22 research outputs found
Understanding women's self-promotion detriments: the backlash avoidance model
Although self-promotion is necessary for career success, women experience backlash (i.e., social and economic penalties) for this behavior because it violates female gender stereotypes (Rudman, 1998). Moreover, women who fear backlash have difficulty with self-promotion, relative to men (Moss-Racusin & Rudman, 2010). The goal of this dissertation was to test the author’s backlash avoidance model (BAM), with the expectation that women’s beliefs that self-promotion violates female gender stereotypes lead them to fear backlash for this behavior, which in turn undermines their self-promotion abilities. Moreover, it was expected that the relationship between fear of backlash and self-promotion success would be at least partially mediated by self-regulatory focus (Crowe & Higgins, 1997) and perceived entitlement (Babcock & Laschever, 2003). To examine these ideas, Study 1 (N = 300) compared male and female participants’ performance on an essay-writing self-promotion task. As expected, women reported higher levels of fear of backlash and lower levels of self-promotion success than men. Gender differences were also observed for the mediator variables, such that women experienced less promotion focus and entitlement and more prevention focus than men. Additionally, results of structural equation modeling (SEM) supported a modified BAM, whereby gender was found to predict fear of backlash (replacing the perceived gender stereotypicality of self-promotion). As expected, fear of backlash then interrupted women’s self-promotion success, via reduced promotion focus and entitlement, and enhanced prevention focus. Study 2 examined the consequences of this process by testing self-promoting women’s propensity to enact backlash against other female self-promoters. Female participants (N = 115) self-promoted during a videotaped mock job interview before making judgments of other self-promoters. Results were not supportive of predictions that women who self-promoted well would not penalize another self-promoting woman. Moreover, in contrast to extensive previous research (see Rudman & Phelan, 2008, for a summary), there was no evidence of backlash against female self-promoting targets (both among participants who completed the self-promotion task and those in a control condition who simply rated the self-promoting targets). Possible explanations for these null results, as well as implications of the BAM for women’s professional advancement, are discussed.Ph.D.Includes bibliographical referencesby Corinne Alison Moss-Racusi
Self-promotion vs. backlash prevention: regulatory focus and gender differences in self-advocacy
Considerable evidence has shown that, relative to men, women are less effective at self-advocacy, despite its importance for closing the gender gap in professional success. Women fear backlash for counterstereotypical behavior (such as self-promotion, which violates prescriptions for female communality), and engage in defensive strategies designed to avoid it (Rudman & Fairchild, 2004). No research has tested the effects of fear of backlash on performance (e.g., self-advocacy). To address this gap, I propose that backlash threat leads to an inhibitory prevention focused self-regulatory style (Crowe & Higgins, 1997) that subsequently interferes with women's self-advocacy ability. In contrast, because self-advocacy behavior does not violate masculine prescriptive stereotypes, I expect that men will not experience fear of backlash; as a result, they will employ a successful promotion focused regulatory style, and demonstrate greater self-advocacy ability. Experiment 1 validated the usage of a lexical decision task to implicitly assess acute regulatory focus. Experiment 2 tested my focal hypotheses by comparing male and female participants on a self or peer-advocacy task. Results did not support the hypothesized gender differences or the predictive utility of the proposed model. However, for self-advocating women, the model performed as expected, such that threat of backlash lead to lowered ability to employ a useful promotion focused regulatory style, resulting in diminished advocacy ability. Implications for future research and women's self-advocacy abilities, as well as limitations of the research, are discussed.M.S.Includes bibliographical references (p. 60-68)
A Comparison of Clinicians’ Racial Biases in the United States and France
Rationale: Clinician bias contributes to racial disparities in healthcare, but its effects may be indirect and culturally specific.
Objective: The present work aims to investigate clinicians’ perceptions of Black versus White patients’ personal responsibility for their health, whether this predicts racial bias against Black patients, and whether this effect differs between the U.S. and France.
Method: American (N = 83) and French (N = 81) clinicians were randomly assigned to report their impressions of an identical Black or White male patient based on a physician’s notes. We measured clinicians’ views of the patient’s anticipated improvement and adherence to treatment and their perceptions concerning how personally responsible the patient was for his health.
