12,525 research outputs found

    Susan Granger Interview

    No full text
    Susan Granger \u2780 was interviewed for the University of Minnesota Morris documentary Promise of the Prairie: Education in Three Parts.https://digitalcommons.morris.umn.edu/stories/1010/thumbnail.jp

    Sarah Sabina Kean and John Cox Morris to Susan Ursin Niemcewicz, September 14, 1820

    No full text
    Sarah Sabina Kean wrote from Butternuts, NY to Susan Ursin Niemcewicz, her mother-in-law, addressed to Ursino, Elizabeth Town, NJ. She told Susan about the children, particularly Julia Ursin Niemcewicz Kean and wished for her improved health. Sarah\u27s brother, John Cox Morris also wrote to Susan at the end of Sarah\u27s letter and addressed her as Mother. People Included: Peter Philip James Kean, John Kean, Sarah Louisa Jay Kean, Jacob Morris, Mary Cox Morris, Lewis Lee Morris, Uncle Ricketts, Peggy, Uncle Rutherford, Miss Cathy, Dr. Post, Sabina Places Included: Upton Park, Chemango Point, Carolina, St. Lawrencehttps://digitalcommons.kean.edu/lhc_1820s/1054/thumbnail.jp

    Susan Ursin Niemcewicz to Mary Cox Morris, January 22, 1813

    No full text
    Susan Ursin Niemcewicz wrote form Ursino to Mary Cox Morris, addressed to Butternuts, NY. She wrote that Peter was leaving for Butternuts to ask her and Jacob Morris\u27s permission to ask their daughter Sarah to marry him. People Included: Peter Philip James Kean, General Jacob Morris, Sarah Sabina Morris Notable Quote: ...should Peter be so happy as to succeed, I shall rejoice to wellcome as a daughter so lovely a young lady whose parents I ranked among my earliest friends.https://digitalcommons.kean.edu/lhc_1810s/1030/thumbnail.jp

    Lecture: Author Susan Orlean

    No full text
    Shaker Library and the Shaker Schools Foundation present Susan Orlean, SHHS grad and author of The Library Book, who will speak about her love of libraries and the impact of books on her life. Susan Orlean grew up in Shaker Heights and graduated from Shaker Heights High School in 1973, where she was editor in chief of the school’s yearbook, The Gristmill. She graduated with honors from the University of Michigan in 1976. She has written for the Boston Phoenix, the Boston Globe and has been a staff writer at The New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film, Adaptation. She lives with her family and her animals in upstate New York

    Interview with Susan Morris

    No full text
    This interview was conducted by Anna McIntyre in Savannah, Georgia, at the Savannah Marriott Riverfront Hotel. Susan Morris was in the law enforcment section with the Department of Natural Resources when she decided that she wanted to be a game warden. In her interview she discusses the challenegs and scrutiny she faced in the profession. She also touches on the impact that technology has made in the safety of game wardens.https://digitalcommons.georgiasouthern.edu/poag-oral-histories/1051/thumbnail.jp

    Bryan Morris interview (transcript)

    No full text
    Mr. Bryan Morris talks about growing up in Park Valley, Utah, on a ranch and about his current family cattle ranching operation in Park Valley, Utah. Interviewed by Brad Cole on January 26, 2011 in Park Valley, Utah. The transcript is provided in both PDF and Word Doc formats, if you encounter difficulty opening the transcript in your browser try loading the other format

    Bryan Morris interview

    No full text
    Mr. Bryan Morris talks about growing up in Park Valley, Utah, on a ranch and about his current family cattle ranching operation in Park Valley, Utah. Interviewed by Brad Cole on January 26, 2011 in Park Valley, Utah. The transcript is provided in both PDF and Word Doc formats, if you encounter difficulty opening the transcript in your browser try loading the other format

    Drawing in the Dark

    No full text
    Susan Morris approaches the subject of involuntary drawing from the point of view of an artist trying to make a visual record of that which escapes or exceeds deliberate action or conscious intention. In this paper Morris discusses her own work in the context of a wider consideration of the theme, which touches on the work of other artists as well as the writing of psychoanalysts, philosophers and art historians
    corecore