378 research outputs found

    PENGARUH PRICE EARNING RATIO (PER) TERHADAP RETURN SAHAM PADA PERUSAHAAN MANUFAKTUR YANG TERDAFTAR DI BURSA EFEK INDONESIA (BEI) PERIODE 2010-2017

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    Eneng Mutia (1430611011) Muhammadiyah University of Sukabumi. The Influence of Price Earning Ratio (PER) to Return of Stock at Manufacturing sCompany listed on Indonesia Stock Exchange (BEI)(Evi Martaseli, M.Ak and Elan Eriswanto, SE, MM). This study aims to determine the effect of Price Earning Ratio (PER) on stock returns. The main objective of investors to invest their shares is to get the expected stock return, but before investing investors must know the performance of corporate financial statements in advance by way of ratio analysis. The variable used in this research is Price Earning Ratio (PER) as independent variable and stock return as dependent variable. The research method used is quantitative associative. Data collection tool used is observation and literature study with scale ratio. The population in this research is 40 report of financial ratios of manufacturing companies listed in Indonesia Stock Exchange (IDX), while the number of samples in this study is the same as the number of population that is 40 reports financial ratios in manufacturing companies listed on the Indonesia Stock Exchange (BEI). The sampling technique used in this research is nonprobability sampling with saturated sampling technique. The results of testing using SPSS 24 For Windows software partially shows that the Price Earning Ratio (PER) significantly influence the stock significantly influence the stock return

    PENGARUH INFORMASI LABA DAN ARUS KAS TERHADAP HARGA SAHAM (STUDI EMPIRIS PADA PERUSAHAAN LQ 45 DI BURSA EFEK JAKARTA)

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    Penelitian ini bertujuan untuk memperoleh bukti empiris tentang pengaruh informasi laba dan arus kas terhadap harga saham pada perusahaan LQ 45. Sampel yang digunakan merupakan perusahaan LQ 45 periode Agustus 2004 s/d Februari 2005 dengan tahun pengamatan per 3I Desember 2004. Jenis data yang digunakan dalam penelitian ini adalah data silang tempat (cross sectional) yang dianalisis dengan model regresi linaer Kemudian pengujian dirangkai dengan uji t dan uji F untuk menguji pengaruh informasi laba dan arus kas tehadap harga saham secara individual maupun secara bersama-samaHasil penelitian menunjukkan bahwa pada model pertama terdapat pengaruh yang signifikan antara Laba Akuntansi dengan Harga Saham, hal tersebut didasarkan pada nilai thitung yang lebih besar dari ttabel (2,178 > 2,0167) dengan nilai probabilitas lebih kecil dari tingkat signifikansi Pada model kedua komponen arus kas yang berpengaruh secara signifikan terhadap harga saham adalah Arus Kas Dari Aktivitas Investasi dan Pendanaan, dimana nilai thitung lebih besar dari ttabel (2,166 > 2,0167 dan 2,032 >2,0167) dengan nilai probabilitas lebih kecil dari tingkat signifikansi. Sedangkan komponen Arus Kas Dari Aktivitas Operasi tidak mempunyai pengaruh yang signifikan terhadap harga saham, hal tersebut didasarkan pada nilai thitung yang lebih kecil dari ttabel (-1,815 < 2,0167) dengan nilai probabilitas lebih besar dari tingkatsignifikansi.Tetapi kalau diuji secara menyeluruh maka komponen arus kas tidak mempunyai pengaruh yang signifikan terhadap harga saham, karena nilai Fhitung< Ftabel dan nilai probabilitasnya lebih besar dari tingkat signifikansi Kemudian pada model yang ketiga tidak terdapat pengaruh yang signifikan antara Total Arus Kas denganHarga Saham, hal tersebut didasarkan pada nilai thitung yang lebih kecil dari ttabel (-0,319 < 2,0167) dengan nilai probabilitas lebih besar dari tingkat signifikansi Yang berari bahwa penelitian jni menolak hipotesis Hor dan menerima Ho2 dan Ho3 .Berdasarkan analisis diatas dapat disimpulkan bahwa Laba Akuntansi, Arus KasDari Aktivitas Investasi dan Pendanaan berpengaruh secara signifikan terhadap Harga Saham perusahaan LQ 45, sedangkan Arus Kas Dari Aktivitas Operasi dan Total ArusKas tidak berpengaruh secara signifikan terhadap Harga Saham perusahaan LQ 4

    A Narrative Approach to Authorship: The Work of Evi Tampold from Her Mother/Publisher’s (and Her Own) Perspective

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    Collaborative authorship in graphic medicine is examinable from a number of perspectives.  One neglected approach is to look for developments in how an individual artist collaborates over the course of illustrating different graphic medicine novels.  In the first, the artist collaborated with her younger self in trying to regain memories of an until then forgotten past.  In the second, she worked closely with the writer to try to determine exactly what the author intended, adding a new dimension to the piece unavailable without the illustrations.  In the third still to be completed work, her illustrations are based on collaboration with only the text and a few photographs, lacking direct contact with the author.  How this artist’s three methods of collaboration have defined her collaborative authorship will be the focus.  What is unique is this study will be undertaken from the stand point of the illustrator’s publisher, who is also her mother. </jats:p

    My Audio Installation Artwork Air Free /Air Free 2 as a practice research output. Here you can listen to the Audio of the installation and read the words that the visitors could read while listening.