Results: Whereas French clinicians did not exhibit significant racial bias on the measures of interest, American clinicians rated a hypothetical White patient, compared to an identical Black patient, as significantly more likely to improve, adhere to treatment, and be personally responsible for his health. Moreover, in the U.S., personal responsibility mediated the racial difference in expected improvement, such that as the White patient was seen as more personally responsible for his health, he was also viewed as more likely to improve.
Conclusion: The present work indicates that American clinicians displayed less optimistic expectations for the medical treatment and health of a Black male patient, relative to a White male patient, and that this racial bias was related to their view of the Black patient as being less personally responsible for his health relative to the White patient. French clinicians did not show this pattern of racial bias, suggesting the importance of considering cultural influences for understanding racial biases in healthcare and health
Parental education and children's schooling outcomes : is the effect nature, nurture, or both? evidence from recomposed families in Rwanda
Educated parents tend to have educated children. But is intergenerational transmission of human capital more nature, more nurture, or both? The author uses household survey data from Rwanda that contains a large proportion of children living in households without their biological parents. The data allows him to separate genetic from environmental parental influences. The nonrandom placement of children is controlled by including the educational attainment of the absent biological parents and the type of relationship that links the children to their"adoptive"families. The results of the analysis suggest that the nurture component of the intergenerational transmission of human capital is important for both parents, contrary to recent evidence proposed by Behrman and Rosenzweig (2002) and Plug (2004). The author concludes that mothers’ education had no environmental impact on children’s schooling. Interestingly, mothers’ education matters more for girls, while fathers’ education is more important for boys. Finally, an important policy recommendation in the African context emerges from the analysis: the risk for orphans or abandoned children to lose ground in their schooling achievements is minimized if they are placed with relatives.Children and Youth,Public Health Promotion,Population&Development,Health Monitoring&Evaluation,Gender and Social Development,Health Monitoring&Evaluation,Youth and Governance,Street Children,Population&Development,Children and Youth
Engaging the manuscript: new editions and reading the 'whole book' in Chetham's Library MS 8009
This thesis considers the intersection of the manuscript and its literature through an examination of the late fifteenth century manuscript, Chetham’s Library 8009 (Mun. A.6.31) and provides four diplomatic editions. This manuscript contains fourteen texts in Middle English including romance, hagiography, courtesy literature, and a comic text. This thesis argues for the importance of reading medieval literature in its manuscript context. Although there is a growing trend to consider the ‘whole book’ and integrate analysis of the material artefact with interpretation, much work remains to be done.
In Part I, this thesis presents a new paradigm for reading medieval literature, and argues that the manuscript forms a very literal community of texts, and that each text acts as a co-creator of meaning with the others. It then demonstrates four brief contextual readings that may be made within Chetham 8009 across generic boundaries, and that produce a shift in interpretive focus .
Part II provides four diplomatic editions from Chetham 8009: the Life of St Katherine, the Liber Catonis, John Russell’s Book of Carving and Nurture, and the Book of the Duke and Emperor.
This thesis aims to contribute to the study of medieval literature by arguing for a methodological shift in the way the literature is approached and by providing access to four texts either previously unedited or not easily accessible
“Why MANtoring is not the solution. A Rebuttal to ‘The association between early career informal mentorship in academic collaborations and junior author performance.’”
The findings of AlShebli Makovi & Rahwan1 highlight an endemic problem in science: co-authoring with men is associated with greater numbers of citations for junior scientists than co-authoring with women. The reasons for this likely stem from a long history and culture in science where White, straight, cisgender men are the dominant force. Under the authors’ assumption that authorship is equal to mentorship (a notion we criticize below), the reported citation disparity by coauthor gender for junior scientists may simply reflect that under the current status quo there are more barriers for women to establish strong mentorship programs and secure resources to support their mentees compared to men. In other words, citation disparity is the problem, not the solution as proposed by the authors. We argue that the citation disparity is uncorrelated with mentorship and the quality of the publication. Unfortunately, AlShebli Makovi & Rahwan err in their publication in two ways: they define mentorship as co-authorship (albeit with conditions), and they prescribe the problem as a solution suggesting that junior scientists, especially women, ought to be mentored by men - a proposal we have aptly named “MANtoring”. These faulty interpretations and conclusions reveal a broader problem in scholarship: failure to critically examine structural biases and assumptions when evaluating and interpreting data showing disparity. Much work is needed to improve the culture of science and to provide a more fair and equitable environment for individuals of any background (women in this case, but a similar reasoning would apply to people historically marginalized based on gender, race, sexuality, class, and other dimensions) to thrive2. The AlShebli et al article is a wakeup call to authors in all disciplines to take greater care in interpreting and acting on their disparity data. Failure to do so could have catastrophic effects on science including the irony of exacerbating the very problems researchers are attempting to address
Abstracts & Author Biographies for Textile Society of America, \u3ci\u3e15th Biennial Symposium (2016): Crosscurrents: Land, Labor, and the Port\u3c/i\u3e
Dr. Heather J Abdelnur, Ph.D.
