19,609 research outputs found
We parted with a cheerful smile, when last I press'd her hand [first line]
No full textstrophicpiano and voiceTo J.A. Keating, Esq.348.4Johns Hopkins University, Levy Sheet Music Collection, Box
090, Item 016Written by Wm. H. Morris. Music Composed by Herman Th. Knake
We parted with a cheerful smile, when last I press'd her hand [first line]
No full textstrophicpiano and voiceTo J.A. Keating, Esq.348.4Johns Hopkins University, Levy Sheet Music Collection, Box
090, Item 016Written by Wm. H. Morris. Music Composed by Herman Th. Knake
Editorial - The perfect (skills) match? Tracking a chimera of lifelong learning policy
No full textContemporary lifelong learning policy is increasingly dominated by skills discourse. Skills are becoming a focus for lifelong education researchers (e.g. Pavić & Černja Rajter, Citation2025) and we have questioned the skills discourse in our editorials (e.g. Milana et al., Citation2025; Brandi et al. Citation2023). This time around we address a trend in policy to conceptualise lifelong learning in terms of ‘skills matching’ (e.g. ILO, Citation2020; OECD, Citation2024; WEF, Citation2025a).No Full Tex
Rede uitgesproken op 17 september 1956 ter gelegenheid van de erepromotie van Dr. Th. von Karman door de promotor Dr. C.B. Biezeno
No full textRede uitgesproken door prof. C.B. Biezeno ter gelegenheid van de erepromotie aan de TH Delft van dr. Theodore von Karman.Precision and Microsystems EngineeringMechanical, Maritime and Materials Engineerin
Prof. Th. W. Adorno and the author Hans Erich Nossack.
No full textProf. Th. W. Adorno and the author Hans Erich Nossack at a reception of Insel Verlag, Buchmesse Frankfurt 1966LB
The Book of Fables
No full textHere is a simple, landscape-formatted, canvas-spined book about 9¼ x 8¼ with nearly identical front and back covers. The pattern is the same for fourteen of the fifteen fables presented. Texts with a monochrome splash of color behind them stand on the left facing a full-page black design against a single different color on the right. The exception is at the centerfold, which combines text and illustration on both pages and uses background color for both. All of the book's illustrations are signed Rufus Morris. The last adds 41. In TH, the distance is five miles and the stakes are five pounds. In The Tortoise and the Eagle, the eagle realizes in mid-air that he has been lied to about the reward of jewels and he exacts his revenge by sticking his talons into the soft parts of the tortoise's body. I find this version strange. Story and image for The Fox and the Wolf do not match: the story is about a cave, and the picture is about a well! There is of course also a well-known fable that involves a well. I think that the translator literally got onto a different page from the illustrator! In FK, the frogs ask for a king who would make them live a little honester. The most dramatic of the illustrations depicts desperation in The Old Man and Death.Edited by Edric Vredenbur
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
No full textThis work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
Review of Edmund Morris: Frontier Artist By Jean S. McGill and Land of Earth and Sky: Landscape Painting of Western Canada By Ronald Rees
No full textIn a brief, narrative biography of Edmund Morris, a Canadian artist of landscapes and Indians, Jean McGill describes the major events of his life and carrer. She is particularly factual in treating his educational experiences, his family and friends, and his varied, numerous paintings. Sometimes, however, these sections are little more than listings. Indeed, th~ unanalytical quality of this book is its major limitation. Often quoting the opinions of others, the author seems hesitant-almost unable-to put forth her critical reactions to Morris\u27s life and works. Instead of evaluating the strengths and weaknesses of the paintings noted, she includes extensive commentaries from newspaper and other art critics
Superluminal velocity through near-maximal neutrino oscillations or by being off shell
No full textRecently it was suggested that the observation of superluminal neutrinos by the OPERA collaboration may be due to group velocity effects resulting from close-to-maximal oscillation between neutrino mass eigenstates, in analogy to known effects in optics. We show that superluminal propagation does occur through this effect for a series of very narrow energy ranges, but this phenomenon cannot explain the OPERA measurement. Superluminal propagation can also occur if one of the neutrino masses is extremely small. However the effect only has appreciable amplitude at energies of order this mass and thus has negligible overlap with the multi-GeV scale of the experiment
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