1,723,104 research outputs found
Murphy, P G, QX12018
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/406887Surname: MURPHY. Given Name(s) or Initials: P G. Military Service Number or Last Known Location: QX12018. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 41930.239292
Item: [2016.0049.39163] "Murphy, P G, QX12018
Murphy, P J, NX36248
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/406869Surname: MURPHY. Given Name(s) or Initials: P J. Military Service Number or Last Known Location: NX36248. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 36576.239242
Item: [2016.0049.39145] "Murphy, P J, NX36248
JANEWAY’S IMMUNOBIOLOGY, VII Edizione, Ed. Piccin, K. Murphy, P. Travers, M. Walport, 2010.
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Nottingham Business School: Public Policy and Management Research Group: annual report 2017
The Public Policy and Management Research Group is a research group within the Centre for Economics, Policy and Public Management Research (CEPPM) in Nottingham Business School. CEPPM, is led by Professor Robert Ackrill and is currently one of the eight major research centres within the business school with two new research groups approved as research centres in 2022.
The Public Policy and Management Group within CEPPM is led by Professor Peter Murphy and Dr Peter Eckersley and in 2022 had an active core membership of 14 members (10.15 FTE) of faculty. This is a summary of its activities and outputs for 2022
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Public management after Covid: will things ever be the same again? The central/local government interface accountability and assurance for public services
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Devolution and local government reorganisation
The English Devolution and Community Empowerment Bill formerly called the “Devolution and Local Government Reorganisation Bill” is currently going through Parliament. This is a presentation about its two main components:
Devolves Powers from central to local government via elected Mayors and Combined Authorities
Reorganises local government in two tier areas of government into a single unitary tier (Reconfiguration of existing structures and responsibilities
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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