1,101 research outputs found
NASKAH FA’IDAH HASANAH FI TAJWID AL-FATIHAH KARYA ‘UMAR BIN AL-QASIM BIN MUHAMMAD BIN ‘ALI AL-ANSARI (KAJIAN FILOLOGI)
No full textPada penelitian ini yang menjadi objek materialnya yaitu naskah Fai’dah Hasanah fi Tajwid al-Fatihahtihah karya „Umar bin al-Qasim bin Muhammad bin ‘Ali al-Ansari, dan objek formalnya yang digunakan adalah Filologi. Adapun beberapa masalah pokok yang dibahas dalam penelitian ini: 1. Bagaimana suntingan teks pada naskah Fai’dah Hasanah fi Tajwid al-Fatihahtihah karya Syekh „Umar bin al-Qasim bin Muhammad bin ‘Ali al-Ansari agar bisa menjadi tulisan yang dapat dibaca dan dipahami?. 2. Bagaimana pemikiran „Umar bin al-Qasim bin Muhammad bin ‘Ali al-Ansari dalam Naskah Fai’dah Hasanah fi Tajwid al-Fatihahtihah?. 3. Jenis kesalahan apa yang terdapat dalam naskah Fa’idah Hasanah fi Tajwid al-Fatihah karya ‘Umar bin al-Qasim bin Muhammad bin ‘Ali al-Ansari?. Kemudian tujuan dari penelitian ini sebagai berikut: 1. Menyajikan suntingan teks naskah Fai’dah Hasanah fi Tajwid al-Fatihahtihah karya Syekh „Umar bin al-Qasim bin Muhammad bin „Ali al-Ansari dengan baik dan benar, baik dalam arti teks mudah dipahami pembaca pada umumnya, dan benar dalam arti kebenaran isi teks tersebut dapat dipertanggungjawabkan secara ilmiah. 2. Mengungkapkan pemikiran pengarangnya dalam naskah tersebut. 3. Memaparkan Jenis kesalahan yang terdapat dalam naskah Fa’idah Hasanah fi Tajwid al-Fatihah karya ‘Umar bin al-Qasim bin Muhammad bin ‘Ali al-Ansari. Selanjutnya metode yang digunakan dalam melakukan penilitian ini yaitu metode Landasan. Metode Landasan merupakan satu metode yang digunakan apabila menurut peneliti tafsiran nilai naskah jelas berbeda sehingga ada satu atau sekelompok naskah yang menonjol kualitasnya. Apabila semua uraian sudah diperiksa dari sisi bahasa, sastera, sejarah, dan lain sebagainya, maka naskah yang mempunyai bacaan terbaik dengan jumlah yang besar dapat dianggap naskah yang terbaik dan dapat dijadikan landasan atau teks dasar. Setelah penulis melakukan penelitiannya adapun temuan yang diperoleh yaitu sebagai berikut: 1. Teks dalam Naskah Fa’idah Hasanah fi Tajwid al-Fatihah ditulis dalam bentuk prosa, kondisi naskah masih baik namun beberapa bagian dari naskah terdapat kesalah seperti gejala-gejala korup, lacunae dan lain sebagainya. 2. Teks dalam Naskah Fa’idah Hasanah fi Tajwid al-Fatihah berisi tentang kaedah bacaan surat al-Fatihah bedasarkan pada ilmu Tajwid, secara terperinci pengarang mengemukakan makraj huruf dan sifat-sifat huruf seperti tembal dan tipis ketika memcanya serta tempat-tempat berhenti (waqaf) yang terdapat dalam surat al-Fatihah. 3. Pada penulisan naskah Fa’idah Hasanah fi Tajwid al-Fatihah terdapat kesalahab berupa Ablebsie, Korup, Lacunae, Interpolation, Apokope, dan Peculiar error. Pada naska A terdapat 2 kesalahan, pada naskah B peneliti menemukan 8 kesalahan tulis dengan jenis kesalahan terbanyak yaitu berupa kesalahan korup yang berjumlah 3 data kesalahan
The New symbols in Ali Muhammad Farshi’s poems
No full textSymbolism is a technique for writers to express their motives. Whenever freedom of speech is restricted, writers use symbolism as tool. Symbols are basically related with the community where they have developed. Ali Muhammad ٖFarshi is well known poet of Urdu poem. In his poems, he uses a system of new symbolic words. He tries to present the inner self problems of an individual through the symbols. Every individual on this earth irrespective to religion and region, have some common problems like identification, hunger and death. The article discusses the systems of new symbols in Ali Muhammad Farshi’s poems. Its discuses that what type of symbols he uses and up to how much extent he delivers them to his reader.
