1,720,953 research outputs found
Étranger chez soi : le syndrome de l'imposteur culturel chez les Canadiens de deuxième génération et Canadiens d'origines mixtes
No full textCette présente recherche introduit le syndrome de l'imposteur culturel (CISS, 2021), une adaptation du phénomène de l'imposteur initialement développé par Clances et Imes (1978), au contexte culturel (Clances & Imes, 1978). Les Canadiens de deuxième génération et les Canadiens d'origines mixtes peuvent se sentir comme des imposteurs au sein de leur(s) propre culture(s) d'origine, lorsqu'ils sentent ne pas avoir suffisamment de connaissances, d'aptitudes et/ou de compétences culturelles (compétence culturelle, LaFromboise et al., 1993). En plus de devoir apprendre la culture dominante, ces individus doivent également apprendre et conserver leur(s) culture(s) d'origine (Kim et Alamilla, 2017 ; Berry et al., 2006). En ne vivant pas dans leur pays d'origine, les individus multiculturels ne suivent pas un processus de socialisation culturelle traditionnel (contact direct et constant avec leur culture d'origine), ce qui rend cet apprentissage d'autant plus complexe (Ferguson et al., 2016). Ces derniers sont également plus susceptibles d'être confrontés à la discrimination et au rejet des membres de leurs deux groupes culturels (majorité et origine), ce qui est connu pour avoir un impact négatif sur leur bien-être (Campion, 2019, Lui et Quezada, 2019). En explorant l'expérience multiculturelle des Canadiens de deuxième génération et d'origine mixte, cette étude cherche à examiner comment l'implication culturelle et les expériences de discrimination prédisent le syndrome de l'imposteur culturel de ces derniers. Les résultats ont démontrés qu'une faible implication culturelle ainsi que la discrimination sont des prédicteurs du syndrome de l'imposteur culturel. Le syndrome de l'imposteur culturel aurait un effet médiateur sur la relation entre l'implication culturelle et le bien-être, ainsi que la discrimination et le bien-être. Finalement, la discrimination n'aurait aucun effet modérateur sur la relation médiatrice entre l'implication culturelle, le syndrome de l'imposteur culturel et le bien-être. Notre recherche rejoint les multiples autres études qui réitèrent l'importance du processus de l'enculturation sur le développement et le bien-être des individus multiculturels.This research introduces the cultural impostor syndrome (CISS, 2021), an adaptation of the impostor phenomenon originally developed by Clances and Imes (1978), to the cultural context (Clances & Imes, 1978). Second-generation Canadians and Canadians of mixed origins may feel like imposters within their own culture(s) of origin, when they feel they lack sufficient knowledge, skills and/or or cultural competence (cultural competence, LaFromboise et al., 1993). In addition to having to learn the dominant culture, these individuals must also learn and maintain their culture(s) of origin (Kim and Alamilla, 2017; Berry et al., 2006). By not living in their country of origin, multicultural individuals do not follow a traditional process of cultural socialization (direct and constant contact with their culture of origin), which makes the task of learning about their culture all the more complex (Ferguson et al., 2016). The latter are also more likely to face discrimination and rejection from members of their two cultural groups (majority and origin), which is known to have a negative impact on their well-being (Campion, 2019, Lui et Quezada, 2019). By exploring the multicultural experience of second-generation and mixed-origin Canadians, this study seeks to examine how cultural involvement and experiences of discrimination predict the latter's cultural impostor syndrome. The results demonstrated that low cultural involvement as well as discrimination are predictors of the cultural impostor syndrome. The cultural impostor syndrome has a mediating effect on the relationship between cultural involvement and well-being, as well as discrimination and well-being. Finally, discrimination has no moderating effect on the mediating relationship between cultural involvement, cultural impostor syndrome and well-being. It is concluded that second-generation Canadians and Canadians of mixed origins face challenges specific to their multicultural experience, which can create in them the feeling of being impostors within their cultural group(s) of origin. While research on multicultural individuals is very often centered on their adaptation to the dominant culture (acculturation), our research joins the many other studies that reiterate the importance of the process of enculturation on development and well-being of multicultural individuals
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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