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    Air Free/Air Free 2 – Audio Installation Exhibited in: THE NEW NEW, 83rd Thessaloniki International Fair’s Pavilion 2 - Thessaloniki, Greece. 8-16 September 2018 FREIRAUM in Berlin, On the State of Freedom in Europe: Exhibition, discussion, concert, performance in Berlin. ZK/U Center for Art and UrbanisticsSiemensstraße 27, 10551 Berlin. 12-17 March 2019. Freiraum Exhibition: From Berlin to Thessaloniki. LABattoir -Thessaloniki, Greece. 17-24 May 2019. Created for a collaboration with the Goethe Institut, ArtBOX&Artecitya in the Freiraum project. Co-Funded by the Creative Europe Programme of the European Union. As an academic researcher and audio practitioner, one of my main interests is understanding the intimate qualities of mediated sound. The radio voice, this fragment of an otherwise unknown person, contains some of their most intimate qualities. In this project a space is created that simulates the unseen intimacies of the airwaves. Voices meet and converse privately yet freely, through the intimacy of the voice as pure sound. The voices in this artwork were collected in Thessaloniki-Greece and Carlisle- UK. The anonymous Greek-speaking voices were collected for me in Thessaloniki by Maria Kyrou, Stella Massia & Eleni Papoulidou from the community group Media Lab by LABattoir, after workshops where I taught audio documentary, theory and practice. The aim was for local people to bring me the voices of their community, rather than me selecting these as an outsider who might carry preconceptions. The English-speaking voices belong to poets from the Speak Easy poetry group in Carlisle: Jane Moss-Luffrum, Phil Hewitson, Susan Cartwright Smith, James Scott Riddick, John Chambers, Ruby Evans, Kim Braschko(& her 2 children Maya and Henry). The poets were sent audio clips of the voices from Greece along with three short poems I wrote in English, deriving from the content of the stories collected in Thessaloniki. The poets were asked to write poems as responses to these voices and my poem. Despite only listening to voices they could not understand and my poems being a very abstract representation of those voices, the poets in Carlisle absolutely captured the essence of those stories and provided very emotive responses. I edited these voices together in a conversation that reveals how the intricacies, fears, aspirations of distant communities might be much closer than they seem. The voices in this artwork are an intimate aural tapestry of all those things that we have in common. The work was listened to via headphones, within an intimate, private audio booth. Poems written by Evi K based on the interviews and stories collected in Greece: 1. I am a grandmother Eighty-one years old when I was eleven, There was guerrilla fighting then. My mother sent me back to the village To get a police permit Night fell, I was taken In by a friend. The fighters took my friend. They did not take me cause I was thin, a fake. I made it back to Neapoli. I went to school, they gave us cocoa and raisin bread. Then they took us to the islands, in Mytilene For eight months My dad, they were sad They filled in the paperwork and they took us back I finished primary school. My story is this one story. I have many but I cannot tell any more. 2. I am twenty years old. I come from Albania. People there do not warm up to me. I cannot quite speak like them. I came to Thessaloniki when I was ten months old. Life here is better than it is there. For me. Here I can open up to people. Cause this is the language I speak. 3. I am fifty-three years old. I am a musician. Today With millions of people around Here, now, I am sitting in my bedroom. Twenty meters away lives my best friend Five meters away, my cousin. I do not want to get in touch. It is so sweet to be alone. I am replete. I want good friends. I want a wife. I have a child. I am not really lonely. This is why I want to be alon

