpin and Lance MacDonald 12 October 2019, Willshire st. Language as given

    Songs that will keep ancestral languages alive: a Marrku songset from western Arnhem land

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    When songs are performed in socially meaningful and memorable contexts, they can act as vehicles that carry aspects of an individual�s language and identity, sometimes long after that person dies and his or her language is no longer spoken. In this chapter we present an illustrative case study from western Arnhem Land: the Milyarryarr (�black heron�) song-set, which is associated with the �extinct� languages of Marrku, Manangkardi, and Ilgar but continues to be performed by songman Johnny Namayiwa. Before his death in 2003, the late Charlie Wardaga, who spoke these languages, handed over the songs to Namayiwa. While the languages were not part of Namayiwa�s linguistic repertoire, he was able to identify some song words in order to work up translations in Marrku with Nicholas Evans, who had previously worked with Wardaga. Namayiwa performs and teaches his inherited song-set in a variety of public ceremonial contexts. These include funeral ceremonies, Mamurrng (diplomacy) ceremonies, local festivals and celebrations. He has also added to the song-set some new compositions that were given to him in dreams. Public ceremony is prominent in western Arnhem Land, and song-sets such as Milyarryarr are performed alongside others in order to enact important social transitions and transactions. We suggest that it is this performance context that has enabled the transmission of knowledge of ancestral languages that are no longer spoken, which otherwise might not have been passed on

    Return of a travelling song: Wanji-wanji in the Pintupi region of Central Australia

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    This chapter discusses responses to the return of legacy recordings of Pintupi singing made in 1976 and the collection of further metadata about the song Wanji-wanji featured on the recordings. Wanji-wanji was once a popular entertainment song that was performed across the western half of Australia, as can be seen by the many recordings of it held in archives. Custodianship of the song is unknown; the earliest reference to its performance dates back to the 1850s, where it is described as a ‘travelling dance’ (Bates 1913–1914) and so in terms of copyright its status may be comparable to ‘public domain’, i.e. outside of copyright. Responses to hearing the recording were emotional. Those who knew the song recalled the place and time in which they had heard it long ago. There was great interest in how widely it was known though little interest in the meanings of the lyrics. On the whole, responses to access and proposed uses of the recordings, as well as the future possible uses of the song, reflected its public domain status. Nevertheless, the confidence in people’s responses varied depending on whether the individual knew the song, had experience in using archival recordings, and whether they perceived community interest and support for classical Aboriginal singing practices

    MMT1-20190321JB - Jeremy Beckett

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    20190321JB-metadata Interview by Myfany Turpin with Jeremy Beckett in Sydney, 21 March 2019 about Wanji-wanji and George Dutton Recorded on Zoom H6 audio recorder Duration 28 mins Volume is reduced after 1 hr and 40 seconds nice speech on George Dutton ___ One file that is recorded on 4 channels (2 files) on the zoom 6  20190321JB_LR.WAV 20190321JB-BU.WAV. Language as given

    MMT1-20190723BH - Barbara Hale

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    Myfany Turpin is speaking with Barbara Hale, her sister Sharon and her daughter-in-law. Location is the IBN Office in Port Hedland on 23rd July 2019. They are talking about Barbara's uncle who may be singing Wanji-wanji on the O'Grady recording. Metadata was noted from the start of recording MMT1-20190723BH-01. Language as given

    MMT1-20171224NP - Nellie Patterson

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    Myfany Turpin and Nellie Patterson (Mrs P) talking about wanji-wanji. Filmed at Mutijulu Aged Care. Mrs P has birth date of 1938 or 1943 depending on the website. Nellie's older sister knew these songs better than Nellie. Filmed by Ben Deacon 24 December 2017, ca. 6pm. Language as given
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