References
Nighat Rehana Khan, Dr., Urdu Afsana Fani o Tanqeedi Mutalia, Delhi:Educational Publising House, 1984, pg:45
Rosh Nadeem, Ali Muhammad Farshi's Three-Dimensional Poetry, Mashmola: Naway e Waqt, Daily, Islamabad, 27 march 1999, pg:
Nasir Abbas Nair, Ali Muhammad Farshi ki Tamsel Sazi, Mashmola: Magazine Nazm Nu, Issue 3, (Redactor: Ali Sahil), Karachi, S.N., pg: 220
Ali Mohammad Farshi, Taz Hawa my jungle mjy bulta hai, Islamabad: Lov Books, 1995, pg: 15
As above, pg:56
Ali Muhammad Farshi, Zindagi Khudkashi ka muqadma nhi hai, Rawalpindi: Printing Press, 2004, pg: 97
Satyapal Anand, Flap: Taz Hawa my jungle bulta hai, Islamabad: Lov books, 1995.
Ali Muhammad Farshi, Muhabbat sy Khali dino my, Faisalabad: Misal Publisers, 2018, pg:136
Ali Muhammad Farshi, Zindagi Khudkashi ka muqadma nhi hai, pg: 97
Ali Mohammad Farshi, Taz Hawa my jungle mjy bulta hai, pg: 60
Muhammad Hameed Shahid, Eight Jiht, Mashmola, Muhabbat sy Khali dino my, az Ali Muhammad Farshi, Faisalabad: Misal Publisers, 2016, pg:16
Ali Mohammad Farshi, Taz Hawa my jungle mjy bulta hai, pg: 93
As above, pg:67
Muhammad Hameed Shahid, Ali Muhammad Farshi... Need my chalti Mot, Covered by: Magazine: Naqat (Poem No.), Issue 10, Qasim Yaqoob, Faisalaba
Reinvestigation of the ν 3 – ν 6 Coriolis interaction in trifluoroiodomethane
No full textAn updated fit to the interacting levels ν 3 and ν 6 of CF 3 I has been evaluated in this work.The lowest-frequency fundamental ν 6 of trifluoroiodomethane (CF 3 I) has never been directly observed and analyzed at high resolution in the gas phase. The ν 6 (e) level interacts with ν 3 (a 1 ) at 286.297 cm −1 via a b -axis Coriolis interaction, which perturbs the rotational structure of both levels. In this work, we report low- J microwave transitions (for J ranging from 0–2) within the ν 6 vibrational level. The l -type doubling observed in our spectrum agreed poorly with the predictions of previously published models of the interacting ν 3 – ν 6 levels, prompting us to refine the model. We performed ab initio anharmonic force-field calculations, which were used to constrain some of the parameters, and which served as a check on some of the floated parameters. We fit a dataset consisting of 3593 transitions, which combined our measurements with previous microwave, millimeter wave, and high-resolution infrared observations. A reasonable set of fit parameters is obtained with ν 6 = 267.28 cm −1 , but we cannot rule out a lower value of ν 6 = 261.5 cm −1 consistent with analyses of the vibrational level structure.An updated fit to the interacting levels ν 3 and ν 6 of CF 3 I has been evaluated in this work.The lowest-frequency fundamental ν 6 of trifluoroiodomethane (CF 3 I) has never been directly observed and analyzed at high resolution in the gas phase. The ν 6 (e) level interacts with ν 3 (a 1 ) at 286.297 cm −1 via a b -axis Coriolis interaction, which perturbs the rotational structure of both levels. In this work, we report low- J microwave transitions (for J ranging from 0–2) within the ν 6 vibrational level. The l -type doubling observed in our spectrum agreed poorly with the predictions of previously published models of the interacting ν 3 – ν 6 levels, prompting us to refine the model. We performed ab initio anharmonic force-field calculations, which were used to constrain some of the parameters, and which served as a check on some of the floated parameters. We fit a dataset consisting of 3593 transitions, which combined our measurements with previous microwave, millimeter wave, and high-resolution infrared observations. A reasonable set of fit parameters is obtained with ν 6 = 267.28 cm −1 , but we cannot rule out a lower value of ν 6 = 261.5 cm −1 consistent with analyses of the vibrational level structure.Division of Chemistry https://doi.org/10.13039/10000016
Permuta de una casa en la calle del Horno del Enclave de la Mezquita de los Conversos de la Alcazaba Qadima y una parte de viña en Andar al-Samal entre Abu-l-Hasan 'Ali b. Muhammad al-Haddad y Muhammad 'Ali b. Qasim al-Sabbak.
