1,721,015 research outputs found

    Disability

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    This essay examines the intersections of disability, enslavement, and writing in the Roman Mediterranean and beyond. In particular, it develops the work of Nicholas Horsfall on visual impairments and asks, more broadly, about the variety of forms of impairment that served as barriers to participation in literate affairs. It explores both the exploitation of enslaved people as prosthetic literary devices or accommodative tools and the ways that the structures of enslavement disabled literate workers. It suggests that the experience of bodily pain may have influenced the development of literate tools and technologies, including such innovations as bookstands and the codex-format book

    Notions of Orthodoxy in Early Christian Martyrdom Accounts

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    The study of martyrdom has always implicitly involved assumptions about orthodoxy and heterodoxy in the early Church. In traditional ecclesiastical context as well as scholarship, martyrdom is often assumed to be orthodox in practice. This is in large part due to ancient caricatures of 'heretical' groups being either suicidal or anti-martyrdom. In recent years a great deal of scholarship on identity formation in the early church has pointed to the ways ion which the concept and category of the martyr was used in the formation of the idea and language of the 'true Christian.' In these studies the concept of the 'true martyr' and the 'true Christian' in ancient literature are interlaced and overlapping. We might say that they are co-produced. What it means to be Christian then, is to die as a martyr

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    The Textual Demiurge:Social Status and the Academic Discourse of Early Christian Forgery

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    This article reconsiders the classed and gendered construction of the Author in the Roman Mediterranean, a construction that generates the intertwined notions of authorship and authenticity. Modern scholarly conversations about authorship and pseudepigraphy in the Roman Mediterranean often proceed from the uninterrogated assumptions that (a) ancient texts (including early Christian texts) were the monographic products of solitary authors and (b) everyone in antiquity, regardless of gender or class, had access to the status of being an ‘Author’. While conversations about (in)authentic textual production extend beyond the works that become part of the New Testament, these twin assumptions form the basis for modern debates about ‘forgery’ in New Testament literature. This article challenges both assumptions by first surveying the role of uncredited collaboration in Roman literary culture and then analysing ancient Christian discourses surrounding (a) illicit textual meddling and (b) inappropriate textual ascription. These two discursive categories reveal how the categories of class and gender are entangled with early Christian ideas of the Author. Ancient discourses of authenticity and authorship were not simply about who produced texts but about policing which acts of textual production count as ‘authoring’.<br/

    Between the Lines:Looking for the Contributions of Enslaved Literate Laborers in a Second Century Text (<i>P. Berol</i>. 11632)

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    Recent scholarship on writing and literacy in the Roman world has been attentive to the role of enslaved literate workers in the production of texts. Yet when it comes to evaluating the potential contributions of enslaved laborers we find ourselves at an impasse. How can we identify changes that an enslaved writer might have introduced? How could we assume that any element of the text comes from a secretary rather than the slaveholding “author”? And if enslaved secretaries were at liberty to make changes to a text, how would we recognize these alterations? Utilizing the method of critical fabulation and revisions to a particular literary fragment (P. Berol. 11632) as a test-case, this article explores the range of collaborative possibilities that can account for textual revisions and asks what difference it might make to view such changes as the product of enslaved workers and their experience.<br/
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