1,720,955 research outputs found

    The Right Time: Building the Learning Community Movement

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    The author argues that the current conjuncture is a kairotic moment for their own learning community program as well as the national movement to support the development of learning communities in universities and colleges and the array of pedagogical approaches associated with them. With Barbara Leigh Smith (2013), they recognize a link between the social justice movements of the 1960s and the learning community movement both in their commitments to democracy and their organizing strategies. Through relating the story of their own experience as co-directors of the LIU Brooklyn Learning Community program, specifying different inventions, audiences, and purposes driving that initiative, they further suggest that learning communities have the potential not only to reinvigorate teaching and learning but also to contribute to struggles for a more democratic, compassionate society

    Stardust: Toward a Revolutionary Urban Ecology

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    I wanted my square for the quilt to express what a sustainable urban ecology would look like with human beings and plants and animals coexisting in harmony in a city. Given the role that population density, public transportation, and greater access to education, jobs, and cultural engagement—museums, theater, galleries, and so on—can play in combating climate change, cities are crucial sites for mitigating the worst ecological crisis in human history. I considered various slogans: “Toward a Revolutionary Urban Ecology,” “The Right to the City,” and “Another World Is Possible.” But the actual design of the square dictated something less explicit, more metaphorical. In designing the square, I placed blocks of fabric that drew my eye in a quilt-like pattern with two of the same pieces catacorner—blue fish in a sea and flowers on a turquoise background; in between are four wavy red rectangles, perhaps rays of light, in vertical and horizontal lines; and a yellow sun in the center. In the lower left hand corner, a woman is leaping, holding a flag; to her right is a blossoming tree; above the tree is a bird, wings spread; and in the center, enveloped by the sun, is the trace of a cityscape. Instead of the slogans I had initially considered putting on the flag, I embroidered (a bit crudely) the word “stardust,” signifying the origins of life. The word started to mean more to me after reading the Marxist sociologist Erik Olin Wright’s public diary as he was dying from leukemia. He wrote about his time left “in this marvelous form of stardust,” observing that “Atoms don’t have experiences. They’re just stuff. That’s all I really am is stuff. But stuff so complexly organized across several thresholds of stuff-complexity, that it’s able to reflect upon its stuff-ness and what an extraordinary thing it has been to be alive and aware that it’s alive and aware that it’s aware that it’s alive. And from that complexity comes the love and beauty and meaning that constitutes the life I’ve lived.” This deep knowledge of the stardust from which we came and to which we return in nonhuman form connects us to everything around us on earth and across the universe. But to realize that harmony between nature and humans will mean enacting a revolutionary urban ecology; demanding the right to the city; sustaining the natural world of which we are part and which global capitalism, run amok, is destroying; and making our own history to prove that another world is possible.https://digitalcommons.liu.edu/community_usquilt_2023/1002/thumbnail.jp

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    The Nature of the City

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    As an academic, I believe it is my responsibility to incorporate political economic and ecological concepts and histories into my research, teaching, and community involvement. To avert a worstcase scenario already unfolding, we collectively need to understand and overcome the pressing, interrelated crises of our time of climate change, loss of biodiversity, and obscene levels of social and economic inequality worldwide. I aim broadly in this quilt square to express “the nature of the city,” playing on the double entendre of “nature” as character or quality of urban spaces and “nature” as all the life and elements surrounding human beings and the built environment. However, I also want to represent the problem of centuries of humanity’s attempts to conquer, master, and control nature, which has catapulted us into a new epoch of the Anthropocene. The large hawk and small city skyline represent what Marx called an “irreparable rift” in the social metabolism between nature and society. The challenge for humanity in the 21st century is to mend the rift by ceasing to extract fossil fuels and other natural resources from the earth and building egalitarian societies based on human need for the many rather than exorbitant profits for a very few.https://digitalcommons.liu.edu/cusp_usquilt_2022/1000/thumbnail.jp

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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    Write. Persist. Struggle: Sponsors of Writing and Workers’ Education in the 1930s

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    Organizations like the John Reed Clubs and the WPA Federal Writers’ Project, as well as publications like The New Masses can be seen as “literacy sponsors” of the U.S. literary left in the 1930s, particularly the young, the working class, and African American writers. The vibrant, inclusionary, activist, literary culture of that era reflected a surge of revolutionary ideas and activity that seized the imagination of a generation of writers and artists, including rhetoricians like Kenneth Burke. Here I argue that this history has relevance for contemporary community writing projects, which collectively lack the political cohesiveness and power of the national and international movements that sponsored the 1930s literary left but may anticipate another global period of struggle for democracy in which writers and artists can play a significant role
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