No full textAl-Sharif Al-Radi: His Life and Poetry
No full textThe aim of this work is to study al-Sharif al-Radl, his life and poetry. The first part deals with the poet’s environment and life; the second with his poetry. Chapter I deals with the political conditions under which the poet lived. The purpose of the second chapter is to portray Al-Radl's social environment and its reflection in contemporary poetry. The third chapter describes the literary environment of Al-Radl's age at some length. The fourth chapter aims to study Al-Radl's life in detail. The factors which influenced his outlook and personality are discussed. An attempt is made to discern how far these factors affected his poetry. The second part of this work deals with Al-Radl's poetry itself. In Chapter V historical observations are made on Al-Radl's Diwan o in both manuscript and published forms. Chapter VI deals with his panegyrics. General remarks are made on eulogy in Arabic poetry. The content, form and development of Al-Radl's panegyrical odes are analysed. His Ikhwaniyyat receive special attention. Chapter VII deals with Al-Radl's self-praise its content and form. An endeavour is made to explore the Utopian world which the poet tried to portray, Al-Radl's elegies (Ch. VIII). their content, form and characteristics are reviewed. In addition, his dirges on women receive attention. Shi ism in Al-Radl’s poetry is discussed in Chapter IX, Al-Radl’s love-poetry (Ch. X) is discussed. His Hijaziyyat receive particular attention. It is claimed that Al-Radl’s produced in his Hijaaiyyat a poetical amalgam which contains some aspects of ‘Udhrite and ’Umarite poetry. Chapter II deals with Al-Radl's poetical technique. His theories of poetical composition and his comments on other poets are examined. A comparison is made between Al-Radl and other poets both previous and contemporary. Special attention is paid to al-Mutanabbi's influence. In Chapter XII there is a broad re-assessment of Al-Radl’s place in the history of Arabic poetry
The exegesis of Tabatabaei and the Hermeneutics of Hirsch: a comparative study
No full textThis thesis is a comparative study between Hermeneutics on the one hand and exegesis of the Holy Qur'an on the other. Its objective is to discover whether there are salient points of convergence between the two disciples, and whether issues germane to the Hermeneutical tradition in the West have been referred to and/or employed in Muslim works of Qur'an commentary. To this end, the works of one of the most prominent Shi'ite philosophers and exegetes. Allama Mohammad Hossein Tabataei, have been analysed and compared with the perspective and methodology of E D. Hirsch, one of the most important hermeneuticians in the Western World. Hirsch has been chosen since, in the opinion of the author, there is a considerable number of commonalities between the Hirschian approach to hermeneutics and the exegetical methodology of Tabatabaei and other Shi'ite Muslim interpreters of the Qur'an.. Hirsch, as an objectivist, along with a number of other Hermeneutical scholars, are critical of those who subscribe to philosophical Hermeneutics, such as Heideger and Gadimer. The same approach is taken in Tabatabaei's works, thus providing a strong rationale for an academic comparison of these two scholars. For this reason, this thesis attempts to study the theories of Tabatabaei and Hirsch in order to highlight the similarities and differences in their works. The central hypothesis is that while small differences in approach exist, there is much common ground, and that it is possible to use certain facets of Hirschian hermeneutics in the interpretation of the Qur'an, thus modernising some of the existing exegetical approaches employed by Shi'ite scholars.Since the aim of this thesis is to compare the interpretive works of Tabatabaei with those of Hirsch's, an introductory chapter has been dedicated to the study of the evolution of Shi'ite exegesis from the beginning to date. Tabatabaei's Al-Mizan has been chosen as the foremost work of Shi'ite