1,720,953 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Visually motivated object choice in walking fruit flies (Drosophila melanogaster) – behavioural physiology, modelling and implementation in a robot
Im Rahmen dieser Arbeit wurden offene Fragen zur Objektwahl, zur Objektbeibehaltung und zur Aufgabe von Zielobjekten bei laufenden Taufliegen (Drosophila melanogaster) untersucht. Die Erkenntnisse zur Objektwahl wurden als kybernetisches Modell formuliert, auf einem eigens dafür konstruierten, autonom navigierenden Roboter mit Kameraauge implementiert und dessen Verhalten bei verschiedenen Landmarkenkonstellationen quantitativ mit dem Orientierungsverhalten laufender Fliegen verglichen. Es war bekannt, dass Drosophila in einer Wahlsituation zwischen unterschiedlich weit entfernten Objekten eine ausgeprägte Präferenz für nahe Objekte zeigt, wobei die Entfernung über das Ausmaß der retinalen Bildverschiebung auf dem Auge (Parallaxe) erfasst wird. In der vorliegenden Arbeit wurde analysiert, ob die Parallaxe streng aus der Eigenbewegung der Fliege resultieren muss oder ob Eigenbewegung der Objekte Nähe vortäuschen und deren Attraktivität erhöhen kann. Es wurde gezeigt, dass die Präferenz für ein Objekt bei Drosophila umso größer wird, je mehr Bewegung dessen Abbild auf der Retina erzeugt; die relative Verschiebung des Objektabbildes muss dabei nicht mit der Eigenbewegung der Fliege gekoppelt sein. Überraschenderweise verschwand die Präferenz für nahe Objekte, wenn eine zusammenstehende Gruppe aus einer nahen und mehreren fernen Objekten präsentiert wurden, solange sie zusammen einen Sehwinkel von weniger als etwa 90° einnahmen. Diese Beobachtung ist konform mit einer Vorstellung, wonach Bewegung über größere Augenbereiche integriert und nicht einzelnen Objekten zugeordnet wird. Obwohl Drosophila bei gleichem Präsentationsort auf der Retina die größere parallaktische Bewegung bevorzugte, wurden bei gleicher Entfernung dennoch frontalere gegenüber lateraleren Objekten bevorzugt. Es wird postuliert, dass der frontale und der caudale Sehbereich eine Verstärkung erfahren, die die physikalisch bedingt geringere Parallaxe überkompensiert. Laufende Fliegen reagieren verzögert auf die Präsentation eines Objekts; dies wird im Sinne einer zeitlichen Bewegungsintegration interpretiert. Die darauf folgende Richtungsänderung hängt vom Präsentationswinkel des Objektes ab. Erscheint das Objekt frontolateral, findet eine Hinwendung statt, erscheint es caudolateral, kommt es bevorzugt zur Abwendung. Eine weitere wichtige kognitive Leistung der Fliege ist das Aufgeben eines zuvor ausgewählten Ziels, wenn sich dieses Ziel während des Anlaufs als unerreichbar herausstellt. In der vorliegenden Arbeit wurde gezeigt, dass Fliegen mit stark reduzierten Pilzkörpern erheblich mehr Zeit benötigen als wildtypische Fliegen, um vom gewählten Zielobjekt abzulassen. Dieser dem Perseveranzverhalten bei Parkinson-kranken Menschen ähnliche Phänotyp wurde unabhängig von der Methode der Ausschaltung der Pilzkörper gefunden. Die Dauer der Perseveranz nahm mit zunehmender Attraktivität des Zielobjekts, d. h. mit abnehmender Distanz, zu. Es wird vorgeschlagen, dass die Pilzkörper für die Evaluierung von eingehender sensorischer Information oder für Entscheidungsfindungen im Allgemeinen benötig werden. Basierend auf diesen Ergebnissen wurde ein Minimalmodell für die visuelle Orientierung nach Landmarken entwickelt. Das Modell beinhaltet eine zeitliche Integration des optischen Flusses in einem frontolateralen und einem caudolateralen Kompartiment pro Auge. Je nachdem, in welchem Kompartiment eine festgesetzte Schwelle zuerst erreicht wird, kommt es entweder zu einer Hin- (frontolateral) oder zu einer Abwendungsreaktion (caudolateral). Eine Gewichtungsfunktion kompensiert die geringe parallaktische Verschiebung in diesen Sehregionen. Das Modell wurde in einem mobilen Roboter mit Kameraauge implementiert und mit dem visuellen Orientierungsverhalten der Fliege quantitativ verglichen. Der Roboter war in der Lage, viele Aspekte der Landmarkenwahl von laufenden Fliegen erfolgreich zu reproduzieren und fliegenähnliches, autonomes Orientierungsverhalten unter verschiedenen Landmarkenkonfigurationen zu zeigen.The present study addresses open questions regarding visual orientation behaviour of walking fruit flies (Drosophila melanogaster), in particular how they choose near over far