Reena Aggarwal
Patricia Alvarez
Cecilia Anderson
Emily Anderson
Lynne Anderson
Jaiya A Anka
Adebowale Biodun Areo and Margaret Olugbemisola Areo
Margaret Olugbemisola Areo and Adebowale Biodun Areo
David Arrellanes
Jenny Balfour-Paul
Suzi Ballenger
Ruth Barnes
Jody Benjamin
Carole F. Bennett
Julie Berman
Noga Bernstein
Medha Bhatt
Amy Bogansky
Elaine Bourque
Laurie A Brewer
Carrie Brezine
Donna Brown
Sarah S. Broomfield
Susan Brown
Heather R Buechler
Shelby A Burchett
Tara R Bursey
Bonnie S. Carter
Nynne J Christoffersen
Laura Cochrane
Lia Cook
Françoise Cousin
Jamie Credle
Maria Curtis
Pamela I Cyril-Egware
Sonja K Dahl
Mary Lou Davis
Virginia Davis
Deborah Deacon
Alejandro B. de Avila
Corinne Debaine-Francfort
Amanda J Denham
Sophie Desrosiers
Sophie Desrosiers & Corinne Debaine-Francfort
Sudha Dhingra Textile Crafts of India
Katharine A. Diuguid
Sharon Donnan
Frances Dorsey and Robin E. Muller
Sharmila Dua
Maximilien Durand
Mercedes Durant
Philippe Dwyer and Rebecca. A. Zerby
Eiluned M Edwards
Benjamin Ehlers
Catharine Ellis
Deborah L Emmett
Emily A. Engel and Maya Stanfield-Mazzi
Leila Eslami
Shirazi Faegheh
Sarah E. Fee
Andrea V Feeser
Blenda Femenías
Chriztine Foltz
Cynthia Fowler
Kate Frederick
Gao Xia
Carolina Gana and Lynne Jenkins
Amalia Ramírez Garayza
Jenny Garwood
Alison A. Gates
Surabhi Ghosh
Rachel Green
Gaby Greenlee
Anu H Gupta and Shalina Mehta
Thea Haines
Louise Hamby and Valerie Kirk
Karen Hampton
Michaela Hansen
Donna Hardy
Joan G Hart
Kimberly Hart
Andrea M. Heckman
Sandra L Heffernan
Jan Heister
Sarah Held
Angela Hennesy
Ines Hinojosa and Laurie Wilkins
Memory Holloway
Sylvia W Houghteling
Kate Irvin
Carol James
Janis Jefferies
Janis K Jefferies and Barbara Layne
Lynne Jenkins and Carolina
EunKyung (E.K.) Jeong
Donald Clay Johnson
Susan Kaiser and Minjung E Lee
Jean L Kares
Anjali Karolia
Hiroko Karuno
Alice Kettle
Rebecca J. Keyel
Valerie Kirk and Louise Hamby
Jeana Eve Klein
Sirpa Kokko and Riikka H Räisänen
Studia Vernacula Deborah E Kraak
Sumru B Krody
Wendy S Landry
Eleanor A Laughlin
Minjung E Lee and Susan Kaiser
V Margaret L Leininger
Margaret L Leininger
Tasha Lewis and Helen Trejo
The Cultivator
Transactions of the New York Agricultural Society
