1,721,011 research outputs found
Il gioco e il duello: Luzi traduttore di Mallarmé
No full textSulle traduzioni di Mario Luzi da Mallarme
Una giornata all'insegna del pesciolino d'oro
No full textPrefazione a una pluralità di contributi sull'antologia, di piccolo ma accurato formato, "Poeti stranieri del '900 tradotti da poeti italiani" curata e pubblicata dall'editore milanese Vanni Scheiwiller nella collana Strenne del pesce d'oro (1955
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
"Molière go home": "Le Bourgeois gentleman" d'Antonine Maillet sur la scène littéraire québécoise et acadienne (1978)
No full textWhile adaptations of English and French classics multiply in Québec, “Molière go home”, the student manifesto published in 1970 at the University of Sudbury, hints at a dramaturgy perceived as foreign, as opposed to the new French-Canadian creations. The Acadian author Antonine Maillet offers an original interpretation of such linguistic and cultural renewal in her Molière-inspired comedy Le Bourgeois gentleman, where she uncovers the linguistic uncertainty afflicting the minorities living in an evolving diglossic context. The satire of Anglomania becomes the subject of a scenic performance between imitation and parody; besides, it also suggests a reflection on the linguistic and cultural preservation exercised by Québec over the other Canadian francophone regions
«Molière go home»: “Le Bourgeois gentleman” d’Antonine Maillet sur la scène littéraire québécoise et acadienne (1978)
No full textWhile adaptations of English and French classics multiply in Québec, «Molière go home», the student manifesto published in 1970 at the University of Sudbury, hints at a dramaturgy perceived as foreign, as opposed to the new French-Canadian creations. The Acadian author Antonine Maillet offers an original interpretation of such linguistic and cultural renewal in her Molière-inspired comedy Le Bourgeois gentleman, where she uncovers the linguistic uncertainty afflicting the minorities living in an evolving diglossic context. The satire of Anglomania becomes the subject of a scenic performance between imitation and parody; besides, it also suggests a reflection on the linguistic and cultural preservation exercised by Québec over the other Canadian francophone regions
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
La traduzione allo specchio nel Journal d’une traduction di Marie Hélène Dumas (2016)
No full textThe Journal de traduction written by Marie‑Hélène Dumas during the translation of The Republic of Imagination by Azar Nafisi falls within an intermediate paratextual position between brouillon and métadiscours, where it is no longer the critic‑reader who establishes the bermanian translation horizon, but it is instead the author who spells out a project supported by a dual perception of authorship. As such, it is worth observing it in light of the recent interest of Translation Studies in the field of genetics of translation.Journal de traduction napisany przez Marie‑Hélène Dumas podczas tłumaczenia The Republic of Imagination Azara Nafisiego mieści się w pośredniej pozycji paratekstualnej między brulionem a metadyskursem, gdzie to nie krytyk‑czytelnik wyznacza bermański horyzont przekładu, ale to autor przedstawia projekt poparty podwójnym pojęciem autorstwa. Dlatego warto poddać to obserwacji w świetle niedawnego zainteresowania translatoryki genetyką przekładu
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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