objects and how they maintain or adaptively abandon their choice. The findings led to a cybernetic model, suitable to autonomously control a mobile robot with panoramic vision, which was constructed, built and quantitatively compared to fly behaviour during this study. For a wide range of landmark constellations the robot exhibits fly-like orientation behaviour. Drosophila is known to choose, with a high probability, the nearest of several similar objects first. Distance to objects is measured by the extent of the retinal shift of their images on the eye (parallax motion). The present study asked whether parallax motion needs to directly result from the fly’s self-motion or whether motion of objects can increase their attractiveness because they appear to be closer to the fly. The data show that flies prefer objects the more, the larger the shift of the object image becomes on the retina. This is independent of the source of the retinal shift, object motion or self-motion of the fly. Surprisingly, the preference for near objects disappeared when a near object was presented together with several distant objects within a viewing angle of less then 90°. This observation led to the assumption that motion parallax is spatially integrated over larger areas of the eye and not seen as an entity of the single object. Physically, the extent of parallax motion caused by a stationary object on the retina of a walking fly depends not only on the distance but also on the angle under which it is seen. Although Drosophila prefers the larger amount of visual motion at a given presentation angle, it clearly prefers frontal over lateral objects. In order to account for the preference for frontal objects an amplification of the frontal and caudal eye regions is postulated which would otherwise receive less parallax motion. It turned out that walking flies respond only delayed to the presentation of a single object. This delay is consistent with the idea of temporal integration of parallax motion in order to judge distance. Astonishingly, the following course change depends on the viewing angle of the object. If an attractive object is shown in the frontolateral eye region the flies turn towards it. If it appears in the caudolateral part of the retina the flies preferentially turn away from it. Among the key abilities of animals must be the ability to give up on a once chosen target object if that object turns out to be inaccessible. The present study proves that flies with a strong reduction in mushroom body volume need considerably more time to give up on an object. The phenotype resembles the perseverance behaviour of humans suffering from Parkinson’s disease and was found regardless of the methods of interference with the mushroom bodies. The duration of the erroneously continued approach in flies with a strong reduction in mushroom body volume increases with decreasing distance between platform rim and landmark. In the absence of landmarks the defective flies behave normally, suggesting that mushroom bodies are involved in the evaluation of incoming sensory stimuli or in more general decision making processes. Modelling and implementation. Based on the findings outlined above a minimal model for landmark orientation has been established. The minimal model is based on a temporal integration of visual motion in four compartments, a frontolateral and a caudolateral compartment per eye. Depending on which compartment reaches a certain threshold first, a turning response will be elicited either towards (frontolateral compartment) or away from the target object (caudolateral compartment). Frontal and caudal eye regions naturally receive less parallax motion than lateral eye regions. To compensate for the small amount of parallax motion in the respective eye regions a weighting function has been introduced. The algorithm was finally implemented on a mobile robot equipped with a fish-eye lens mounted on camera allowing for panoramic vision. The behaviour of the robot was measured and quantitatively compared to the orientation behaviour of walking fruit flies. The robot reproduced successfully many aspects of the fruit fly's landmark orientation behaviour and showed fly-like autonomous orientation behaviour in the presence of various landmark arrangements
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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