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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Butsudan (private Buddhist altarpiece)
No full textButsudan (private Buddhist altarpiece) Japanese, c. 16th century carved and gilded wood Gift of OGATA Sennosuke, 1885.1.1https://scholarship.depauw.edu/iikubo/1005/thumbnail.jp
Shakyamuni Stong Sku (or 1000 Bodies) Thangka
No full textShakyamuni Stong Sku (or 1000 Bodies) Thangka Tibetan, early 20th century ground mineral pigment on cotton and silk Gift of Bruce Walker \u2753, 2002.4.9https://scholarship.depauw.edu/iikubo/1008/thumbnail.jp
Bishamon-ten, Guardian King of the North
No full textBishamon-ten, Guardian King of the North Japanese, 1420-1500 C.E. carved wood with traces of pigment Gift of Arthur E. Klauser \u2745, 1991.11.140a-bhttps://scholarship.depauw.edu/iikubo/1010/thumbnail.jp
Head of Buddha
No full textHead of Buddha Thailand, 14th century bronze Gift of Arthur E. Klauser \u2745, 1991.11.98https://scholarship.depauw.edu/iikubo/1004/thumbnail.jp
The Shitennō, Guardian Kings of the Four Directions
No full textKnown as the Four Heavenly Kings, these figures are positioned at the four corners of Japanese Buddhist altars, each watching over a different cardinal direction. As deities, they protect from evil spirits – psychological states that go against the Buddha and his message of freedom from suffering. The examples displayed here were likely intended for the altar of a smaller worship space, rather than that of a large temple. The Shitennō are usually portrayed dressed in armor, carrying symbolic weapons or objects, and standing on a demonic figure - signifying their dominance over enemies of Buddhism. Not on display: Jikoku-ten, Guardian of the Easthttps://scholarship.depauw.edu/iikubo/1017/thumbnail.jp
Head of Buddha
No full textHead of Buddha Thailand, 19th century bronze Gift of Arthur E. Klauser \u2745, 1991.11.99https://scholarship.depauw.edu/iikubo/1003/thumbnail.jp
Handscroll: Treatise on Japanese Samurai Armor
No full textHandscroll: Treatise on Japanese Samurai Armor Japanese, 19th century ink on paper Gift of Arthur E. Klauser \u2745, 1991.11.252https://scholarship.depauw.edu/iikubo/1015/thumbnail.jp
Shidzuo Iikubo \u2723 Graduation Photo
No full textShidzuo Iikubo, a graduate of the DePauw University Class of 1923.https://scholarship.depauw.edu/iikubo/1001/thumbnail.jp
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