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Fig. 1. Alabes obtusirostris. Holotype, CSIRO H.4462-01, 46 in Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textFig. 1. Alabes obtusirostris. Holotype, CSIRO H.4462-01, 46 mm SL, Lakes Entrance, Victoria (drawn by S. Morrison).Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 152, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Fig. 5. Alabes scotti. Holotype, CSIRO H.3776-01, 48 in Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textFig. 5. Alabes scotti. Holotype, CSIRO H.3776-01, 48 mm SL, Disaster Bay, New South Wales (CSIRO photograph).Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 157, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Fig. 3 in Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textFig. 3. Alabes gibbosa, paratype, WAM P.32202-001, 71 mm SL, Carnac Island, Western Australia; (a) whole specimen, (b) anterior half of specimen.Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 156, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Fig. 2 in Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textFig. 2. Alabes elongata. Holotype, male, WAM P.28296-003, 86 mm SL, Recherche Archipelago, Western Australia.Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 156, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Fig. 4 in Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textFig. 4. Alabes occidentalis paratype, female, WAM P.28280-001, 35 mm SL, Israelite Bay, Western Australia: (a) whole specimen; (b) anterior half of specimen. Paratype, male, WAM P.30384-002, 38 mm SL, Rottnest Island, Western Australia: (c) whole specimen; (d) anterior half of specimen.Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 157, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Alabes Cloquet 1816
No full text<i>Alabes</i> Cloquet, 1816 <p> <b>Diagnosis</b> (these characters are not repeated in the following descriptions): body elongate, eel-like, tapering to a small caudal fin; caudal fin with 4–12 fin rays, joined to dorsal and anal fins (latter two without fin-rays, resembling low folds of skin); pectoral fin absent; pelvic fin either represented by a small rudiment just posterior to gill opening, or absent; skin smooth, scaleless, usually covered with a thick mucus layer; lateral-line sensory system usually consists of small open cephalic pores and minute papillae (cephalic pores absent in one species); head small, with a short snout (rounded to pointed in dorsal view); nostrils small but obvious, anterior one tubular, posterior one with low raised rim; eye moderate in size, with prominent, clear cornea; gill opening a small to moderate-sized transverse slit, located on ventral surface of head; gills 3; branchiostegals 3; palatine and vomerine teeth absent; urogenital opening with prominent papilla.</p>Published as part of <i>Hutchin, Barry & Morrison, Sue, 2004, Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae), pp. 147-158 in Records of the Australian Museum 56 (2)</i> on page 150, DOI: 10.3853/j.0067-1975.56.2004.1426, <a href="http://zenodo.org/record/10092783">http://zenodo.org/record/10092783</a>
Five new fish species of the genus Alabes (Gobiesocidae: Cheilobranchinae)
No full textHutchin, Barry, Morrison, Sue (2004): Five New Fish Species of the Genus Alabes (Gobiesocidae: Cheilobranchinae). Records of the Australian Museum 56 (2): 147-158, DOI: 10.3853/j.0067-1975.56.2004.1426, URL: https://journals.australian.museum/hutchins-and-morrison-2004-rec-aust-mus-562-147158
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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