The National Wool Grower
American Sheep Industry
Christina Lindholm
Christina Lindholm
Mary A Littrell
David Loranger and Eulanda Sanders
Shannon C Ludington
Joanne Lukacher
Caitrin Lynch
Suzanne P MacAulay
Louise M Macul
Jane A Malcolm-Davies
Kathleen Mangan
Lavanya Mani
Diana Marks
Dawn G. Marsh
Christine Martens
Marcella Martin
Bettina L Matzkuhn
Suzanne H McDowell
Julia McHugh
MacKenzie Moon Ryan
Anu H Gupta and Shalina Mehta
Karina R Melati
Perette E Michelli
Eric Mindling
Kate Mitchell
Rebecca J Summerour and Dana Moffett
Robin Muller and Frances Dorsey
Hiroshi Murase
Vasantha Muthian
Willian Nassu
Jeff Neale
Sumiyo Okumura
Fannie Ouyang
Ava B Pandiani
Slit Tapestry Red/Green
Raksha Parekh
Teresa A Paschke
Pooja R. Pawar
Karin E Peterson and Leisa Rundquist
Amanda H Phillips
Everyday Luxuries
Paul Pressly
Amy Putansu
Riikka H Räisänen and Sirpa Kokko
Uthra D Rajgopal
Annie Ringuedé
Kirsty M Robertson
Lesli Robertson
Regina A Root
Nancy B Rosoff
Ann P Rowe
Leisa Rundquist and Karin E Peterson
Katie M Sabo
Stephanie Sabo
Shohrat S. Saiyed
Eulanda Sanders and David Loranger and Donna R. Danielson
Laura I Sansone
Joan Saverino
Jessica L. Shaykett
Jess Sheehan
Lacy M Simkowitz
Ruth Katzenstein Souza
Carmela Spinelli
Jeffrey C Splitstoser
Maya Stanfield-Mazzi and Emily A. Engel
Kathleen A Staples
Laurie Carlson Steger
Brooks Harris Stevens
Cathy Stevulak
Rebecca J Summerour and Dana Moffett
Maleyne M Syracuse
Helen Trejo and Tasha Lewis
Kelly Thompson
Linda J Thorsen
Lynn C Tinley
Tomoko Torimaru
Helen Trejo
Marta D. Turok
Deborah Valoma
Lisa M VandenBerghe
Storm Janse van Rensburg
Pauline M Verbeek-Cowart
Belinda J. von Mengersen
Lisa Vinebaum
Yoshiko Wada
Mary E Walker
Sera J Waters
Melinda Watt
Marcia Weiss
Susanna White
Namita Wiggers
Laurie Wilkins and Ines Hinojosa
Robin B. Williams
Liz Williamson
Kathleen Curtis Wilson
Christine A Wiltshier
Charlotte Wittmann
Sarah J Worden
Ayşem Yanar
Rebecca A. Zerby and Philippe Dwyer
Callen Zimmerman
Stephanie Zollinger
Martha Zunig
Abstracts & Author Biographies for Textile Society of America, \u3ci\u3e15th Biennial Symposium (2016): Crosscurrents: Land, Labor, and the Port\u3c/i\u3e
Dr. Heather J Abdelnur, Ph.D.
