1,720,967 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
تصنيف عواطف الشخصية الرئيسية في رواية أما بعد لعواطف العطار دراسة دفيد كريك لعلم النفس الأدبي
Get PDFمستخلص البحث
العمل الأدبي هو تعبير عن المؤلف وواقع اجتماعي موجود داخل المؤلف ومحيطه، بحيث يمكن القول إن العمل الأدبي لا يمكن أن يولد ويخلق دون احتكاك بين المؤلف والمجتمع الاجتماعي المحيط به. في العمل الأدبي، يروي أيضًا العديد من الأشياء الجيدة في شكل شخصية من الشخصيات الوفية التي كتبها المؤلف. كل شخصية لها طابع شخصي لكل منها، حيث تجعل الاختلافات في هذه الشخصيات العمل الأدبي ينبض بالحياة ويمكن للقارئ الاستمتاع به. في رواية أما بعد نفسها، التي كتبتها عواطف العطار، تعكس شخصية موستير فيها تصنيف المشاعر التي يمكن التقاطها. لذلك تركز هذه الدراسة على إيجاد تصنيف للعواطف وأسباب هذه المشاعر في شخصية مستير.
يعتبر هذا البحث دراسة وصفية نوعية كمنهج بحثي بهدف إيصال النتائج التي يريد الباحث إيجادها بطريقة مباشرة ومفصلة. هناك عملية في هذه الدراسة تشمل عملية القراءة وتدوين الملاحظات، حيث يقرأ الباحث الرواية، ويترجم البيانات ذات الصلة، ويصنفها، ثم يصفها باستخدام نظرية التصنيف العاطفي لدفيد كريك. البيانات الأولية المستخدمة هي رواية أما بعد التي كتبتها عواطف العطار.
ووجد الباحث أشكال تصنيف العواطف وأسبابها في الشخصية الرئيسية في رواية أما بعد التي كتبتها عواطف العطار. شكل تصنيف العواطف في شخصية موستير هو في شكل مفهوم الذنب، والشعور بالذنب المخترق، والعقاب الذاتي على الأخطاء، و شعور العار، وشعور الحزن، وشعور الكراهة، وشعور الحب. هذا التصنيف هو ما حدث لشخصية موستير. كبشر، هذه العواطف هي عواطف أساسية يتلقاها البشر ويشعرون بها بسبب ارتباط الشخص بالآخرين. سبب ظهور المشاعر التي خطرت على موستير كان سببه أشياء كثيرة، لا سيما علاقته بفاطمة، المرأة التي أحبها كثيرًا. من علاقته بفاطمة انطلقت مشاعر الحب والكراهية والعار والذنب وعقاب الذات ومفهوم الذنب.
ABSTRACT
Literary work is an expression of an author and a social reality that exists within the author and his surroundings, so that it can be said that a literary work cannot be born and created without a friction between the author and the surrounding social community. In a literary work, it also tells many good things in the form of a personality of the loyal characters written by the author. Each character has a personality character of each, where the differences in these personalities make a literary work come alive and can be enjoyed by the reader. In Amma Ba'dua's own novel, written by Awatif Athar, the character Mustir in it reflects the classification of emotions that can be captured. Therefore, this study focuses on finding the classification of emotions and the causes of these emotions in Musstir's character.
This research is a qualitative descriptive study as a research method in order to convey in a straightforward and detailed manner the results that the researcher wants to find. There is also a process in this study including a reading and note-taking process, where the researcher reads the novel, translates, classifies the relevant data, then describes using the theory of emotional classification according to David Krech. The primary data used is Amma Ba'dua's own novel written by Awatif Athar.
The researcher found a form of classification of emotions and their causes in the main character in the novel Amma Ba'du written by Awatif Athar. The form of classification of emotions in Mustir's character is in the form of the concept of guilt, buried guilt, self-punishment for mistakes, shame, feelings of sadness, feelings of hate, and feelings of love. This classification is what happened to Mustir's character. As humans, these emotions are basic feelings that are received and felt by humans due to the subject's connection with others. The cause of the emergence of emotions that occurred to Mustir was caused by many things, especially his connection with Fatimah, a woman he loved very much. From his relationship with Fatima came the emotions of love, hate, shame, guilt, self-punishment, and the concept of guilt.
ABSTRAK
Karya sastra merupakan sebuah ekspresi dari seorag pengarang dan sebuah realitas sosial yang ada dalam diri pengarang dan disekitarnya, sehingga bisa dikatakan sebuah karya sastra tidak akan bisa lahir dan tercipta tanpa adanya sebuah gesekan antara pengarang dan masyarakat sosial disekitarnya. Dalamebuah karya sastra juga menceritakan banyak hal baik berupa sebuahkerpibadian dari setia tokoh yang ditulis oleh pengarang. Setiap tokoh memiliki sebuah karakter kepribadian masing-masing, dimana dari perbedaan dari kepribadian tersebut membuat sebuah karya sastra menjadi hidup dan bisa dinikmati oleh pembaca. Dalam novel Amma Ba’dua sendiri yang ditulis oleh Awatif Athar memunculkan dengan tokoh Mustir di dalamnya mencerminkan klasifikasi emosi yang bisaditangkap. Maka dari itu penelitian ini berfokus untuk menemukan klasifikasi emosi dan penyebab dari emosi tersebut dalam tokoh Musstir.
Penelitian ini merupakan penelitian deskriptif kualitatif sebgai metode penelitiaanya agar bisamenyampaikan secara lugas dan detail mengenaihasil yang ingin ditemukan oleh penelitia. Ada pun proses dalam penelitian ini diantaranya ada proses baca dan catat, dimana peneliti membaca novel, menerjemahkan, mengklasifikasikan data yang relevan, kemudian mendeskripsikan menggunakan teori klasifikasi emosi menurut David Krech. Data primer yang digunakan adalah sebuah novel novel Amma Ba’dua sendiri yang ditulis oleh Awatif Athar.
Peneliti menemukan bentuk klasifikasi emosi dan penyebabnya dalam tokoh utama dalam novel Amma Ba’du yang ditulis oleh Awatif Athar. Bentuk klasifikasi emosi yang ada dalam tokoh Mustir berupa konsep rasa bersalah, rasa bersalah yang dipendam, menghukum diri atas kesalahan, rasa malu, perasaan sedih, perasaan benci, dan perasaan cinta. Klasifikasi tersebutlah yang dialmi dan terjadi kepada tokoh Mustir. Sebagai manusia emosi tersebut merupakan perasaan mendasar yang diterima dan dirasakan oleh manusia akibat keterhubungan subjek dengan yang lain. Penyebab dari muncullnya emosi-emosi yang terjadi kepada Mustir disebabkan oleh banyak hal, khusunya keterhubungan dirinya dengan Fatimah, seorang perempuan yang sangat ia cintai. Dari hubungannya dengan fatimah muncullah sebuah emosi cinta, benci, malu, perasaan bersalah, menghukum diri sendiri, dan konsep bersalah
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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