1,721,121 research outputs found
"So-called schizophrenia" and the unnamable
No full textEl análisis de la relación que se establece entre la llamada esquizofrenia y lo innombrable extrapola los límites del presente artículo. Sin embargo, trataremos de ubicar una serie de elementos en los cuales lo innombrable se deja entrever. Un breve paso por la historia pone en evidencia el equívoco que hace del término esquizofrenia un punto de constante tensión. Del análisis de la obra freudiana se desprenden distintas perspectivas con respecto a la dirección de la cura ante el dicho esquizofrénico. Por un lado, el privilegio concedido al factor paranoide, es decir, explicar la parte paranoica de la demencia precoz. Por otro, una posible perspectiva forjada por las investigaciones en las cuales se basa el presente artículo, que busca revitalizar las palabras de Freud desde su intuición clínica. El desarrollo con respecto al narcisismo y lo inconciente conducen a Freud a leer en la alucinación, en la sobre investidura de la representación palabra y en el lenguaje de órgano, intentos de restitución, de curación, de la llamada esquizofrenia. Entendemos que para dar lugar a lo particular y singular del dicho esquizofrénico hace falta correrse del lugar de déficit de la psicosis con relación a la neurosis y de la llamada esquizofrenia con relación a la paranoia. PalabrasAnalysis of the relation established between “so-called schizophrenia” and the unnamable extrapolates the boundaries of the present article. However, we will try to locate a series of elements in which the unnamable can be glimpsed at. A brief historical review brings to light the misunderstanding which turns the term "schizophrenia" into a point of constant tension. From the analysis of Freud's works, different perspectives can be drawn regarding the direction of treatment in the face of "schizophrenic speech". On the one hand, the privilege granted to the “paranoid factor", i.e. to "explaining the paranoid element in premature dementia". On the other hand, a possible perspective, which --shaped by the research studies this article is based on, seeks to revitalize Freud's words from their "clinical intuition". Development of the concepts of narcissism and the unconscious leads Freud to read in hallucination, hypercathexis of word representation and organ language, attempts at restitution, at healing, of "so-called schizophrenia". We understand that, in order to make way for the peculiar and unique in "schizophrenic speech", we must move away from a position of deficit of psychosis respect of neurosis and of "so-called schizophrenia" respect of paranoia.Fil: Zanchettin, Joceline Fatima. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Psicología. Instituto de Investigaciones; ArgentinaFil: Zanon Moschen, Simone. Universidade Federal do Rio Grande do Sul; Brasi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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