    MODIS NDVI and EVI, 16-day time series for Europe at 1 km resolution

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    Normalized Difference Vegetation Index (NDVI) and Enhanced Vegetation Index (EVI) from MODIS data for Europe at 1 km resolution. Source data: - MODIS/Terra Vegetation Indices 16-Day L3 Global 500 m SIN Grid (MOD13A1 v006): https://lpdaac.usgs.gov/products/mod13a1v006/ - MODIS/Aqua Vegetation Indices 16-Day L3 Global 500 m SIN Grid (MYD13A1 v006): https://lpdaac.usgs.gov/products/myd13a1v006/ The MOD/MYD13A1 Version 6 product provide Vegetation Index (VI) values at a per pixel basis at 500 meter (m) spatial resolution. There are two primary vegetation layers. The first is the Normalized Difference Vegetation Index (NDVI), which is referred to as the continuity index to the existing National Oceanic and Atmospheric Administration-Advanced Very High Resolution Radiometer (NOAA-AVHRR) derived NDVI. The second vegetation layer is the Enhanced Vegetation Index (EVI), which has improved sensitivity over high biomass regions. The algorithm for this product chooses the best available pixel value from all the acquisitions from the 16 day period. The criteria used is low clouds, low view angle, and the highest NDVI/EVI value. For the time periods October 2016 - March 2017 and August 2020 - April 2021, the original data has been reprojected to ETRS89-extended / LAEA Europe and aggregated to a 1 km grid. The temporal resolution is 16 days. Bad quality pixels or pixels with snow/ice and/or cloud cover have been masked using the provided quality assurance (QA) layers and appear as "no data". File naming: productCode.acquisitionDate[A (YYYYDDD)]_mosaic_spatialResolution_frequency_VI.tif example: MOD13A1.A2020305_mosaic_1000m_16_days_NDVI.tif The date is Year and Day of Year. Values are NDVI/EVI * 10000. Example: Value 6473 = 0.6473 Projection + EPSG code: ETRS89 / LAEA Europe (EPSG:3035) (EPSG: 3035) Spatial extent: north: 72N south: 30S west: -52W east: 49E Spatial resolution: 1 km Temporal resolution: 16 days Pixel values: NDVI/EVI * 10000 (scaled to Integer; example: value 6473 = 0.6473) Software used: GRASS GIS 8.0 Original dataset license: All data products distributed by NASA's Land Processes Distributed Active Archive Center (LP DAAC) are available at no charge. The LP DAAC requests that any author using NASA data products in their work provide credit for the data, and any assistance provided by the LP DAAC, in the data section of the paper, the acknowledgement section, and/or as a reference. The recommended citation for each data product is available on its Digital Object Identifier (DOI) Landing page, which can be accessed through the Search Data Catalog interface. For more information see: https://lpdaac.usgs.gov/products/myd13a1v006/ Processed by: mundialis GmbH & Co. KG, Germany (https://www.mundialis.de/)Acknowledgements: This study was partially funded by EU grant 874850 MOOD. The contents of this publication are the sole responsibility of the authors and don't necessarily reflect the views of the European Commission

    Peride Celal’in Tiyatro Dünyasını Konu Alan Romanı: “Rüyalar Evi”

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    Between the years of 1935, from when she published her first story, and 2002, when she published her last novel Deli Ask, Peride Celal (Yonsel) was known as a unique writer with both the subjects she covered and her researcher identity in the art of novel writing. Peride Celal ' s writing career can be divided into two periods. During the first fifteen years of her writing career (1935-1950), she wrote popular works focusing on love and adventure in the category of romance, and with her novel Uc Kadinin Romani (1954), she entered her period of mastery, where her novel technique gained importance and she wrote more realistic and qualified works based on observation. Celal ' s early novels, which were serialized in periodicals before being published in book form, were effective in increasing the circulation of the daily newspapers in which they were published and helped in making the ' novel ' genre more appealing to the readers they reached. Peride Celal ' s success in narration with her clean and fluent Turkish, which is the most prominent feature of her novels, has been observed since her first novels. Nevertheless, Peride Celal did not adopt her first period novels, wrote with the concern of making a living and did not allow her works to be published in book form. The novel Ruyalar Evi (1951), which remains in the blind spot between the author ' s first and second period novels, is one of the works that the author does not want to remember. This novel, which has remained in the newspaper pages since the day it was published in the newspaper titled Cumhuriyet, has not been included in any academic studies on Peride Celal until today. In this novel, Peride Celal summarizes the developmental stages of Turkish Theater between the years of 1900 and1950 by examining the actors, directors and works, and by mentioning many classical, contemporary, and local and foreign plays along with stage artists. The two main characters of the work, Nemide Gencay and Ahmed Cem, are reminiscent of Neyyire Neyyir and Muhsin Ertugrul. The aim of this study is to determine the place of Ruyalar Evi among Peride Celal ' s novels in terms of its subject matter and mounting, and to ensure that the novel takes its rightful place in Turkish literature alongside novels that deal directly with the art of theater

    Pengaruh Risiko Pembiayaan Musyrakah dan Risiko Pembiayaan Murabahah terhadap Profitabilitas Pada Bank Umum Syariah di Indonesia

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    The purpose of this study is to examine and analyze the effect of Musharaka financing risk and the risk of murabaha financing to profitability in Indonesian Islamic banks. The target population of this research is Islamic Banks in Indonesia that registered for three consecutive years. Based entire population, there are 11 Islamic bank for 3 years with 33 observation data. The multiple regression analysis model in used to test the hypothesis. The results of this study indicate that the risk of Musharaka financing and murabahah risks simultaneously affect on profitability. In partial Musharaka financing risk and the risk of murabaha financing have positive influances on profitability
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