Reena Aggarwal
Patricia Alvarez
Cecilia Anderson
Emily Anderson
Lynne Anderson
Jaiya A Anka
Adebowale Biodun Areo and Margaret Olugbemisola Areo
Margaret Olugbemisola Areo and Adebowale Biodun Areo
David Arrellanes
Jenny Balfour-Paul
Suzi Ballenger
Ruth Barnes
Jody Benjamin
Carole F. Bennett
Julie Berman
Noga Bernstein
Medha Bhatt
Amy Bogansky
Elaine Bourque
Laurie A Brewer
Carrie Brezine
Donna Brown
Sarah S. Broomfield
Susan Brown
Heather R Buechler
Shelby A Burchett
Tara R Bursey
Bonnie S. Carter
Nynne J Christoffersen
Laura Cochrane
Lia Cook
Françoise Cousin
Jamie Credle
Maria Curtis
Pamela I Cyril-Egware
Sonja K Dahl
Mary Lou Davis
Virginia Davis
Deborah Deacon
Alejandro B. de Avila
Corinne Debaine-Francfort
Amanda J Denham
Sophie Desrosiers
Sophie Desrosiers & Corinne Debaine-Francfort
Sudha Dhingra Textile Crafts of India
Katharine A. Diuguid
Sharon Donnan
Frances Dorsey and Robin E. Muller
Sharmila Dua
Maximilien Durand
Mercedes Durant
Philippe Dwyer and Rebecca. A. Zerby
Eiluned M Edwards
Benjamin Ehlers
Catharine Ellis
Deborah L Emmett
Emily A. Engel and Maya Stanfield-Mazzi
Leila Eslami
Shirazi Faegheh
Sarah E. Fee
Andrea V Feeser
Blenda Femenías
Chriztine Foltz
Cynthia Fowler
Kate Frederick
Gao Xia
Carolina Gana and Lynne Jenkins
Amalia Ramírez Garayza
Jenny Garwood
Alison A. Gates
Surabhi Ghosh
Rachel Green
Gaby Greenlee
Anu H Gupta and Shalina Mehta
Thea Haines
Louise Hamby and Valerie Kirk
Karen Hampton
Michaela Hansen
Donna Hardy
Joan G Hart
Kimberly Hart
Andrea M. Heckman
Sandra L Heffernan
Jan Heister
Sarah Held
Angela Hennesy
Ines Hinojosa and Laurie Wilkins
Memory Holloway
Sylvia W Houghteling
Kate Irvin
Carol James
Janis Jefferies
Janis K Jefferies and Barbara Layne
Lynne Jenkins and Carolina
EunKyung (E.K.) Jeong
Donald Clay Johnson
Susan Kaiser and Minjung E Lee
Jean L Kares
Anjali Karolia
Hiroko Karuno
Alice Kettle
Rebecca J. Keyel
Valerie Kirk and Louise Hamby
Jeana Eve Klein
Sirpa Kokko and Riikka H Räisänen
Studia Vernacula Deborah E Kraak
Sumru B Krody
Wendy S Landry
Eleanor A Laughlin
Minjung E Lee and Susan Kaiser
V Margaret L Leininger
Margaret L Leininger
Tasha Lewis and Helen Trejo
The Cultivator
Transactions of the New York Agricultural Society
The National Wool Grower
American Sheep Industry
Christina Lindholm
Christina Lindholm
Mary A Littrell
David Loranger and Eulanda Sanders
Shannon C Ludington
Joanne Lukacher
Caitrin Lynch
Suzanne P MacAulay
Louise M Macul
Jane A Malcolm-Davies
Kathleen Mangan
Lavanya Mani
Diana Marks
Dawn G. Marsh
Christine Martens
Marcella Martin
Bettina L Matzkuhn
Suzanne H McDowell
Julia McHugh
MacKenzie Moon Ryan
Anu H Gupta and Shalina Mehta
Karina R Melati
Perette E Michelli
Eric Mindling
Kate Mitchell
Rebecca J Summerour and Dana Moffett
Robin Muller and Frances Dorsey
Hiroshi Murase
Vasantha Muthian
Willian Nassu
Jeff Neale
Sumiyo Okumura
Fannie Ouyang
Ava B Pandiani
Slit Tapestry Red/Green
Raksha Parekh
Teresa A Paschke
Pooja R. Pawar
Karin E Peterson and Leisa Rundquist
Amanda H Phillips
Everyday Luxuries
Paul Pressly
Amy Putansu
Riikka H Räisänen and Sirpa Kokko
Uthra D Rajgopal
Annie Ringuedé
Kirsty M Robertson
Lesli Robertson
Regina A Root
Nancy B Rosoff
Ann P Rowe
Leisa Rundquist and Karin E Peterson
Katie M Sabo
Stephanie Sabo
Shohrat S. Saiyed
Eulanda Sanders and David Loranger and Donna R. Danielson
Laura I Sansone
Joan Saverino
Jessica L. Shaykett
Jess Sheehan
Lacy M Simkowitz
Ruth Katzenstein Souza
Carmela Spinelli
Jeffrey C Splitstoser
Maya Stanfield-Mazzi and Emily A. Engel
Kathleen A Staples
Laurie Carlson Steger
Brooks Harris Stevens
Cathy Stevulak
Rebecca J Summerour and Dana Moffett
Maleyne M Syracuse
Helen Trejo and Tasha Lewis
Kelly Thompson
Linda J Thorsen
Lynn C Tinley
Tomoko Torimaru
Helen Trejo
Marta D. Turok
Deborah Valoma
Lisa M VandenBerghe
Storm Janse van Rensburg
Pauline M Verbeek-Cowart
Belinda J. von Mengersen
Lisa Vinebaum
Yoshiko Wada
Mary E Walker
Sera J Waters
Melinda Watt
Marcia Weiss
Susanna White
Namita Wiggers
Laurie Wilkins and Ines Hinojosa
Robin B. Williams
Liz Williamson
Kathleen Curtis Wilson
Christine A Wiltshier
Charlotte Wittmann
Sarah J Worden
Ayşem Yanar
Rebecca A. Zerby and Philippe Dwyer
Callen Zimmerman
Stephanie Zollinger
Martha Zunig
The intimacy which is knowledge : female friendship in the novels of women writers