exegesis in the modem period. Furthermore, a complete chapter has also been dedicated to Tabatabai's exegetical modus operandi as reflected in Al-Mizan, in order to arrive at a better understanding of his perspectives. This research arrives at the conclusion that philosophical Hermeneutics and Epistemology have opened new horizons on which we will always be dependent. Whatever interpretive theories with regards to the understanding of the text are accepted, or whatever the tendency as far as literary criticism is concerned, or whatever ideas are accepted in the arena of philosophy of human and social sciences, the discussion of the nature of understanding in general cannot be avoided. This does not mean that Hermeneutics is limited to these new theories. Rather, the opportunity always exists to introduce new interpretive theories in connection with the understanding of the text. It is indeed possible to study these discussions in detail in a separate sphere independent of the other branches of Islamic sciences and arrive at a number of stable principles in the interpretation of the text in Islamic research
A violent origin : a Girardian analysis of the scapegoating of Ali ibn Abu Talib in Shi'ite tradition
No full textIncludes abstract.Includes bibliographical references (leaves 182-192).This dissertation applies Rene Girard's theory of the scapegoat mechanism to prove that Ali ibn Abu Talib appears in Shi'ite traditions as an innocent victim. The aim is to investigate Girard's substantial body of work to determine whether Ali was a scapegoat and a victim of a conspiracy within his community. Girard's theory is founded in mimetic desire, where he incorporated external and internal mediation to form an analysis of mimetic rivalry. Using various texts to develop his theory and support his concepts, he investigated Aristotle, Plato, Stendhal, Proust, Shakespeare and Freud. He developed his theory from the interaction between friends to the incorporation of an object of desire to form the 'French triangle'. He moved from investigating this 'triangle' in personal relationships to conspiracies and subsequently to communities with regard to primitive religions. It was in the discovery of the sacred victim that Girard recognized the purpose of myth, that it concealed the role of the persecutors and that it silenced the victim. Girard then transferred his deductions to analyzing the Bible, where he identified ways in which the text gave the victim a voice. He maintains that only Jesus supported a non-violent position and embraced positive mimetic desire in the form of imitating the love of God. In reviewing Ali's life, one discovers that it reveals Girard's concepts of mimetic rivalry, conspiracy and collective violence. There is the historical Ali and the divine Imam Ali. These two positions can be reconciled by following a constitutive reductionist method for the purpose of analysis in applying the scapegoat mechanism theory. Reductionism is useful and necessary for this study. While the historical Ali reveals a victim, the divine Ali takes responsibility for his own death. The historical and the divine reveal two perspectives in relating Ali's story, one from the victim's perspective and the other from the perspective of the persecutors. However, with respect to the scapegoat mechanism, Shi'ite traditions about Ali, inclusive of historical, popular, or ghulat traditions, show that Jesus was not the only victim to reveal his innocence and embrace non-violence for positive mimesis. Rather, Ali goes further in rejecting materialism to avoid envy, encouraging his community to witness his poverty. Without the distraction of material things, Ali could demonstrate God's love. While Girard claimed that Christianity, particularly the gospels, revealed the victim's innocence in Jesus Christ, Ali brings forth a similar message of imitating the love of God. Like Jesus, he revealed that God was a loving and forgiving God; he was not an angry God that demanded sacrifice
Conflict of law and the methodology of Tarjīẖ : a study in Islamic legal theory
