1,721,009 research outputs found
Être psychologue à l'Assistance publique de Paris
No full textLe Morvan Anne, Bereni-Marzouk Brigitte. Être psychologue à l'Assistance publique de Paris. In: Bulletin de psychologie, tome 36 n°358, 1982. Psychologie clinique V. Les psychologues cliniciens. pp. 93-98
Ecouter Cassandre ? Etude d'une figure scénique paradoxale dans la tragédie grecque (Ve s. av. J.-C.) et ses traductions et réécritures à la Renaissance (XVIe s.)
No full textThis work proposes a study of Cassandra in relation to the tragic genre in which she acquires her full status of character. The corpus in which she is given birth, the two attic tragedies which are the Agamemnon by Aeschylus and the Trojan Women by Euripides profoundly shapes her identity of a seeress doomed to prophesy their destiny to the others who don’t understand her. In order to better grasp the potentialities of this character, the present analysis considers the other founding moment for the tragedy, the XVIth century. The study of the reception requires to deal with heterogeneous sources, so much so that the multiplication of the textual genres (translations, rewritings, adaptations) and languages (latin, french and italian) lighten the ways in which Cassandra was understood by the authors at the time, and, doing so, to better put in perspective her particular appearances. In fact, she presents all the assets to let us observe, through her, the dynamics during the redefinition of the tragic genre by authors in balance between two tendencies: the explanation of the Antiquity and its adaptation to the modern conceptions (christianism for instance). Thus, the paradoxes inherent to Cassandra, authentic incarnation of tragedy, serve as a prism to scholars and playwrights to question their times as much as their medium of expression which is the theater.Ce travail entend proposer une lecture de Cassandre en lien avec le genre tragique dans lequel elle acquiert pleinement un statut de personnage. Son corpus de naissance, les deux tragédies attiques que sont l’Agamemnon d’Eschyle et les Troyennes d’Euripide, façonne en profondeur son identité de devineresse maudite condamnée à révéler leur destin aux autres sans se faire entendre. Afin de mieux cerner les potentialités de ce personnage, l’étude envisage le XVIe siècle, moment refondateur de la tragédie. L’étude de la réception impose donc de traiter des sources hétérogènes, de façon à ce que la multiplication des genres textuels (traductions, réécritures, adaptations libres) et des langues (latin, français, italien) montre les façons dont Cassandre a été comprise par les auteurs de l’époque, et mette ainsi en perspective ses apparitions singulières pour cerner la complexité du phénomène de redécouverte et réinvention de la figure. De fait, elle présente tous les atouts pour laisser observer, à travers elle, les dynamiques à l’œuvre au moment de la redéfinition du genre tragique par des auteurs écartelés entre deux tendances : l’explication de l’Antiquité en même temps que son adaptation aux conceptions modernes (notamment chrétiennes). Aussi les paradoxes constitutifs de Cassandre, véritable incarnation de la tragédie, servent-ils de prisme aux érudits et dramaturges pour interroger leur époque tout autant que leur medium d’expression qu’est le théâtre
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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