The thesis offers a historical account of the
representation of friendship in the novels of English
women writers from the nineteenth century to the
present. Questioning the prevalent understanding of the
history of women's friendship in terms of a single major
rupture, from nineteenth-century 'innocence' to
twentieth-century 'guilt', the thesis identifies
narrative configurations which recur throughout this,
period, and which define friendship as a formative
learning experience integrally related to the
acquisition of gendered identity. It concludes that
there can be no final and 'perfect' representation of
friendship, since the nature of the "knowledge' shared
has continually shifted in relation to changing
understandings of femininity.
Chapter 1 identifies the origins and nature of the
Victorian concept of the "second self", in which the
friend acts as the mirror of, and means of access to, an
idealised female subjectivity. Chapter 2 analyses the
ways in which this concept informs the narrative
patterns and rituals in Victorian fictions of
friendship. Chapter 3 offers a new reading of novels by
Elizabeth Gaskell, George Eliot and Charlotte Bronte, in
which the conventions identified in Chapter 2 are
adapted to question the existing boundaries of feminine
identity. Chapter 4 examines the impact of changes in
women's education upon the representation of friendship
in turn-of-the-century feminist and anti-feminist
novels, and in a new genre, the school story for girls.
Chapter 5 shows that the scientific construct of
lesbianism produced a new distinction between the
'healthy' and the 'unhealthy' relationship, but that the
terms of this distinction were contested; in
twentieth-century novels of the 'gyriaeceum', the
tradition continues, but is newly eroticised. Chapter 6
looks at friendship as 'revision' in recent English and
American novels, in which earlier configurations are
redeployed in the light of contemporary feminist concern
to recuperate and re-imagine the past
In the Shadow of Night: Sleeping and Dreaming and Their Technical Rôles in Shakespearian Drama
This thesis aims to demonstrate the variety of ways in which sleep and dreams are employed in Shakespeare’s dramatic canon. Using a historical perspective, the work primarily examines the functions of these motifs within the design of the plays: how they contribute to the structure and unity of the works, how they assist in delineating some of the individual characters, and how they shape the atmosphere of specific dramatic situations. This kind of analysis requires an understanding of the cultural and intellectual contexts in which the fictitious representations of these phenomena were originally written and received. For this reason, the present thesis also offers a historical and cultural background, outlining the social character of the phenomena of sleep and dreams in early modern England and the history of their employment in pre-Shakespearian literature. Where relevant, the use of these motifs in the works of Shakespeare’s contemporaries is also studied.
The Introduction to the thesis summarizes the current state of knowledge of the topic and defines the present author’s approach to the research question. The first chapter discusses dream literature as a genre, its themes and development before Shakespeare’s time. The second chapter analyses the dramatic functions of a sleeping character on the stage in Shakespeare’s drama and how this image developed from the dramatist’s early plays to his later and more mature works. It examines how the motif affects the image of the character in question, but also how it influences the immediate dramatic context. A special section is devoted to the topos of dreams and its use as a characterization device. The third chapter deals with fictitious dream prophecies and their technical functions in Shakespeare’s plays. Again, the chapter follows the motif from the early stages of Shakespeare’s dramatic career to his last plays, trying to determine both its staple functions and changes in its employment. The last chapter addresses the dramatic image of the night as a time in which sleeping and dreaming – but also other typically dark enterprises – occur. A special section is devoted to Shakespeare’s use of the death-as-sleep metaphor and its dramatic implications