No full textIslamic law never achieved unity but expressed itself in, at least, four surviving schools. More interestingly, contemporary Muslim communities are still divided among themselves on a number of issues related to their laws. This work describes how problem of legal conflicts have been tackled by Muslim jurists. It is an attempt to examine closely the phenomenon of conflict in Islamic law from the standpoint of usūl-al-fiqh or Islamic legal theory. In fact, much is heard nowadays of the contradiction in the body of Islamic law. Whilst in contrast, little is presented in terms of the methodology of removing this conflict. The present work therefore, attempts to redress this balance. The emphasis of the work will be concerned primarily with tarjīh methodology ; how to give preference to one piece of evidence or argument over the other when they conflict. Nevertheless, considerable concern is given to investigating the background to the conflict of law in the Shari'ah.
This study of a neglected area in Islamic legal scholarship will be an important source of reference to students, both practising and theoretical jurists or to anyone who merely wishes to increase his knowledge of legal themes, particularly legal conflict. The very aim of the work is to argue that conflict is a natural and unavoidable consequence of legal study because legal conflict is only conflicting principles and arguments adduced by both the classical and modern jurists to reach what is actually intended by God in the target case. Therefore, conflicts are inevitable in most of the cases in fiqh owing to the variety of principles set out to deal with one piece of legal evidence, let alone with all the pieces of legal evidence in question.
Tarjīh is therefore, an important and workable instrument in the re-examination of these conflicts and in arriving at the most accurate principle for establishing the law for as long as this is possible. It is hoped that the discovery of new facts and the increase of knowledge which results from the broadening and deepening of the research will positively contribute to the process of unification of Islamic law
Nature and death in the poetry of al-Malā'ika, al-Shābbī and Shukrī, and certain English Romantic poets : a comparative study
No full textThe first part of this thesis, divided into two
chapters, deals with the early background of European
Romanticism; the reasons behind its appearance and
problems of definition. There follows a discussion on
the question of the originality of Arabic Romanticism,
with ,a brief review of the roots and main literary groups
of this movement in Arabic poetry.
Part two examines the influence of English poetry
and thought on three Arab Romantic poets: Nāzik Sādiq
al-Malā'ika, Abū al-Qāsim al-Shābbī and
Abd aI-Rahmān Shukrī.
This is discussed parallel with the channels of
this influence.
The main focus of this research is however, to show
the ways in which al-Malā'ika, al-Shābbī and Shukrī perceived and reflected nature and death in their poetry.
Their attitudes towards certain phenomena in nature
such as the countryside, night, the sea, childhood and
moral and social lessons of nature are compared with
certain attitudes of Wordsworth, Coleridge, Keats and
Shelley.
Themes such as life and death, fear of death,
fatalism, immortality and death as a welcome experience
are also the concern of this thesis, with a comparison of
these themes in the poetry of the Arab and English
Romantic poets.
However, owing to the popularity of Keats and
Shelley with the three Arab Romantic poets, this thesis
concentrates on their poetry.
This research has selected only certain phenomena
and themes from nature--and death because of the dominance
of these subjects in the poetry of al-Malā'ika, al-Shābbī and Shukrī. The translations of Arabic poetry in this thesis are
intended to convey the general sense of the source texts,
rather than to give a precise rendering of these texts
into English
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